{"id":1070670,"date":"2026-07-17T14:12:17","date_gmt":"2026-07-17T14:12:17","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/1070670\/"},"modified":"2026-07-17T14:12:17","modified_gmt":"2026-07-17T14:12:17","slug":"lyon-le-koln-concert-de-keith-jarrett-monument-de-limpro-en-piano-reinvente-a-quatre-mains-sur-la-scene-des-nuits-de-fourviere","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/1070670\/","title":{"rendered":"Lyon. Le K\u00f6ln concert de Keith Jarrett, monument de l\u2019impro en piano, r\u00e9invent\u00e9 \u00e0 quatre mains sur la sc\u00e8ne des Nuits de Fourvi\u00e8re"},"content":{"rendered":"<p>Il est des \u0153uvres embl\u00e9matiques comme le K\u00f6ln concert (concert de Cologne) de Keith Jarrett, grav\u00e9 dans la cire le 24\u00a0janvier 1975, qui appartiennent \u00e0 l\u2019histoire autant qu\u2019au pr\u00e9sent. Improvisation totale, hypnotique, devenue l\u00e9gende [l\u2019enregistrement de ce concert est l\u2019album de piano solo le plus vendu de tous les temps] continue, un demi-si\u00e8cle plus tard, de fasciner par sa libert\u00e9 et son intensit\u00e9. Le K\u00f6ln concert continue aussi d\u2019inspirer des musiciens, comme le pianiste lyonnais Fran\u00e7ois Mardirossian ou encore \u00c9douard Ferlet et ses \u201cK\u00f6ln variations\u201d.<\/p>\n<p>Aux Nuits de Fourvi\u00e8re, cette \u0153uvre mythique (sans partition) s\u2019offre une nouvelle existence. Maki Namekawa, pianiste japonaise venue de la musique contemporaine et interpr\u00e8te f\u00e9tiche du musicien am\u00e9ricain Philip Glass et le pianiste de jazz Thomas Enhco proposent une relecture in\u00e9dite de ce monument musical, entre fid\u00e9lit\u00e9 \u00e0 l\u2019esprit originel et regard r\u00e9solument contemporain.<\/p>\n<p>  Un d\u00e9fi \u00e0 quatre mains<\/p>\n<p>Loin de l\u2019exercice de style ou de la simple reprise, leur dialogue met en lumi\u00e8re la modernit\u00e9 intemporelle du K\u00f6ln concert. Maki Namekawa et <a href=\"https:\/\/www.leprogres.fr\/culture-loisirs\/2026\/05\/21\/thomas-enhco-keith-jarrett-est-un-genie-total-de-l-improvisation\" target=\"_blank\" rel=\"nofollow noopener\">Thomas Enhco<\/a> prolongent l\u2019\u00e9lan cr\u00e9atif insuffl\u00e9 par Keith Jarrett, en explorant les r\u00e9sonances de cet enregistrement enti\u00e8rement improvis\u00e9 qui fit la gloire du pianiste am\u00e9ricain avec leur propre langage musical. Le temps d\u2019une conversation \u00e0 quatre mains et \u00e0 deux sensibilit\u00e9s, l\u2019improvisation et la libert\u00e9 demeurent les v\u00e9ritables ma\u00eetres du jeu.<\/p>\n<p class=\"note\">Dimanche 19\u00a0juillet \u00e0 21\u00a0h\u00a030 Nuits de Fourvi\u00e8re 6, rue de l\u2019Antiquaille Lyon 5e  \u2013 Tarifs de 22 \u00e0 39\u00a0\u20ac &#8211; T\u00e9l.\u00a004\u00a072\u00a032\u00a000\u00a000.<\/p>\n","protected":false},"excerpt":{"rendered":"Il est des \u0153uvres embl\u00e9matiques comme le K\u00f6ln concert (concert de Cologne) de Keith Jarrett, grav\u00e9 dans la&hellip;\n","protected":false},"author":2,"featured_media":1070671,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[1889],"tags":[1111,11,2430,1687,2757,1777,674,1011,27,2428,15658,15657,873,12,25],"class_list":["post-1070670","post","type-post","status-publish","format-standard","has-post-thumbnail","category-lyon","tag-actu","tag-actualites","tag-auvergne-rhone-alpes","tag-culture-loisirs","tag-edition-lyon-villeurbanne","tag-eu","tag-europe","tag-fr","tag-france","tag-lyon","tag-lyon-5e","tag-lyon-5e-arrondissement","tag-musique","tag-news","tag-republique-francaise"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/116935730595349616","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/1070670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=1070670"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/1070670\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/1070671"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=1070670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=1070670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=1070670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}