{"id":283169,"date":"2025-07-30T01:10:24","date_gmt":"2025-07-30T01:10:24","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/283169\/"},"modified":"2025-07-30T01:10:24","modified_gmt":"2025-07-30T01:10:24","slug":"ce-quil-fallait-retenir-de-la-design-parade-2025","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/283169\/","title":{"rendered":"Ce qu&rsquo;il fallait retenir de la Design Parade 2025"},"content":{"rendered":"<p>\n                    \u00ab\u00a0M\u00e9caniques granulaires\u00a0\u00bb,&#13;<br \/>\nprojets de Sacha Parent et&#13;<br \/>\nValentine Tiraboschi, laur\u00e9ates&#13;<br \/>\ndu grand prix du Jury Design&#13;<br \/>\nParade Hy\u00e8res 2024, r\u00e9alis\u00e9s \u00e0&#13;<br \/>\nS\u00e8vres \u2013 Manufacture et Mus\u00e9e nationaux et au Cirva \u00e0 Marseille.                <\/p>\n<p>\n                    \u00ab\u00a0At the still point of a turning&#13;<br \/>\nworld\u00a0\u00bb, de Thomas Takada, laur\u00e9at du grand prix Design Parade Toulon Van Cleef &amp; Arpels 2025 et du prix Visual Merchandising d\u00e9cern\u00e9 par Chanel.                <\/p>\n<p class=\"has-drop-cap\">Fin juin, le <a href=\"https:\/\/www.milkdecoration.com\/tag\/design-parade\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Festival Design Parade<\/a> r\u00e9v\u00e9lait les laur\u00e9ats de ses concours. Comme \u00e0 l\u2019accoutum\u00e9e, cette nouvelle \u00e9dition livrait un panorama passionnant de la jeune cr\u00e9ation contemporaine, donnant \u00e0 voir ses pr\u00e9occupations, ses inspirations et l\u2019\u00e9tendue de ses possibles.<\/p>\n<p>\u00c0 Toulon, dans la cat\u00e9gorie Architecture d\u2019int\u00e9rieur, Thomas Takada s\u2019est distingu\u00e9 en remportant \u00e0 la fois le grand prix Design Parade Toulon Van Cleef &amp; Arpels et le prix Visual Merchandising d\u00e9cern\u00e9 par Chanel. Son installation At the still point of a turning world (5) propose une r\u00e9flexion sur l\u2019ali\u00e9nation et la d\u00e9sorientation caus\u00e9es par les mat\u00e9riaux et les modes de construction actuels, souvent d\u00e9tach\u00e9s de toute origine claire ou de toute signification. \u00c0 partir d\u2019\u00e9l\u00e9ments naturels glan\u00e9s autour de la <a href=\"https:\/\/www.milkdecoration.com\/tag\/villa-noailles\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">villa Noailles<\/a> \u2014 feuilles, \u00e9corces, branches, cailloux \u2014 et de profil\u00e9s m\u00e9talliques quasi invisibles, il a compos\u00e9 un mobilier d\u00e9licat, charg\u00e9 de po\u00e9sie.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" width=\"1920\" height=\"1279\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/07\/joanne-riachi-magali-lamoureux-luc-bertrand-17.jpg\" alt=\"\" class=\"wp-image-75047\"  \/>\u00ab\u00a0Submerg\u00e9\u00b7e\u00b7s\u00a0\u00bb, de Joanne Riachi et Magali Lamoureux, laur\u00e9ates du prix du Public de la Design Parade Toulon 2025.<\/p>\n<p>Autre proposition remarqu\u00e9e : Submerg\u00e9\u00b7e\u00b7s (1), de Joanne Riachi et Magali Lamoureux, \u00e9galement architectes, laur\u00e9ates du prix du Public. Leur installation est \u00ab une r\u00e9ponse \u00e0 ce monde qui sans cesse nous submerge \u00bb. Inspir\u00e9es par la ligne d\u2019horizon de la mer M\u00e9diterran\u00e9e, elles l\u2019ont mat\u00e9rialis\u00e9e \u00e0 l\u2019int\u00e9rieur de la maison \u00e0 travers un grand plan horizontal en pin sylvestre massif, dont les nervures \u00e9voquent les reflets de l\u2019eau. Une chaise plac\u00e9e dans un cercle \u00e9vid\u00e9 invite \u00e0 la contemplation, tandis que, dans le sable, des objets enfouis symbolisent les profondeurs de la m\u00e9moire. \u00c0 Hy\u00e8res, le grand prix du Jury a \u00e9t\u00e9 d\u00e9cern\u00e9 \u00e0 Simon Dupety UFO \u2013 Unindustrial Functional Object (3), une s\u00e9rie de <a href=\"https:\/\/www.milkdecoration.com\/tag\/luminaire\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">luminaires<\/a> con\u00e7us \u00e0 partir de glands de ch\u00eane, de profil\u00e9s en aluminium et de LEDs. Son travail explore une tension myst\u00e9rieuse entre le naturel et l\u2019industriel, le vivant et la technologie. Les <a href=\"https:\/\/www.milkdecoration.com\/tag\/exposition\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">expositions<\/a> des pr\u00e9sidents des jury et les installations des participants sont visibles jusqu\u2019au 7 septembre \u00e0 Hy\u00e8res \u00e0 la villa Noailles et jusqu\u2019au 1er novembre \u00e0 Toulon, entre les murs de l\u2019Ancien \u00c9v\u00each\u00e9.<\/p>\n<p>\n                    \u00ab\u00a0Les Bouillottes\u00a0\u00bb, de Kelly Eng et Marie Piplard, laur\u00e9ates&#13;<br \/>\ndu prix du Public de la Design&#13;<br \/>\nParade Hy\u00e8res 2025.                <\/p>\n<p>\n                    \u00ab\u00a0UFO \u2013 Unindustrial Functional&#13;<br \/>\nObject\u00a0\u00bb, de Simon Dupety,&#13;<br \/>\nlaur\u00e9at du grand prix du Jury&#13;<br \/>\nDesign Parade Hy\u00e8res 2025                <\/p>\n","protected":false},"excerpt":{"rendered":"\u00ab\u00a0M\u00e9caniques granulaires\u00a0\u00bb,&#13; projets de Sacha Parent et&#13; Valentine Tiraboschi, laur\u00e9ates&#13; du grand prix du Jury Design&#13; Parade Hy\u00e8res&hellip;\n","protected":false},"author":2,"featured_media":283170,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,4397,1386,42235,58,59,3293,1011,27,9958,2310,30059],"class_list":{"0":"post-283169","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-decoration","12":"tag-design","13":"tag-design-parade","14":"tag-divertissement","15":"tag-entertainment","16":"tag-exposition","17":"tag-fr","18":"tag-france","19":"tag-hyeres","20":"tag-toulon","21":"tag-villa-noailles"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114939522131280483","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/283169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=283169"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/283169\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/283170"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=283169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=283169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=283169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}