{"id":334101,"date":"2025-08-21T14:42:10","date_gmt":"2025-08-21T14:42:10","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/334101\/"},"modified":"2025-08-21T14:42:10","modified_gmt":"2025-08-21T14:42:10","slug":"les-peintures-dolivier-debre-a-dinard-de-lombre-a-la-lumiere","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/334101\/","title":{"rendered":"les peintures d\u2019Olivier Debr\u00e9 \u00e0 Dinard, de l\u2019ombre \u00e0 la lumi\u00e8re"},"content":{"rendered":"<p><strong>CRITIQUE &#8211;<\/strong> Des tableaux sombres des d\u00e9buts aux grandes compositions de plein air exaltant la couleur, 70\u00a0\u0153uvres retracent le parcours du ma\u00eetre de l\u2019abstraction lyrique\u00a0\u00e0 la Villa des Roches brunes.<\/p>\n<p class=\"fig-paragraph\">Apr\u00e8s\u00a0<a href=\"https:\/\/www.lefigaro.fr\/arts-expositions\/gerard-et-elisabeth-garouste-ensemble-et-separement-a-dinard-20240628\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">G\u00e9rard Garouste<\/a>, l\u2019artiste de la figuration qui fut expos\u00e9 avec \u00c9lisabeth, \u00e0 Dinard, place cette ann\u00e9e \u00e0 Olivier Debr\u00e9 (1920-1999), le repr\u00e9sentant de l\u2019abstraction lyrique qui traduit puissamment en peinture nos \u00e9motions. Au c\u0153ur de l\u2019avant-garde aux c\u00f4t\u00e9s de\u00a0<a href=\"https:\/\/www.lefigaro.fr\/arts-expositions\/un-regard-nouveau-sur-le-fougueux-nicolas-de-stael-20230913\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Nicolas de Sta\u00ebl,<\/a>\u00a0Serge Poliakoff, G\u00e9rard Schneider et\u00a0<a href=\"http:\/\/www.lefigaro.fr\/culture\/emmanuel-macron-rend-hommage-a-pierre-soulages-au-coeur-du-louvre-20221102\" data-fig-type=\"NewsFlash\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Pierre Soulages<\/a>, ce fils du Pr\u00a0Robert Debr\u00e9 et fr\u00e8re de l\u2019ancien premier ministre Michel Debr\u00e9 appartient \u00e0 l\u2019\u00e9poque de l\u2019imm\u00e9diate apr\u00e8s-guerre. Du sombre des d\u00e9buts, il passe \u00e0 la lumi\u00e8re, avec des toiles spontan\u00e9es, vibrantes de couleur. Celles que les collectionneurs appr\u00e9cient le plus.<\/p>\n<p class=\"fig-paragraph\">C\u2019est sur les bords de Loire qu\u2019Olivier Debr\u00e9 a cultiv\u00e9 le miracle de cette peinture en plein air, dans un corps-\u00e0-corps avec les \u00e9l\u00e9ments de la nature. Cette r\u00e9volution a lieu apr\u00e8s sa rencontre aux \u00c9tats-Unis, fin 1950, d\u00e9but 1960, avec les ma\u00eetres de l\u2019expressionnisme abstrait am\u00e9ricain et\u00a0<a href=\"http:\/\/www.lefigaro.fr\/arts-expositions\/moment-d-inattention-un-enfant-griffe-un-tableau-de-rothko-estime-a-plus-de-50-millions-d-euros-20250429\" target=\"_blank\" data-fig-type=\"NewsFlash\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">notamment Rothko<\/a>. Une photo le montre posant ses immenses toiles blanches \u00e0 m\u00eame le sol. Il les\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 86% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vente Flash<\/p>\n<p class=\"fig-premium-paywall__subtitle\">4,99\u20ac par mois pendant 12 mois. Sans engagement<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Farts-expositions%2Fil-me-paraissait-impossible-de-ne-pas-exprimer-le-drame-de-la-guerre-les-peintures-d-olivier-debre-a-dinard-de-l-ombre-a-la-lumiere-20250821\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDY5NGMxLWJiZjQtNjgzYS1hZDcwLWZiNzVmZjFhMGM2Ml9fQXJ0aWNsZQ==_\u00abIl me paraissait impossible de ne pas exprimer le drame de la guerre\u00bb\u00a0: les peintures d\u2019Olivier Debr\u00e9 \u00e0 Dinard, de l\u2019ombre \u00e0 la lumi\u00e8re_387&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDY5NGMxLWJiZjQtNjgzYS1hZDcwLWZiNzVmZjFhMGM2Ml9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"CRITIQUE &#8211; Des tableaux sombres des d\u00e9buts aux grandes compositions de plein air exaltant la couleur, 70\u00a0\u0153uvres retracent&hellip;\n","protected":false},"author":2,"featured_media":334102,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[12870,1348,1384,1385,1386,24351,58,59,1011,27,47140,45084],"class_list":{"0":"post-334101","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-art-moderne","9":"tag-arts","10":"tag-arts-and-design","11":"tag-arts-et-design","12":"tag-design","13":"tag-dinard","14":"tag-divertissement","15":"tag-entertainment","16":"tag-fr","17":"tag-france","18":"tag-gerard-garouste","19":"tag-pierre-soulages"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115067285853733573","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/334101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=334101"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/334101\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/334102"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=334101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=334101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=334101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}