{"id":309451,"date":"2025-08-10T13:05:14","date_gmt":"2025-08-10T13:05:14","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/309451\/"},"modified":"2025-08-10T13:05:14","modified_gmt":"2025-08-10T13:05:14","slug":"gabriele-munter-peindre-sans-detours","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/309451\/","title":{"rendered":"Gabriele M\u00fcnter. Peindre sans d\u00e9tours"},"content":{"rendered":"

Apr\u00e8s Sonia Delaunay en 2014-2015, Paula Modersohn-Becker en 2016 et et Anna-Eva Bergman en 2023, le Mus\u00e9e d\u2019art moderne de la ville de Paris poursuit son cycle consacr\u00e9 aux pionni\u00e8res de l\u2019art moderne aux attaches parisiennes avec Gabriele M\u00fcnter. Initialement pr\u00e9vue en 2021, compromise par le covid, la r\u00e9trospective a finalement pris forme quatre ans plus tard, organis\u00e9e en partenariat avec le Museo Nacional Thyssen-Bornemisza de Madrid o\u00f9 fut pr\u00e9sent\u00e9 un volet initial.<\/p>\n

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1. Gabriele M\u00fcnter (1877-1962)

\nPortrait de Marianne von Werefkin, 1909

\n Carton – 81,2 x 55,2 cm

\n Munich, Lenbachhaus

\n Photo\u00a0: St\u00e4dtische Galerie im Lenbachhaus und

\nKunstbau M\u00fcnchen\/Adagp\n<\/dd>\n
\n\t\tVoir l\u00b4image dans sa page<\/a>\n\t<\/dd>\n<\/dl>\n
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2. Gabriele M\u00fcnter (1877-1962)

\n Autoportrait, vers 1909-1910

\n Huile sur carton – 49 x 33,7 cm

\n Madrid, Museo Nacional Thyssen-Bornemisza

\nPhoto\u00a0: Adagp, Paris, 2025\n<\/dd>\n
\n\t\tVoir l\u00b4image dans sa page<\/a>\n\t<\/dd>\n<\/dl>\n

Elle est la premi\u00e8re pr\u00e9sentation monographique fran\u00e7aise d\u2019envergure consacr\u00e9e \u00e0 l\u2019artiste allemande, r\u00e9duite, hors de son pays natal, au mieux, \u00e0 son r\u00f4le de pionni\u00e8re de l\u2019expressionnisme, au pire, \u00e0 sa qualit\u00e9 de compagne de Vassily Kandinsky. Soit \u00e0 moins d\u2019une d\u00e9cennie de sa longue carri\u00e8re d\u2019une soixantaine d\u2019ann\u00e9es. En t\u00e9moignent l\u2019unique ant\u00e9c\u00e9dent monographique hexagonal pr\u00e9sent\u00e9 au Mus\u00e9e des Beaux-Arts de Bordeaux il y a vingt ans, Gabriele M\u00fcnter, une artiste du Cavalier bleu, tout comme les diff\u00e9rentes expositions collectives qui d\u00e9voil\u00e8rent des ensembles plus ou moins importants de ses \u0153uvres ces derni\u00e8res d\u00e9cennies. On songe, d\u00e9j\u00e0 au Mus\u00e9e d\u2019art moderne de Paris, \u00e0 Figures du Moderne. L\u2019expressionnisme en Allemagne ou au Fauvisme ou \u00ab\u00a0l\u2019\u00e9preuve du feu\u00a0\u00bb, en 1992 et 1999, mais aussi aux plus r\u00e9cents Couples modernes du Centre Pompidou Metz ou \u00e0 Franz Marc, August Macke. L\u2019aventure du Cavalier bleu du mus\u00e9e de l\u2019Orangerie en 2018-2019.<\/p>\n

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3. Gabriele M\u00fcnter (1877-1962)

\n Le Lac bleu, 1954

\n Huile sur toile – 50 x 65 cm

\n Linz, Neue\u2026<\/dd>\n<\/dl>\n","protected":false},"excerpt":{"rendered":"Apr\u00e8s Sonia Delaunay en 2014-2015, Paula Modersohn-Becker en 2016 et et Anna-Eva Bergman en 2023, le Mus\u00e9e d\u2019art…\n","protected":false},"author":2,"featured_media":309452,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27],"class_list":{"0":"post-309451","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115004619128960952","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/309451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=309451"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/309451\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/309452"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=309451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=309451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=309451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}