Le cin\u00e9ma vous r\u00e9serve parfois de jolies surprises, y compris en provenance des Etats-Unis. La preuve avec Kent Jones, ancien critique, directeur de salle et de festival devenu documentariste aux c\u00f4t\u00e9s de Martin Scorsese (A Letter to Elia) et sc\u00e9nariste pour Arnaud Desplechin (Jimmy P.), est clairement de ceux-l\u00e0. Pass\u00e9 le cap de la soixantaine, il s\u2019\u00e9tait enfin d\u00e9cid\u00e9 \u00e0 tenter la fiction avec Diane, portrait sensible d\u2019une septuag\u00e9naire d\u00e9vou\u00e9e mais aussi hant\u00e9e par ses d\u00e9mons (en comp\u00e9tition \u00e0 Locarno en 2018). Et voil\u00e0 qu\u2019il remet \u00e7a avec Late Fame, adaptation de Gloire tardive, un d\u00e9licieux roman posthume d\u2019Arthur Schnitzler, r\u00e9dig\u00e9 en 1894, red\u00e9couvert et enfin publi\u00e9 s\u00e9par\u00e9ment en 2014.<\/p>\n
A priori, on ne voyait pas cette histoire \u00e9chapper \u00e0 son cadre d\u2019\u00e9poque viennois. Et puis, comme Stanley Kubrick pour la fameuse Traumnovelle du m\u00eame auteur, devenue Eyes Wide Shut, mais sans doute aussi faute de moyens, Kent Jones a os\u00e9 la transposition \u00e0 New\u00a0York, de nos jours. S\u2019agissant d\u2019une toute petite production ind\u00e9pendante, le r\u00e9sultat ne saurait bien s\u00fbr \u00eatre du m\u00eame calibre. Mais il tient parfaitement la route, sans trahir l\u2019esprit de l\u2019original, en offrant un nouveau r\u00f4le en or \u00e0 l\u2019indispensable Willem Dafoe.<\/p>\n","protected":false},"excerpt":{"rendered":"Le cin\u00e9ma vous r\u00e9serve parfois de jolies surprises, y compris en provenance des Etats-Unis. La preuve avec Kent…\n","protected":false},"author":2,"featured_media":1151600,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[1354],"tags":[650,251,58,59,1346,1011,27,1360,301],"class_list":["post-1151599","post","type-post","status-publish","format-standard","has-post-thumbnail","category-films","tag-cinema","tag-culture","tag-divertissement","tag-entertainment","tag-films","tag-fr","tag-france","tag-movies","tag-premium"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/117166473674505554","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/1151599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=1151599"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/1151599\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/1151600"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=1151599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=1151599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=1151599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}