{"id":228319,"date":"2025-07-05T14:38:10","date_gmt":"2025-07-05T14:38:10","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/228319\/"},"modified":"2025-07-05T14:38:10","modified_gmt":"2025-07-05T14:38:10","slug":"le-monde-et-la-photographie-lessor-decisif-de-limage","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/228319\/","title":{"rendered":"\u00ab\u00a0Le Monde\u00a0\u00bb et la photographie\u00a0: l\u2019essor d\u00e9cisif de l\u2019image"},"content":{"rendered":"\n<p>     div {<br \/>\n        width: 100%;<br \/>\n      }<\/p>\n<p>      *:has(> .lmui-reset-parent-margins) {<br \/>\n      margin: 0 !important;<br \/>\n    }<\/p>\n<p>    ]]><\/p>\n<p>      source<br \/>\n      https:\/\/assets-decodeurs.lemonde.fr\/doc_happens\/20240304-80ans\/240403-80-ans-00-lm-styles.txt<\/p>\n<p>      source<br \/>\n      https:\/\/assets-decodeurs.lemonde.fr\/doc_happens\/20240304-80ans\/240403-80-ans-00-texts.txt<\/p>\n<p>      source<br \/>\n      https:\/\/assets-decodeurs.lemonde.fr\/doc_happens\/20240304-80ans\/240403-80-ans-00-structure.txt<\/p>\n<p>      source<br \/>\n      https:\/\/assets-decodeurs.lemonde.fr\/doc_happens\/20240304-80ans\/240403-80-ans-00-styles.txt<\/p>\n<p>      source<br \/>\n      https:\/\/assets-decodeurs.lemonde.fr\/doc_happens\/20240304-80ans\/250702-80-ans-18-texts.txt<\/p>\n<p>      source<br \/>\n      https:\/\/assets-decodeurs.lemonde.fr\/doc_happens\/20240304-80ans\/250702-80-ans-18-structure.txt<\/p>\n<p>      source<br \/>\n      https:\/\/assets-decodeurs.lemonde.fr\/doc_happens\/20240304-80ans\/250702-80-ans-18-styles.txt<\/p>\n<p class=\"article__paragraph article__paragraph--lf \">On pense tomber sur une image de guerre, une manifestation g\u00e9ante ou un portrait politique et on d\u00e9couvre, en bas de la page\u00a05, une vue du Salon des arts m\u00e9nagers \u00e0 Paris. La premi\u00e8re photo jamais publi\u00e9e dans Le\u00a0Monde concerne des frigos et des aspirateurs. La date, le 3\u00a0mars\u00a01949, r\u00e9serve une autre surprise. Mais que vient faire ce clich\u00e9, par ailleurs trop fade, dans un journal qui a b\u00e2ti sa r\u00e9putation sur le fait de ne jamais en publier\u00a0? Il raconte une histoire chaotique.<\/p>\n<p>                                <img viewbox=\"0 0 664 443\"   width=\"664\" height=\"443\" alt=\"La premi\u00e8re photo jamais publi\u00e9e dans \u00ab\u00a0Le\u00a0Monde\u00a0\u00bb, le 3\u00a0mars\u00a01949.\"\/>    La premi\u00e8re photo jamais publi\u00e9e dans \u00ab\u00a0Le\u00a0Monde\u00a0\u00bb, le 3\u00a0mars\u00a01949.  \u00ab\u00a0LE MONDE\u00a0\u00bb                 <\/p>\n<p class=\"article__paragraph article__paragraph--lf \">La photographie est aujourd\u2019hui partout dans Le\u00a0Monde \u2013 le quotidien, le site Internet, le magazine \u2013, port\u00e9e par des moyens financiers que seul Paris Match peut surpasser en France. Mais le chemin vers l\u2019image a \u00e9t\u00e9 long et lent, trac\u00e9 dans l\u2019indiff\u00e9rence, l\u2019adversit\u00e9, l\u2019engueulade et la douleur. Parce que la culture de ce journal est d\u2019abord celle des mots. \u00ab\u00a0Le\u00a0Monde et la photo, c\u2019est de l\u2019amour-haine\u00a0\u00bb, nous a confi\u00e9, \u00e0 la suite d\u2019une \u00e9ni\u00e8me tension sur le sujet, <a href=\"https:\/\/www.lemonde.fr\/archives\/article\/2001\/04\/13\/jean-pierre-quelin_4168473_1819218.html\" rel=\"nofollow noopener\" target=\"_blank\">le journaliste Jean-Pierre Qu\u00e9lin<\/a> (1941-2001), un acteur de cette aventure.<\/p>\n<p class=\"reading-mode-only \"><strong>Il vous reste 96.08% de cet article \u00e0 lire. La suite est r\u00e9serv\u00e9e aux abonn\u00e9s.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"div { width: 100%; } *:has(> .lmui-reset-parent-margins) { margin: 0 !important; } ]]&gt; source https:\/\/assets-decodeurs.lemonde.fr\/doc_happens\/20240304-80ans\/240403-80-ans-00-lm-styles.txt source https:\/\/assets-decodeurs.lemonde.fr\/doc_happens\/20240304-80ans\/240403-80-ans-00-texts.txt source&hellip;\n","protected":false},"author":2,"featured_media":228320,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27],"class_list":{"0":"post-228319","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114801141602691608","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/228319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=228319"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/228319\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/228320"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=228319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=228319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=228319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}