{"id":1120135,"date":"2026-08-11T05:33:15","date_gmt":"2026-08-11T05:33:15","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/1120135\/"},"modified":"2026-08-11T05:33:15","modified_gmt":"2026-08-11T05:33:15","slug":"a-aix-en-provence-la-maison-du-bonheur-de-vasarely-se-raconte-pour-ses-50-ans","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/1120135\/","title":{"rendered":"\u00c0 Aix-en-Provence, la maison du bonheur de Vasarely se raconte pour ses 50 ans"},"content":{"rendered":"<p class=\"editor-content__paragraph\">Plus qu\u2019un simple b\u00e2timent, c\u2019est un \u00ab\u00a0centre architectonique\u00a0\u00bb, une <a href=\"https:\/\/www.beauxarts.com\/grand-format\/la-cite-polychrome-du-bonheur-lutopie-de-vasarely\/\" target=\"_blank\" rel=\"noopener nofollow\"><strong>\u00ab\u00a0Cit\u00e9 polychrome du bonheur\u00a0\u00bb<\/strong><\/a>, bref, <strong>un manifeste<\/strong> qui c\u00e9l\u00e8bre cet \u00e9t\u00e9 <strong>son premier demi-si\u00e8cle<\/strong>. Mieux encore, c\u2019est \u00ab\u00a0la chapelle Sixtine de l\u2019art optico-cin\u00e9tique\u00a0\u00bb, clame le Centre Pompidou, qui orchestre avec la fondation Vasarely une exposition d\u00e9roulant tous les \u00e9pisodes de <strong>cette aventure \u00e0 la fois plastique et architecturale<\/strong>.<\/p>\n<p class=\"editor-content__paragraph\">\u00ab\u00a0La peinture n\u2019est plus qu\u2019un moyen pour moi, martelait<strong> <a href=\"https:\/\/www.beauxarts.com\/grand-format\/victor-vasarely-en-2-minutes\/\" target=\"_blank\" rel=\"noopener nofollow\">Victor Vasarely<\/a><\/strong> (1906\u20131997). Le but \u00e0 atteindre, c\u2019est de chercher, de d\u00e9finir et d\u2019int\u00e9grer le \u2018ph\u00e9nom\u00e8ne plastique\u2019 dans la vie de tous les jours.\u00a0\u00bb Quand Vasarely inaugure ce site en 1976, <strong>pr\u00e8s d\u2019Aix-en-Provence<\/strong>, il r\u00eave d\u2019en faire le lieu o\u00f9 se cristallisent <strong>tous les principes de son art<\/strong>.<\/p>\n<p>Une ville mod\u00e8le<\/p>\n<p class=\"editor-content__paragraph\">Cette cit\u00e9 utopique, il cherche \u00e0<strong> l\u2019offrir en mod\u00e8le<\/strong>, reproductible partout sur la plan\u00e8te\u00a0: les nombreuses \u00e9tudes qu\u2019il a r\u00e9alis\u00e9es dans les ann\u00e9es 1960\u00a0et 1970\u00a0attestent de l\u2019importance qu\u2019il lui donnait dans son \u0153uvre. Elle est le fer de lance de son <strong>ambitieux programme<\/strong> destin\u00e9 \u00e0 <strong>abolir la laideur des villes<\/strong>.<\/p>\n<p>        \u00c0 lire aussi :<br \/>\n        <a class=\"renvoi-explicite__link\" href=\"https:\/\/www.beauxarts.com\/grand-format\/la-cite-polychrome-du-bonheur-lutopie-de-vasarely\/\" rel=\"nofollow noopener\" target=\"_blank\">La cit\u00e9 polychrome du bonheur, l&rsquo;utopie de Vasarely<\/a><\/p>\n<p>L\u2019\u0153uvre\u00a0d\u2019art totale de Vasarely<\/p>\n<p class=\"editor-content__paragraph\">Il la dessine <strong>comme une \u00e9norme mol\u00e9cule<\/strong>, articul\u00e9e en <strong>seize volumes connect\u00e9s<\/strong>. Sur les fa\u00e7ades de m\u00e9tal, de grands disques alternent, noir sur fond clair, clair sur fond noir. Les espaces int\u00e9rieurs sont con\u00e7us sur mesure pour les <strong>mille et une illusions<\/strong> de son \u0153uvre d\u00e9bordante d\u2019\u00e9nergie.<\/p>\n<p class=\"editor-content__paragraph\">Un summum de l\u2019in situ, avec <strong>42\u00a0int\u00e9grations monumentales<\/strong> diss\u00e9min\u00e9es dans ses hautes alv\u00e9oles hexagonales. Osmose parfaite entre l\u2019espace et la toile, le lieu aujourd\u2019hui labellis\u00e9 \u00ab\u00a0mus\u00e9e de France\u00a0\u00bb garde, pr\u00e8s de 30\u00a0ans apr\u00e8s la mort de son cr\u00e9ateur, son charme singulier de<strong> symbole r\u00e9trofuturiste<\/strong> des Trente Glorieuses.<\/p>\n<p>        \u00c0 lire aussi :<br \/>\n        <a class=\"renvoi-explicite__link\" href=\"https:\/\/www.beauxarts.com\/expos\/au-chateau-borely-comment-marseille-est-devenue-un-laboratoire-mediterraneen-de-lart-nouveau-et-de-lart-deco\/\" rel=\"nofollow noopener\" target=\"_blank\">Au ch\u00e2teau Bor\u00e9ly, comment Marseille est devenue un laboratoire m\u00e9diterran\u00e9en de l\u2019Art nouveau et de l\u2019Art d\u00e9co<\/a><\/p>\n<p>  Arrow<\/p>\n<p>Projet pour une r\u00e9volution. Vasarely et l&rsquo;architecture<\/p>\n<p>Du 12 juin 2026 au 1 novembre 2026<\/p>\n<p class=\"url-expo\"><a href=\"https:\/\/www.centrepompidou.fr\/fr\/programme\/agenda\/evenement\/yVhT1OO\" rel=\"nofollow noopener\" target=\"_blank\">www.centrepompidou.fr<\/a><\/p>\n<p class=\"annexe-content__infos\">Fondation Vasarely \u2022 1 avenue Marcel Pagnol \u2022 13090 Aix-en-Provence<br \/><a href=\"http:\/\/www.fondationvasarely.org\/\" rel=\"nofollow noopener\" target=\"_blank\">www.fondationvasarely.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Plus qu\u2019un simple b\u00e2timent, c\u2019est un \u00ab\u00a0centre architectonique\u00a0\u00bb, une \u00ab\u00a0Cit\u00e9 polychrome du bonheur\u00a0\u00bb, bref, un manifeste qui c\u00e9l\u00e8bre&hellip;\n","protected":false},"author":2,"featured_media":1120136,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[1358],"tags":[1350,115085,1396,1348,1384,1385,1386,58,59,115086,1011,27],"class_list":["post-1120135","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-et-design","tag-architecture","tag-art-cinetique","tag-art-contemporain","tag-arts","tag-arts-and-design","tag-arts-et-design","tag-design","tag-divertissement","tag-entertainment","tag-fondation-vasarely","tag-fr","tag-france"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/117075247487083256","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/1120135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=1120135"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/1120135\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/1120136"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=1120135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=1120135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=1120135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}