{"id":341007,"date":"2025-08-24T16:57:09","date_gmt":"2025-08-24T16:57:09","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/341007\/"},"modified":"2025-08-24T16:57:09","modified_gmt":"2025-08-24T16:57:09","slug":"quels-traumatismes-cachent-les-portraits-dadele-de-romance","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/341007\/","title":{"rendered":"quels traumatismes cachent les portraits d\u2019Ad\u00e8le de Romance?"},"content":{"rendered":"<p><strong>CRITIQUE &#8211;<\/strong> \u00c0 Grasse, le Mus\u00e9e Fragonard tire de l\u2019oubli cette peintre, fille d\u2019aristocrate, qui sut mener carri\u00e8re \u00e0 Paris \u00e0 travers tous les r\u00e9gimes jusqu\u2019\u00e0 la Restauration.<\/p>\n<p class=\"fig-paragraph\">Apr\u00e8s Marguerite G\u00e9rard, les quatre s\u0153urs Lemoine ou leur cousine Jeanne-\u00c9lisabeth Chaudet, Carole Blumenfeld, historienne de l\u2019art sp\u00e9cialiste du premier romantisme en peinture, est partie sur les traces d\u2019une autre portraitiste femme de cette \u00e9poque\u00a0: Ad\u00e8le de Romance (1769-1846). De sa plong\u00e9e dans les archives tant \u00e0 Paris qu\u2019en r\u00e9gion, minutier central des notaires inclus, elle est ressortie avec quantit\u00e9 de pr\u00e9cisions relatives \u00e0 cette artiste \u00e0 peu pr\u00e8s oubli\u00e9e.<\/p>\n<p class=\"fig-paragraph\">Et avec les moyens d\u2019une exposition au\u00a0<a href=\"https:\/\/www.lefigaro.fr\/arts-expositions\/2015\/10\/26\/03015-20151026ARTFIG00109-une-toile-de-fragonard-vandalisee-par-deux-fois-au-musee-de-grasse.php\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" rel=\"nofollow noopener\" target=\"_blank\">Mus\u00e9e Fragonard de Grasse<\/a>, un endroit aussi agr\u00e9ablement parfum\u00e9 que riche en art avec la collection H\u00e9l\u00e8ne et Jean-Fran\u00e7ois Costa. Ce fonds original se concentre sur les peintres actifs durant la fin de l\u2019Ancien R\u00e9gime, les suivant si besoin jusqu\u2019\u00e0 la Restauration. Le parcours en trois salles seulement rassemble une vingtaine de toiles autographes, plus quelques autres dues \u00e0 des rivales ou amies. La majeure partie de cet ensemble original \u00e9mane de propri\u00e9taires priv\u00e9s\u00a0; souvent\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 82% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vente Flash<\/p>\n<p class=\"fig-premium-paywall__subtitle\">4,99\u20ac par mois pendant 12 mois. Sans engagement<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Farts-expositions%2Fexposition-quels-traumatismes-cachent-les-portraits-d-adele-de-romance-20250824\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDY3OWM5LTI2NjktNmU1NC04MTg0LWI5NmNhNDJiMzJlOF9fQXJ0aWNsZQ==_Exposition: quels traumatismes cachent les portraits d\u2019Ad\u00e8le de Romance?_522&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDY3OWM5LTI2NjktNmU1NC04MTg0LWI5NmNhNDJiMzJlOF9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"CRITIQUE &#8211; \u00c0 Grasse, le Mus\u00e9e Fragonard tire de l\u2019oubli cette peintre, fille d\u2019aristocrate, qui sut mener carri\u00e8re&hellip;\n","protected":false},"author":2,"featured_media":341008,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,30549,27,23172],"class_list":{"0":"post-341007","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-fragonard","16":"tag-france","17":"tag-revolution"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115084803654047113","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/341007","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=341007"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/341007\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/341008"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=341007"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=341007"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=341007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}