{"id":1024903,"date":"2026-06-26T03:15:47","date_gmt":"2026-06-26T03:15:47","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/1024903\/"},"modified":"2026-06-26T03:15:47","modified_gmt":"2026-06-26T03:15:47","slug":"notre-critique-de-la-bataille-de-gaulle-jecris-ton-nom-plus-militaire-et-spectaculaire","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/1024903\/","title":{"rendered":"Notre critique de La Bataille de Gaulle.\u00a0J\u2019\u00e9cris ton nom\u00a0: plus militaire et spectaculaire"},"content":{"rendered":"<p>\n    <strong>CRITIQUE &#8211; <\/strong>Le second volet du diptyque d\u2019Anthonin Baudry se d\u00e9ploie en alternant batailles, diplomatie et mise en place de la R\u00e9sistance.<\/p>\n<p class=\"fig-paragraph\">Le mot \u00ab\u00a0libert\u00e9\u00a0\u00bb brille par son absence dans le titre. Pourtant, cette \u00ab\u00a0lib\u00e9ration\u00a0\u00bb irrigue chaque sc\u00e8ne du second volet de\u00a0<a href=\"http:\/\/www.lefigaro.fr\/cinema\/pour-de-gaulle-la-france-n-est-pas-une-entreprise-ni-une-start-up-notre-rencontre-avec-simon-abkarian-avant-la-sortie-de-la-bataille-de-gaulle-j-ecris-ton-nom-20260625\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" rel=\"nofollow noopener\" target=\"_blank\">La Bataille de Gaulle. J\u2019\u00e9cris ton nom<\/a> . Le message est sous-jacent, comme les annonces sibyllines de Radio Londres. \u00c0 chaque spectateur de le d\u00e9crypter.<\/p>\n<p class=\"fig-paragraph\">Dans le premier volet du diptyque d\u2019Antonin Baudry, qui se d\u00e9roulait entre 1940 \u00e0 1942, l\u2019intrigue mettait en \u00e9vidence la solitude d\u2019un militaire retir\u00e9 \u00e0 Londres. Un Fran\u00e7ais perdu dans ses chim\u00e8res de France libre, mais qui avait r\u00e9ussi \u00e0 s\u00e9duire Churchill (Simon Russell Beale) par sa droiture, son \u00e9clat et son c\u00f4t\u00e9 \u00ab\u00a0quichotesque\u00a0\u00bb. Tel un chien dans un jeu de quilles, Charles de Gaulle (Simon Abkarian, magistral dans le r\u00f4le de sa vie) apparaissait tr\u00e8s s\u00fbr de ses id\u00e9aux, demandant \u00e0 ses rares troupes de lui faire confiance en regardant \u00ab\u00a0dans la direction de son bras\u00a0\u00bb.<\/p>\n<p>                                            Une narration plurielle<\/p>\n<p class=\"fig-paragraph\">Apr\u00e8s avoir rassembl\u00e9 une poign\u00e9e de Fran\u00e7ais d\u00e9sireux de combattre P\u00e9tain, tel le fid\u00e8le Ren\u00e9 Pleven (Lo\u00efc Corbery), le\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        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Sans engagement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Fcinema%2Fnotre-critique-de-la-bataille-de-gaulle-j-ecris-ton-nom-plus-militaire-et-spectaculaire-20260625\" data-js-gtm=\"{&quot;event&quot;:&quot;customEventGA4&quot;,&quot;eventName&quot;:&quot;click_action&quot;,&quot;feature&quot;:&quot;paywall&quot;,&quot;location&quot;:&quot;paywall&quot;,&quot;button_action&quot;:&quot;connect&quot;,&quot;click_text&quot;:&quot;Connectez-vous&quot;}\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"CRITIQUE &#8211; Le second volet du diptyque d\u2019Anthonin Baudry se d\u00e9ploie en alternant batailles, diplomatie et mise en&hellip;\n","protected":false},"author":2,"featured_media":1024904,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[8],"tags":[14508,650,58,59,1011,27,36233],"class_list":["post-1024903","post","type-post","status-publish","format-standard","has-post-thumbnail","category-divertissement","tag-charles-de-gaulle","tag-cinema","tag-divertissement","tag-entertainment","tag-fr","tag-france","tag-thierry-lhermitte"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/116814238599722552","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/1024903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=1024903"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/1024903\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/1024904"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=1024903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=1024903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=1024903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}