{"id":261632,"date":"2025-07-20T18:06:43","date_gmt":"2025-07-20T18:06:43","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/261632\/"},"modified":"2025-07-20T18:06:43","modified_gmt":"2025-07-20T18:06:43","slug":"rencontres-de-la-photographie-darles-2025-nos-5-rendez-vous-incontournables","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/261632\/","title":{"rendered":"Rencontres de la photographie d\u2019Arles 2025\u00a0: nos\u00a05 rendez-vous incontournables"},"content":{"rendered":"<p>Nan Goldin\u00a0: l\u2019ic\u00f4ne insoumise<\/p>\n<p>\u00c0 72\u00a0ans, Nan Goldin reste cette figure \u00e9lectrisante qui a bouscul\u00e9 la photographie contemporaine. Laur\u00e9ate du prix Women in Motion 2025, elle a marqu\u00e9 les ann\u00e9es 1980 avec ses images brutes, sans fard, d\u2019une g\u00e9n\u00e9ration en marge\u00a0: nuits \u00e9lectriques, amours fi\u00e9vreuses, quotidiens fragiles, tendresse \u00e0 vif et douleur nue. Une \u0153uvre visc\u00e9rale, qui continue d\u2019inspirer les nouvelles g\u00e9n\u00e9rations.<\/p>\n<p>Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s<\/p>\n<p>\n                    Vous souhaitez lire la suite\u00a0? Abonnez-vous sans engagement \u00e0 notre offre num\u00e9rique\n                <\/p>\n<p>                <a href=\"https:\/\/www.la-croix.com\/abonnement\" class=\"default-paywall__subscribe-button\" data-tracking=\"cta_click\" data-tracking-action=\"voir la page abonnement\" data-tracking-category=\"abonnement\" rel=\"nofollow noopener\" target=\"_blank\">Je m&rsquo;abonne<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Nan Goldin\u00a0: l\u2019ic\u00f4ne insoumise \u00c0 72\u00a0ans, Nan Goldin reste cette figure \u00e9lectrisante qui a bouscul\u00e9 la photographie contemporaine.&hellip;\n","protected":false},"author":2,"featured_media":261633,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27],"class_list":{"0":"post-261632","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114886894198214885","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/261632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=261632"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/261632\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/261633"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=261632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=261632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=261632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}