{"id":115538,"date":"2025-05-20T23:52:09","date_gmt":"2025-05-20T23:52:09","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/115538\/"},"modified":"2025-05-20T23:52:09","modified_gmt":"2025-05-20T23:52:09","slug":"notre-critique-de-la-disparition-de-josef-mengele-plongee-dans-la-noirceur","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/115538\/","title":{"rendered":"notre critique de La Disparition de Josef Mengele, plong\u00e9e dans la noirceur"},"content":{"rendered":"<p><strong>CANNES PREMI\u00c8RE &#8211; <\/strong>Le Russe Kirill Serebrennikov adapte fid\u00e8lement le roman prim\u00e9 d\u2019Olivier Guez sur la fuite du nazi en Am\u00e9rique du Sud. Percutant mais d\u00e9rangeant.<\/p>\n<p class=\"fig-paragraph\">Dans une universit\u00e9 br\u00e9silienne, un professeur de sciences exhibe un squelette devant ses \u00e9tudiants. Cette d\u00e9pouille \u00e9tait autrefois un homme, leur explique-t-il. Un frisson de g\u00eane secoue l\u2019assembl\u00e9e. L\u2019homme \u00e9tait surnomm\u00e9 \u00ab\u00a0l\u2019Ange de la mort\u00a0\u00bb. Est-ce que \u00e7a leur dit quelque chose\u00a0? Aucun n\u2019est capable de r\u00e9pondre. \u00c0 commencer par les jumeaux dont le professeur confond les noms, ce qui fait rire les copains. En guise de premi\u00e8re sc\u00e8ne, cette allusion \u00e0 la besogne horrifique de\u00a0<a href=\"http:\/\/www.lefigaro.fr\/bd\/la-disparition-de-josef-mengele-un-monstre-tapi-dans-l-ombre-20221010\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" rel=\"nofollow noopener\" target=\"_blank\">Josef Mengele<\/a>\u00a0qui r\u00e9alisait \u00e0\u00a0<a href=\"http:\/\/www.lefigaro.fr\/flash-actu\/commemorations-d-auschwitz-nous-n-oublierons-jamais-dit-ursula-von-der-leyen-20250126\" data-fig-type=\"NewsFlash\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" rel=\"nofollow noopener\" target=\"_blank\">Auschwitz<\/a>\u00a0des exp\u00e9rimentations m\u00e9dicales sur les jumeaux d\u00e9port\u00e9s appara\u00eet un peu grossi\u00e8re.<\/p>\n<p class=\"fig-paragraph\">Kirill Serebrennikov, cin\u00e9aste russe exil\u00e9, a choisi cet apart\u00e9 d\u00e9cal\u00e9 avant de rentrer poings serr\u00e9s dans le vif de son sujet\u00a0: l\u2019\u00e9vocation du destin de l\u2019un des pires criminels du XXe\u00a0si\u00e8cle. Le r\u00e9alisateur de\u00a0<a href=\"https:\/\/www.lefigaro.fr\/cinema\/notre-critique-de-la-femme-de-tchaikovski-drama-queer-20230214\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" rel=\"nofollow noopener\" target=\"_blank\">La Femme de Tcha\u00efkovski\u00a0<\/a> et de Limonov adapte le roman d\u2019Olivier Guez La Disparition de Josef Mengele, prix Renaudot 1917, sur la cavale du nazi, enfui en Am\u00e9rique du\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 76% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vente Flash<\/p>\n<p class=\"fig-premium-paywall__subtitle\">4,99\u20ac par mois pendant 12 mois. Sans engagement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Ffestival-de-cannes%2Fcannes-2025-notre-critique-de-la-disparition-de-josef-mengele-plongee-dans-la-noirceur-20250520\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDM1NzE1LWY1NTUtNjYzNC04NDA0LThkYWM2MWU2NGZhZl9fQXJ0aWNsZQ==_Cannes 2025\u00a0: notre critique de &lt;i&gt;La Disparition de Josef Mengele&lt;\/i&gt;, plong\u00e9e dans la noirceur_383&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDM1NzE1LWY1NTUtNjYzNC04NDA0LThkYWM2MWU2NGZhZl9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"CANNES PREMI\u00c8RE &#8211; Le Russe Kirill Serebrennikov adapte fid\u00e8lement le roman prim\u00e9 d\u2019Olivier Guez sur la fuite du&hellip;\n","protected":false},"author":2,"featured_media":115539,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1354],"tags":[23573,7306,650,7307,58,59,5634,1346,1011,27,23572,11584,1360,11586,11585],"class_list":{"0":"post-115538","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-films","8":"tag-auschwitz","9":"tag-cannes","10":"tag-cinema","11":"tag-croisette","12":"tag-divertissement","13":"tag-entertainment","14":"tag-festival-de-cannes","15":"tag-films","16":"tag-fr","17":"tag-france","18":"tag-kirill-serebrennikov","19":"tag-montee-des-marches","20":"tag-movies","21":"tag-palme-dor","22":"tag-prix-du-jury"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114542853838926795","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/115538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=115538"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/115538\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/115539"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=115538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=115538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=115538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}