{"id":109049,"date":"2025-05-18T09:50:13","date_gmt":"2025-05-18T09:50:13","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/109049\/"},"modified":"2025-05-18T09:50:13","modified_gmt":"2025-05-18T09:50:13","slug":"o-agente-secreto-kleber-mendonca-filho-dans-les-tenebres-de-la-dictature-bresilienne","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/109049\/","title":{"rendered":"O Agente Secreto : Kleber Mendon\u00e7a Filho dans les t\u00e9n\u00e8bres de la dictature br\u00e9silienne"},"content":{"rendered":"<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\">De film en film, Kleber Mendon\u00e7a Filho approfondit son analyse critique des dynamiques de pouvoir et des in\u00e9galit\u00e9s sociales qui divisent son pays, en m\u00ealant r\u00e9alisme social (Les Bruits de Recife, <a href=\"https:\/\/www.festival-cannes.com\/f\/aquarius\/\" rel=\"nofollow noopener\" target=\"_blank\">Aquarius<\/a>), cin\u00e9ma de genre (<a href=\"https:\/\/www.festival-cannes.com\/f\/bacurau\/\" rel=\"nofollow noopener\" target=\"_blank\">Bacurau<\/a>), et documentaire (Retratos Fantasmas). Mais si elle emprunte des codes cin\u00e9matographiques vari\u00e9s, son \u0153uvre reste profond\u00e9ment ancr\u00e9e \u00e0 Recife, sa ville natale, dont il se pla\u00eet \u00e0 explorer la m\u00e9moire collective et \u00e0 filmer l\u2019architecture, qui a servi de d\u00e9cor \u00e0 la plupart de ses projets.\u00a0<\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\">Recife constitue \u00e0 nouveau un personnage central du cinqui\u00e8me long m\u00e9trage du cin\u00e9aste br\u00e9silien, qui invite cette fois le spectateur aux c\u00f4t\u00e9s de Marcelo (Wagner Moura), un agent infiltr\u00e9, dans le Br\u00e9sil des ann\u00e9es 1970, alors en proie \u00e0 la dictature militaire. Cherchant \u00e0 \u00e9chapper \u00e0 son pass\u00e9 myst\u00e9rieux, Marcelo quitte S\u00e3o Paulo pour Recife, en esp\u00e9rant y trouver la paix. Cependant, il d\u00e9couvre rapidement que la ville, en pleine effervescence du Carnaval, est loin d\u2019\u00eatre un refuge : il est surveill\u00e9 par ses voisins.\u00a0<\/p>\n<p data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\">\u00c0 travers ce thriller politique, Kleber Mendon\u00e7a Filho explique avoir souhait\u00e9 \u00ab\u202fexplorer comment les individus naviguent dans un syst\u00e8me oppressif, comment ils r\u00e9sistent ou se soumettent. \u00bb \u00a0Le cin\u00e9aste, qui a tourn\u00e9 le film au printemps 2024 entre Recife et S\u00e3o Paulo, affirme \u00e9galement avoir accord\u00e9 une vigilance toute particuli\u00e8re \u00e0 la retranscription de l\u2019atmosph\u00e8re oppressante de la dictature, afin de transmettre au spectateur l\u2019angoisse v\u00e9cue par les personnages. \u00ab\u202fCe film est une immersion dans une \u00e9poque o\u00f9 les murs avaient des oreilles, o\u00f9 chaque geste pouvait \u00eatre suspect. \u00bb, souligne-t-il.<\/p>\n","protected":false},"excerpt":{"rendered":"De film en film, Kleber Mendon\u00e7a Filho approfondit son analyse critique des dynamiques de pouvoir et des in\u00e9galit\u00e9s&hellip;\n","protected":false},"author":2,"featured_media":109050,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1354],"tags":[827,58,59,1346,1011,27,1360],"class_list":{"0":"post-109049","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-films","8":"tag-competition","9":"tag-divertissement","10":"tag-entertainment","11":"tag-films","12":"tag-fr","13":"tag-france","14":"tag-movies"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114528218225665707","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/109049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=109049"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/109049\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/109050"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=109049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=109049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=109049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}