{"id":315843,"date":"2025-08-13T08:28:16","date_gmt":"2025-08-13T08:28:16","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/315843\/"},"modified":"2025-08-13T08:28:16","modified_gmt":"2025-08-13T08:28:16","slug":"un-chinard-revolutionnaire-a-new-york","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/315843\/","title":{"rendered":"Un Chinard r\u00e9volutionnaire \u00e0 New York"},"content":{"rendered":"<p>8\/8\/25 <strong>&#8211; Acquisition &#8211; New York, Metropolitan Museum of Art &#8211;<\/strong> Le sculpteur Joseph Chinard est d\u00e9cid\u00e9ment mis \u00e0 l\u2019honneur dans les \u00e9ditions successives de la TEFAF \u00e0 Maastricht. Si, en 2024, le Virginia Museum of Fine Arts s\u2019\u00e9tait port\u00e9 acqu\u00e9reur d\u2019un charmant buste d\u2019enfant (lire la <a href=\"https:\/\/www.latribunedelart.com\/les-achats-de-la-tefaf-un-chinard-pour-le-virginia-museum-of-art\" class=\"spip_in\" rel=\"nofollow noopener\" target=\"_blank\">br\u00e8ve du 15\/3\/24<\/a>), en 2025, c\u2019est le Metropolitan Museum de New York\u00a0[<a href=\"#nb1\" class=\"spip_note\" rel=\"appendix\" title=\"Nous remercions Elyse Nelson, conservatrice du d\u00e9partement des Sculptures et\u00a0(\u2026)\" id=\"nh1\">1<\/a>] qui a enrichi ses collections d\u2019un admirable tr\u00e9pied en terre cuite (ill. 1), objet d\u2019une rare qualit\u00e9, frayant avec le domaine de la sculpture et celui des arts d\u00e9coratifs, acquis aupr\u00e8s de la galerie du londonien Stuart Lochhead.<\/p>\n<dl class=\"spip_document_75870 spip_documents spip_documents_center\" itemprop=\"image\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\">\n<dt>\n\t\t<a href=\"https:\/\/www.latribunedelart.com\/IMG\/jpg\/chinard_-_tripod_view_4.jpg?75870\/1f43daa4bdc766991ce5e6c807f319e6bf0d28aa630d3eb01223cf5e0b788d64\" title=\"\" type=\"image\/jpeg\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/chinard_-_tripod_view_4-c70a0.jpg\" width=\"357\" height=\"500\" alt=\"\" itemprop=\"contentUrl\"\/><br \/>\n\t\t<\/a>\n\t<\/dt>\n<dd class=\"crayon document-descriptif-75870 spip_doc_descriptif\" style=\"width:350px;\" itemprop=\"description\">1. Joseph Chinard (1756-1813)<br class=\"autobr\"\/><br \/>\nTr\u00e9pied ou Ath\u00e9nienne, vers 1793<br class=\"autobr\"\/><br \/>\nTerre cuite &#8211; 75,8 x 38,3 x 38,3 cm<br class=\"autobr\"\/><br \/>\nNew York, Metropolitan Museum of Art<br class=\"autobr\"\/><br \/>\nPhoto\u00a0: Stuart Lochhead, Londres\n<\/dd>\n<dd class=\"spip_doc_lien-galerie\">\n\t\t<a href=\"https:\/\/www.latribunedelart.com\/spip.php?page=docbig&amp;id_document=75870&amp;id_article=12799\" rel=\"nofollow noopener\" target=\"_blank\">Voir l\u00b4image dans sa page<\/a>\n\t<\/dd>\n<\/dl>\n<p>Si les portraits en bustes et en m\u00e9daillons sont sans doute aujourd\u2019hui les \u00e9l\u00e9ments les plus connus de l\u2019\u0153uvre de Joseph Chinard, il ne faut pas oublier qu\u2019il r\u00e9alisa de nombreuses commandes publiques &#8211; monuments dont il ne subsiste malheureusement aujourd\u2019hui que des t\u00e9moignages bien plus rares (lire \u00e0 ce propos la <a href=\"https:\/\/www.latribunedelart.com\/un-relief-de-chinard-rejoint-enfin-clermont-ferrand\" class=\"spip_in\" rel=\"nofollow noopener\" target=\"_blank\">br\u00e8ve du 25\/9\/23<\/a> sur le monument au g\u00e9n\u00e9ral Desaix) &#8211; et priv\u00e9es. La p\u00e9riode r\u00e9volutionnaire, puis le Consulat et surtout l\u2019Empire le plac\u00e8rent en bonne position parmi les artistes ayant mis leur talent au service des pouvoirs en place ainsi que des riches familles appartenant \u00e0 leurs cercles.<\/p>\n<dl class=\"spip_document_75878 spip_documents spip_documents_left\" style=\"float:left;\" itemprop=\"image\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\">\n<dt>\n\t\t<a href=\"https:\/\/www.latribunedelart.com\/IMG\/jpg\/chinard_trepied_detail_2.jpg?75878\/536231ba3dd06c598c14e5ce13e142f2d8c87ec3fa0073d71912fe5bcd5aaae9\" title=\"\" type=\"image\/jpeg\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/chinard_trepied_detail_2-5f516.jpg\" width=\"354\" height=\"500\" alt=\"\" itemprop=\"contentUrl\"\/><br \/>\n\t\t<\/a>\n\t<\/dt>\n<dd class=\"crayon document-descriptif-75878 spip_doc_descriptif\" style=\"width:350px;\" itemprop=\"description\">2. Joseph Chinard (1756-1813)<br class=\"autobr\"\/><br \/>\nTr\u00e9pied ou Ath\u00e9nienne (d\u00e9tail), vers 1793<br class=\"autobr\"\/><br \/>\nTerre cuite &#8211; 75,8 x 38,3 x 38,3 cm<br class=\"autobr\"\/><br \/>\nMetropolitan Museum of Arts, New York<br class=\"autobr\"\/><br \/>\nPhoto\u00a0: Talabardon et Gautier\n<\/dd>\n<dd class=\"spip_doc_lien-galerie\">\n\t\t<a href=\"https:\/\/www.latribunedelart.com\/spip.php?page=docbig&amp;id_document=75878&amp;id_article=12799\" rel=\"nofollow noopener\" target=\"_blank\">Voir l\u00b4image dans sa page<\/a>\n\t<\/dd>\n<\/dl>\n<dl class=\"spip_document_75879 spip_documents spip_documents_right\" style=\"float:right;\" itemprop=\"image\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\">\n<dt>\n\t\t<a href=\"https:\/\/www.latribunedelart.com\/IMG\/jpg\/chinard_trepied_detail_3.jpg?75879\/87604fa6fa0535c6830f0b34bb4fc5a6126892baf8eb6dfcce28d14e0fcf189f\" title=\"\" type=\"image\/jpeg\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/chinard_trepied_detail_3-6922c.jpg\" width=\"354\" height=\"500\" alt=\"\" itemprop=\"contentUrl\"\/><br \/>\n\t\t<\/a>\n\t<\/dt>\n<dd class=\"crayon document-descriptif-75879 spip_doc_descriptif\" style=\"width:350px;\" itemprop=\"description\">3. Joseph Chinard (1756-1813)<br class=\"autobr\"\/><br \/>\nTr\u00e9pied ou Ath\u00e9nienne (d\u00e9tail), vers 1793<br class=\"autobr\"\/><br \/>\nTerre cuite &#8211; 75,8 x 38,3 x 38,3 cm<br class=\"autobr\"\/><br \/>\nMetropolitan Museum of Arts, New York<br class=\"autobr\"\/><br \/>\nPhoto\u00a0: Talabardon et Gautier\n<\/dd>\n<dd class=\"spip_doc_lien-galerie\">\n\t\t<a href=\"https:\/\/www.latribunedelart.com\/spip.php?page=docbig&amp;id_document=75879&amp;id_article=12799\" rel=\"nofollow noopener\" target=\"_blank\">Voir l\u00b4image dans sa page<\/a>\n\t<\/dd>\n<\/dl>\n<p>Ce tr\u00e9pied est l\u2019un des tr\u00e8s rares exemples de cette production hors normes qui nous soient parvenu. Son iconographie tr\u00e8s riche\u2026<\/p>\n<p>Pour avoir acc\u00e8s \u00e0 ce contenu, vous devez vous abonner \u00e0 La Tribune de l\u2019Art. Les avantages et les conditions de cet abonnement, qui vous permettra par ailleurs de soutenir La Tribune de l\u2019Art, sont d\u00e9crits sur <a href=\"https:\/\/www.latribunedelart.com\/s-abonner\" rel=\"nofollow noopener\" target=\"_blank\">la page d\u2019abonnement<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"8\/8\/25 &#8211; Acquisition &#8211; New York, Metropolitan Museum of Art &#8211; Le sculpteur Joseph Chinard est d\u00e9cid\u00e9ment mis&hellip;\n","protected":false},"author":2,"featured_media":315844,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27],"class_list":{"0":"post-315843","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115020516998622878","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/315843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=315843"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/315843\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/315844"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=315843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=315843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=315843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}