{"id":212125,"date":"2025-06-29T00:34:27","date_gmt":"2025-06-29T00:34:27","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/212125\/"},"modified":"2025-06-29T00:34:27","modified_gmt":"2025-06-29T00:34:27","slug":"au-centre-pompidou-le-carte-blanche-hors-norme-de-wolfgang-tillmans","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/212125\/","title":{"rendered":"Au Centre Pompidou, le carte blanche hors norme de Wolfgang Tillmans"},"content":{"rendered":"<p class=\"editor-content__paragraph\">En juin 2024, <strong><a href=\"https:\/\/www.beauxarts.com\/expos\/wolfgang-tillmans-nature-morte-au-citron\/\" target=\"_blank\" rel=\"noopener\">Wolfgang Tillmans<\/a><\/strong> reprend sur son Instagram un post de Rapha\u00ebl Glucksmann\u00a0: \u00ab\u00a0Nous sommes le 28\u00a0juin 2025. Cela fait un an que l\u2019extr\u00eame droite est au pouvoir en France.\u00a0\u00bb Ceux qui suivent l\u2019artiste sur les r\u00e9seaux sociaux savent qu\u2019il est lui-m\u00eame coutumier de ce type d\u2019axiomes, baptis\u00e9s Time Mirrored, qui mettent en lumi\u00e8re <strong>des concordances ou des alt\u00e9rations de temps<\/strong>.<\/p>\n<p class=\"editor-content__paragraph\">Nous sommes \u00e0 l\u2019\u00e9t\u00e9 2025\u00a0justement, la France est englu\u00e9e dans des discours nationalistes naus\u00e9abonds, le monde chancelle sous les coups de boutoir des populistes et des autocrates, et l\u2019artiste allemand, connu pour avoir fait de la photo un enjeu \u00e0 la fois esth\u00e9tique, politique et social, prend possession du <strong>Centre Pompidou<\/strong> avec une exposition revigorante.<strong> Photos, films et installations<\/strong> se d\u00e9ploient <strong>dans un espace de pr\u00e8s de 6\u00a0000\u00a0m2<\/strong> qui n\u2019est pas celui, habituel, des grandes expositions mais<strong> le niveau 2\u00a0de la Biblioth\u00e8que publique d\u2019information<\/strong> (la BPI, qui ouvrira en ao\u00fbt dans l\u2019immeuble Lumi\u00e8re, Paris 12e).<\/p>\n<blockquote class=\"editor-content__blockquote editor-content__blockquote--align-left\">\n<p>\u00ab\u00a0J\u2019ai fait en sorte de respecter l\u2019esprit du lieu.\u00a0\u00bb<\/p>\n<p>Wolfgang Tillmans<\/p>\n<\/blockquote>\n<p class=\"editor-content__paragraph editor-content__paragraph--is-hidden\">\u00ab\u00a0Le fait que Laurent Le Bon ait pens\u00e9 \u00e0 moi il y a trois ans <strong>pour accompagner la fermeture du Centre<\/strong> m\u2019a interrog\u00e9, confie l\u2019artiste. \u00c0 ce moment-l\u00e0, j\u2019\u00e9tais en plein montage d\u2019une r\u00e9trospective au MoMA et j\u2019ai vu dans cette nouvelle proposition <strong>l\u2019occasion de montrer mon travail autrement<\/strong>. Mais tout \u00e9tait intimidant pour moi, la nature particuli\u00e8re de l\u2019espace que je devais investir comme les circonstances, puisque je savais qu\u2019\u00e0 partir du 30\u00a0juin il n\u2019y aurait plus que mes \u0153uvres dans le mus\u00e9e.\u00a0\u00bb<\/p>\n<p>            <strong>Continuez votre lecture<\/strong><\/p>\n<p>\n                et acc\u00e9dez \u00e0 Beaux Arts Magazine<br \/>et \u00e0 tous les contenus web<br \/><strong>en illimit\u00e9 \u00e0 partir de 5,75\u20ac \/ mois<\/strong>\n            <\/p>\n<p class=\"cta-abonnement__log-in\">\n        D\u00e9j\u00e0 abonn\u00e9 ?        <a data-id=\"aHR0cHM6Ly93d3cuYmVhdXhhcnRzLmNvbS9tb24tY29tcHRlLw==\">Connectez-vous<\/a>\n    <\/p>\n<p>            <img data-vllblanksrc=\"https:\/\/www.beauxarts.com\/expos\/au-centre-pompidou-la-carte-blanche-hors-norme-de-wolfgang-tillmans\/1\" data-vllsrc=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/06\/couv-bam-493-494-232x300.png\" alt=\"\"\/><img data-vllblanksrc=\"https:\/\/www.beauxarts.com\/expos\/au-centre-pompidou-la-carte-blanche-hors-norme-de-wolfgang-tillmans\/1\" data-vllsrc=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/05\/couv-bam-492-232x300.png\" alt=\"\"\/>        <\/p>\n","protected":false},"excerpt":{"rendered":"En juin 2024, Wolfgang Tillmans reprend sur son Instagram un post de Rapha\u00ebl Glucksmann\u00a0: \u00ab\u00a0Nous sommes le 28\u00a0juin&hellip;\n","protected":false},"author":2,"featured_media":212126,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1396,1348,1384,1385,3401,1386,58,59,1011,27,1756,35183],"class_list":{"0":"post-212125","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-art-contemporain","9":"tag-arts","10":"tag-arts-and-design","11":"tag-arts-et-design","12":"tag-centre-georges-pompidou","13":"tag-design","14":"tag-divertissement","15":"tag-entertainment","16":"tag-fr","17":"tag-france","18":"tag-photographie","19":"tag-wolfgang-tillmans"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114763849017676051","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/212125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=212125"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/212125\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/212126"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=212125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=212125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=212125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}