{"id":266730,"date":"2025-07-22T23:29:25","date_gmt":"2025-07-22T23:29:25","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/266730\/"},"modified":"2025-07-22T23:29:25","modified_gmt":"2025-07-22T23:29:25","slug":"le-crinkly-de-calder-connait-la-ville-comme-sa-poche","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/266730\/","title":{"rendered":"le \u00ab\u00a0Crinkly\u00a0\u00bb de Calder conna\u00eet la ville comme sa poche"},"content":{"rendered":"<p>\u00ab\u00a0S\u2019il est vrai que la sculpture doit graver le mouvement dans l\u2019immobile, ce serait une erreur d\u2019apparenter l\u2019art de Calder \u00e0 celui du sculpteur. Il ne sugg\u00e8re pas le mouvement, il le capte\u00a0; il ne songe pas \u00e0 l\u2019ensevelir pour toujours dans le bronze ou dans l\u2019or, ces mat\u00e9riaux glorieux et stupides, vou\u00e9s par nature \u00e0 l\u2019immobilit\u00e9\u00a0\u00bb. Ainsi parlait Jean-Paul Sartre d\u2019Alexander Calder, c\u00e9l\u00e8bre artiste am\u00e9ricain dont l\u2019une des sculptures, baptis\u00e9e le Crinkly (froiss\u00e9, ondul\u00e9 en fran\u00e7ais) comme six autres de ses \u0153uvres, est pr\u00e9sente \u00e0 Amboise depuis 1970&#8230;. <\/p>\n<p>    Cet article a \u00e9t\u00e9 tronqu\u00e9. Abonnez-vous pour lire l&rsquo;article complet sur notre site.<\/p>\n<p style=\"margin: 0 !important; padding: 0 !important; font-size: 12px !important;\">Cet article a \u00e9t\u00e9 tronqu\u00e9. Abonnez-vous pour lire l&rsquo;article complet.<\/p>\n<p>    <a href=\"https:\/\/www.lanouvellerepublique.fr\/abonnements\" style=\"display: inline-block; margin-top: 5px !important; padding: 6px 12px !important; background: #cb1c27; color: white; text-decoration: none; border-radius: 4px; font-size: 12px !important;\" target=\"_blank\" rel=\"noopener\"><br \/>\n      S&rsquo;abonner<br \/>\n    <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"\u00ab\u00a0S\u2019il est vrai que la sculpture doit graver le mouvement dans l\u2019immobile, ce serait une erreur d\u2019apparenter l\u2019art&hellip;\n","protected":false},"author":2,"featured_media":266731,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1392,7502,1348,1384,1385,1386,58,59,1349,1011,27,2551,1352],"class_list":{"0":"post-266730","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-a-la-une-local","9":"tag-amboise","10":"tag-arts","11":"tag-arts-and-design","12":"tag-arts-et-design","13":"tag-design","14":"tag-divertissement","15":"tag-entertainment","16":"tag-expositions","17":"tag-fr","18":"tag-france","19":"tag-patrimoine","20":"tag-urbanisme"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114899488813701069","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/266730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=266730"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/266730\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/266731"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=266730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=266730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=266730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}