{"id":305557,"date":"2025-08-08T17:15:19","date_gmt":"2025-08-08T17:15:19","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/305557\/"},"modified":"2025-08-08T17:15:19","modified_gmt":"2025-08-08T17:15:19","slug":"lucian-freud-comme-un-cheval-sauvage-de-berlin-a-londres","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/305557\/","title":{"rendered":"Lucian Freud, comme un cheval sauvage, de Berlin \u00e0 Londres"},"content":{"rendered":"<p data-module=\"fig-standfirst-editorial-episode\" data-context=\"@media (min-width:48em)\">Apr\u00e8s une enfance confortable, il quitte l\u2019Allemagne \u00e0 11\u00a0ans avec sa famille pour l\u2019Angleterre. Toute sa peinture nerveuse puise dans cette odyss\u00e9e du XXe\u00a0si\u00e8cle.<\/p>\n<p class=\"fig-paragraph fig-paragraph--dropped\">L\u2019\u0153il vert aux aguets, qui scrute intens\u00e9ment tout ce qui s\u2019oppose \u00e0 lui. La posture dynamique, comme un athl\u00e8te pr\u00eat \u00e0 bondir. Le charme sauvage d\u2019un Heathcliff de retour aux Hauts de Hurlevent pour tourmenter Cathy, l\u2019h\u00e9ro\u00efne de ces Wuthering Heights r\u00eav\u00e9s par\u00a0<a href=\"https:\/\/www.lefigaro.fr\/livres\/2018\/08\/20\/03005-20180820ARTFIG00158--les-hauts-de-hurlevent-d-emily-bronte-la-comete-des-lettres-anglaises.php\" target=\"_blank\" data-fig-type=\"Article\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">Emily Bront\u00eb<\/a>\u00a0en 1847. \u00c0 88\u00a0ans, pour son exposition \u00ab\u00a0Lucian Freud. L\u2019atelier\u00a0\u00bb au printemps 2010 \u00e0 Beaubourg, Lucian Freud avait gard\u00e9 toute sa superbe et frappait par la jeunesse \u00e9tonnante de sa personne. Et quelle personne\u00a0! N\u00e9 \u00e0\u00a0<a href=\"http:\/\/www.lefigaro.fr\/international\/tentative-d-incendie-jets-de-pierres-plongee-dans-le-berlin-deconseille-aux-juifs-et-aux-homosexuels-20241128\" target=\"_blank\" data-fig-type=\"Article\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">Berlin<\/a>\u00a0le 8\u00a0d\u00e9cembre 1922, petit-fils du grand\u00a0<a href=\"http:\/\/www.lefigaro.fr\/international\/freud-et-l-amerique-latine-chronique-d-une-histoire-d-amour-20240321\" target=\"_blank\" data-fig-type=\"Article\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">Sigmund Freud<\/a>, il est le peintre qui a litt\u00e9ralement diss\u00e9qu\u00e9 la nature humaine. Sa seule enfance remplit les 680\u00a0pages du premier volume de son extraordinaire biographie par l\u2019historien de l\u2019art britannique, William Feaver (The\u00a0Lives of Lucian Freud. Youth, 1922-1968, publi\u00e9 en 2019 chez Bloomsbury, non traduit). Et l\u00e0, dans cette foule de d\u00e9tails donn\u00e9s par un artiste obs\u00e9d\u00e9 de secret, se dessine un personnage haut en couleur dont la vitalit\u00e9\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 91% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vous avez envie de lire la suite ?<\/p>\n<p class=\"fig-premium-paywall__subtitle\">D\u00e9bloquez tous les articles imm\u00e9diatement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Fculture%2Flucian-freud-comme-un-cheval-sauvage-de-berlin-a-londres-20250807\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDM0YmU5LTZiMjMtNmRkYS1iNWViLTg3NDRmZDkzMGEwNF9fQXJ0aWNsZQ==_Lucian Freud, comme un cheval sauvage, de Berlin \u00e0 Londres_1000&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDM0YmU5LTZiMjMtNmRkYS1iNWViLTg3NDRmZDkzMGEwNF9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"Apr\u00e8s une enfance confortable, il quitte l\u2019Allemagne \u00e0 11\u00a0ans avec sa famille pour l\u2019Angleterre. Toute sa peinture nerveuse&hellip;\n","protected":false},"author":2,"featured_media":305558,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[3734,1348,1384,1385,1386,58,10777,59,1011,27,44545,1585,44544],"class_list":{"0":"post-305557","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-art","9":"tag-arts","10":"tag-arts-and-design","11":"tag-arts-et-design","12":"tag-design","13":"tag-divertissement","14":"tag-enfance","15":"tag-entertainment","16":"tag-fr","17":"tag-france","18":"tag-lucian-freud","19":"tag-peinture","20":"tag-sigmund-freud"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114994277474823829","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/305557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=305557"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/305557\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/305558"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=305557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=305557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=305557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}