{"id":184356,"date":"2025-06-17T21:59:21","date_gmt":"2025-06-17T21:59:21","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/184356\/"},"modified":"2025-06-17T21:59:21","modified_gmt":"2025-06-17T21:59:21","slug":"au-musee-cantini-de-marseille-alberto-giacometti-sublime-par-le-vide","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/184356\/","title":{"rendered":"Au mus\u00e9e Cantini de Marseille, Alberto Giacometti sublim\u00e9 par le vide"},"content":{"rendered":"<p class=\"editor-content__paragraph\">Il n\u2019y a dans la collection du <strong>mus\u00e9e Cantini<\/strong> qu\u2019<strong>une seule \u0153uvre d\u2019<a href=\"https:\/\/www.beauxarts.com\/grand-format\/alberto-giacometti-en-2-minutes\/\" target=\"_blank\" rel=\"noopener\">Alberto Giacometti<\/a><\/strong> (1901\u20131966) \u2013 une peinture, Portrait de Diego. T\u00eate noire (1957). Alors, pour lui consacrer une exposition enti\u00e8re, la premi\u00e8re de l\u2019artiste suisse \u00e0 Marseille, le mus\u00e9e <strong>a collabor\u00e9 avec la fondation Giacometti<\/strong>, laquelle l\u2019a accompagn\u00e9 avec son fonds extr\u00eamement riche, mais aussi avec toute l\u2019intelligence et la finesse qu\u2019on lui conna\u00eet.<\/p>\n<p class=\"editor-content__paragraph editor-content__paragraph--is-hidden\">Le r\u00e9sultat, orchestr\u00e9 par trois commissaires (In\u00e8s de Bordas et Romain Perrin de la fondation Giacometti, et Louise Madinier du mus\u00e9e Cantini), est \u00e0 ne pas manquer. Programm\u00e9e jusqu\u2019au 28\u00a0septembre prochain, cette <strong>r\u00e9trospective th\u00e9matique<\/strong> s\u2019organise<strong> autour de la question du vide<\/strong> chez Giacometti, mais prend tout de m\u00eame le temps de raconter sa vie et de retracer sa trajectoire artistique, d\u00e8s sa naissance en Suisse, dans le canton des Grisons.<\/p>\n<p>            <strong>Continuez votre lecture<\/strong><\/p>\n<p>\n                et acc\u00e9dez \u00e0 Beaux Arts Magazine<br \/>et \u00e0 tous les contenus web<br \/><strong>en illimit\u00e9 \u00e0 partir de 5,75\u20ac \/ mois<\/strong>\n            <\/p>\n<p class=\"cta-abonnement__log-in\">\n        D\u00e9j\u00e0 abonn\u00e9 ?        <a data-id=\"aHR0cHM6Ly93d3cuYmVhdXhhcnRzLmNvbS9tb24tY29tcHRlLw==\">Connectez-vous<\/a>\n    <\/p>\n<p>            <img data-vllblanksrc=\"https:\/\/www.beauxarts.com\/expos\/expose-pour-la-premiere-fois-a-marseille-giacometti-sublime-par-le-vide\/1\" data-vllsrc=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/05\/couv-bam-492-232x300.png\" alt=\"\"\/><img data-vllblanksrc=\"https:\/\/www.beauxarts.com\/expos\/expose-pour-la-premiere-fois-a-marseille-giacometti-sublime-par-le-vide\/1\" data-vllsrc=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/04\/couv-bam-2025-1-232x300.png\" alt=\"\"\/>        <\/p>\n","protected":false},"excerpt":{"rendered":"Il n\u2019y a dans la collection du mus\u00e9e Cantini qu\u2019une seule \u0153uvre d\u2019Alberto Giacometti (1901\u20131966) \u2013 une peinture,&hellip;\n","protected":false},"author":2,"featured_media":184357,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[12870,1348,1384,1385,1386,58,59,1011,27,884,32237,3899],"class_list":{"0":"post-184356","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-art-moderne","9":"tag-arts","10":"tag-arts-and-design","11":"tag-arts-et-design","12":"tag-design","13":"tag-divertissement","14":"tag-entertainment","15":"tag-fr","16":"tag-france","17":"tag-marseille","18":"tag-musee-cantini","19":"tag-sculpture"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114700954161212543","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/184356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=184356"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/184356\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/184357"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=184356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=184356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=184356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}