{"id":325905,"date":"2025-08-18T00:02:11","date_gmt":"2025-08-18T00:02:11","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/325905\/"},"modified":"2025-08-18T00:02:11","modified_gmt":"2025-08-18T00:02:11","slug":"un-raphael-du-xixe-siecle-pour-chartres","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/325905\/","title":{"rendered":"Un Rapha\u00ebl du XIXe si\u00e8cle pour Chartres"},"content":{"rendered":"<p>17\/8\/25 &#8211; <strong> Acquisition &#8211; Chartres, Mus\u00e9e des Beaux-Arts <\/strong> &#8211; Tout comme Cimabue, condamn\u00e9 \u00e0 voir son nom accol\u00e9 \u00e0 celui de Giotto, P\u00e9rugin reste \u00e9troitement li\u00e9 \u00e0 son \u00e9l\u00e8ve, le \u00ab\u00a0 miraculeux Rapha\u00ebl d\u2019Urbin, qui le surpassa de beaucoup\u2026\u00a0\u00bb, selon les mots de Vasari. Et tout comme Giotto, Rapha\u00ebl fit preuve de talent d\u00e8s son plus jeune \u00e2ge, la pr\u00e9cocit\u00e9 \u00e9tant pour les g\u00e9nies une obligation presque contractuelle.<\/p>\n<dl class=\"spip_document_75991 spip_documents spip_documents_center\" itemprop=\"image\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\">\n<dt>\n\t\t<a href=\"https:\/\/www.latribunedelart.com\/IMG\/jpg\/lordon_raphael_rvb.jpg?75991\/22381ea3ab68d8e11f3abffc0c1de0dccc38eded47369034e4e2887080ace6f7\" title=\"\" type=\"image\/jpeg\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/lordon_raphael_rvb-bc657.jpg\" width=\"405\" height=\"500\" alt=\"\" itemprop=\"contentUrl\"\/><br \/>\n\t\t<\/a>\n\t<\/dt>\n<dd class=\"crayon document-descriptif-75991 spip_doc_descriptif\" style=\"width:350px;\" itemprop=\"description\">Pierre-J\u00e9r\u00f4me Lordon (1779-1838) <br class=\"autobr\"\/><br \/>\nRaphael Introduced to Perugino, c. 1820\u20131825<br class=\"autobr\"\/><br \/>\nOil on canvas \u2013 55 \u00d7 44 cm<br class=\"autobr\"\/><br \/>\nChartres, Mus\u00e9e des Beaux-Arts<br class=\"autobr\"\/><br \/>\nPhoto\u00a0: La Nouvelle Ath\u00e8nes\n<\/dd>\n<dd class=\"spip_doc_lien-galerie\">\n\t\t<a href=\"https:\/\/www.latribunedelart.com\/spip.php?page=docbig&amp;id_document=75991&amp;id_article=12814\" rel=\"nofollow noopener\" target=\"_blank\">Voir l\u00b4image dans sa page<\/a>\n\t<\/dd>\n<\/dl>\n<p>Les mythes qui aur\u00e9ol\u00e8rent les grands ma\u00eetres du pass\u00e9, et plus particuli\u00e8rement ceux de la Renaissance italienne, inspir\u00e8rent les artistes du d\u00e9but du XIXe si\u00e8cle, qui\u2026<\/p>\n<p>Pour avoir acc\u00e8s \u00e0 ce contenu, vous devez vous abonner \u00e0 La Tribune de l\u2019Art. Les avantages et les conditions de cet abonnement, qui vous permettra par ailleurs de soutenir La Tribune de l\u2019Art, sont d\u00e9crits sur <a href=\"https:\/\/www.latribunedelart.com\/s-abonner\" rel=\"nofollow noopener\" target=\"_blank\">la page d\u2019abonnement<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"17\/8\/25 &#8211; Acquisition &#8211; Chartres, Mus\u00e9e des Beaux-Arts &#8211; Tout comme Cimabue, condamn\u00e9 \u00e0 voir son nom accol\u00e9&hellip;\n","protected":false},"author":2,"featured_media":325906,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27],"class_list":{"0":"post-325905","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115046838711599156","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/325905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=325905"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/325905\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/325906"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=325905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=325905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=325905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}