{"id":282707,"date":"2025-07-29T20:26:17","date_gmt":"2025-07-29T20:26:17","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/282707\/"},"modified":"2025-07-29T20:26:17","modified_gmt":"2025-07-29T20:26:17","slug":"pas-de-sang-neuf-pour-le-mythe-du-vampire","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/282707\/","title":{"rendered":"pas de sang neuf pour le mythe du vampire"},"content":{"rendered":"<p><strong>CRITIQUE &#8211;<\/strong> De sa plong\u00e9e dans l\u2019\u0153uvre fondatrice de Bram Stoker, le r\u00e9alisateur ne tire qu\u2019une resuc\u00e9e du chef-d\u2019\u0153uvre de 1992 sign\u00e9 Coppola.<\/p>\n<p class=\"fig-paragraph\">Quelques mois seulement apr\u00e8s la sortie du Nosferatu de Robert Eggers (The\u00a0Witch, The\u00a0Northman),\u00a0Luc Besson\u00a0revient lui aussi dans les salles obscures pour proposer sa vision du mythe vampirique.\u00a0Fi\u00e8rement intitul\u00e9 Dracula, son nouveau long-m\u00e9trage, au confortable budget de 45\u00a0millions d\u2019euros, retourne sur les origines du personnage cr\u00e9\u00e9 par le romancier irlandais Bram Stoker. Le r\u00e9alisateur de 66\u00a0ans a confi\u00e9 qu\u2019il aurait eu cette id\u00e9e sur le tournage de\u00a0Dogman, alors qu\u2019il dirigeait son nouveau com\u00e9dien f\u00e9tiche,\u00a0<a href=\"https:\/\/www.lefigaro.fr\/cinema\/caleb-landry-jones-la-nouvelle-etoile-montante-du-cinema-americain-20220510\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Caleb Landry Jones.<\/a><\/p>\n<p class=\"fig-paragraph\">Le film reprend fid\u00e8lement (\u00e0 quelques exceptions pr\u00e8s) l\u2019histoire du roman \u00e9pistolaire de Stoker, adapt\u00e9 au cin\u00e9ma une trentaine de fois depuis sa sortie, en 1897. Le jeune Jonathan Harker vient conclure une affaire immobili\u00e8re au plus profond de la Transylvanie avec le comte Dracula. Ce dernier, traumatis\u00e9 par la mort de son \u00e9pouse, Elisabeta, quatre cents ans plus t\u00f4t, s\u2019est m\u00e9tamorphos\u00e9 en vampire immortel. L\u2019inconsolable et monstrueux amoureux n\u2019a jamais\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 80% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vous avez envie de lire la suite ?<\/p>\n<p class=\"fig-premium-paywall__subtitle\">D\u00e9bloquez tous les articles imm\u00e9diatement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Fcinema%2Fnotre-critique-de-dracula-de-luc-besson-pas-de-sang-neuf-pour-le-mythe-du-vampire-20250729\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDY2ZjBkLThjNWItNjFjYS04YWY5LWMxN2Y4Yjk3M2Y0Nl9fQXJ0aWNsZQ==_Notre critique de &lt;i&gt;Dracula, &lt;\/i&gt;de Luc Besson\u00a0: pas de sang neuf pour le mythe du vampire_460&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDY2ZjBkLThjNWItNjFjYS04YWY5LWMxN2Y4Yjk3M2Y0Nl9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"CRITIQUE &#8211; De sa plong\u00e9e dans l\u2019\u0153uvre fondatrice de Bram Stoker, le r\u00e9alisateur ne tire qu\u2019une resuc\u00e9e du&hellip;\n","protected":false},"author":2,"featured_media":282708,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1354],"tags":[58,28778,59,1346,1011,27,42183,14990,1360],"class_list":{"0":"post-282707","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-films","8":"tag-divertissement","9":"tag-dracula","10":"tag-entertainment","11":"tag-films","12":"tag-fr","13":"tag-france","14":"tag-guillaume-de-tonquedec","15":"tag-luc-besson","16":"tag-movies"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114938405577202511","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/282707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=282707"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/282707\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/282708"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=282707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=282707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=282707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}