{"id":236674,"date":"2025-07-09T03:40:11","date_gmt":"2025-07-09T03:40:11","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/236674\/"},"modified":"2025-07-09T03:40:11","modified_gmt":"2025-07-09T03:40:11","slug":"aux-rencontres-darles-entre-lia-et-les-photographes-le-flou-artistique-persiste","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/236674\/","title":{"rendered":"Aux Rencontres d\u2019Arles, entre l\u2019IA et les photographes, le flou artistique persiste"},"content":{"rendered":"<p>                         <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/07\/d3f26ef_upload-1-1w9uesrixdaq-2025-futu-01.jpg\" alt=\"\u00ab\u00a0The Wedding\u00a0\u00bb (2024), de Mayara Ferrao. L\u2019artiste br\u00e9silienne a officiellement utilis\u00e9 l\u2019IA pour ces cr\u00e9ations expos\u00e9es aux Rencontres de la photographie, \u00e0 Arles (Bouches-du-Rh\u00f4ne) en 2025. \"   width=\"664\" height=\"443\"\/>    \u00ab\u00a0The Wedding\u00a0\u00bb (2024), de Mayara Ferrao. L\u2019artiste br\u00e9silienne a officiellement utilis\u00e9 l\u2019IA pour ces cr\u00e9ations expos\u00e9es aux Rencontres de la photographie, \u00e0 Arles (Bouches-du-Rh\u00f4ne) en 2025.  MAYARA FERRAO\/INSTITUT MOREIRA SALLES                 <\/p>\n<p class=\"article__paragraph  \">Dans l\u2019\u00e9glise des Trinitaires, \u00e0 Arles (Bouches-du-Rh\u00f4ne), o\u00f9 Les Rencontres de la photographie ont d\u00e9marr\u00e9 lundi 7\u00a0juillet, l\u2019artiste br\u00e9silienne Igi Lola Ayedun \u2013 \u00e0 la fois peintre, sculptrice, \u00e9crivaine et photographe \u2013 expose des photographies r\u00e9alis\u00e9es en entra\u00eenant l\u2019intelligence artificielle (IA) g\u00e9n\u00e9rative Midjourney, avec ses propres portraits, explique Thyago Nogueira, le commissaire de l\u2019exposition \u00ab\u00a0Futurs ancestraux\u00a0\u00bb.<\/p>\n<p class=\"article__paragraph  \">A deux pas, une autre artiste br\u00e9silienne, Mayara Ferrao, repr\u00e9sente, dans le cadre d\u2019un XIXe\u00a0si\u00e8cle fantasm\u00e9, les amours lesbiennes d\u2019anciennes esclaves noires. Elle aussi a utilis\u00e9 l\u2019IA pour qu\u2019un corpus de textes et des images devienne r\u00e9el en photographie et donc donne vie \u00e0 des archives qui n\u2019ont jamais exist\u00e9. Pour nourrir les omissions de l\u2019histoire \u2013 ces histoires d\u2019amour LGBTQIA + non r\u00e9pertori\u00e9es \u2013, elle a<strong> <\/strong>d\u00fb batailler ferme contre la machine<strong> <\/strong>en s\u2019apercevant que les algorithmes de l\u2019IA \u00e9taient diablement racistes, explique\u00a0M.\u00a0Nogueira. Ce sont les seules artistes qui utilisent officiellement de l\u2019IA en photographie en cette ann\u00e9e 2025 \u00e0 Arles. \u00ab\u00a0Ce n\u2019est pas encore marqu\u00e9 dans le r\u00e8glement des Rencontres parce que c\u2019est encore tr\u00e8s nouveau, mais il va de soi qu\u2019il faut le mentionner sur les cartels pour en informer les visiteurs\u00a0\u00bb, assure Christoph Wiesner, directeur de l\u2019\u00e9v\u00e9nement.<\/p>\n<p class=\"reading-mode-only \"><strong>Il vous reste 85.83% de cet article \u00e0 lire. La suite est r\u00e9serv\u00e9e aux abonn\u00e9s.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"\u00ab\u00a0The Wedding\u00a0\u00bb (2024), de Mayara Ferrao. L\u2019artiste br\u00e9silienne a officiellement utilis\u00e9 l\u2019IA pour ces cr\u00e9ations expos\u00e9es aux Rencontres&hellip;\n","protected":false},"author":2,"featured_media":236675,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27],"class_list":{"0":"post-236674","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114821203857244120","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/236674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=236674"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/236674\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/236675"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=236674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=236674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=236674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}