{"id":344792,"date":"2025-08-26T08:55:25","date_gmt":"2025-08-26T08:55:25","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/344792\/"},"modified":"2025-08-26T08:55:25","modified_gmt":"2025-08-26T08:55:25","slug":"leticia-perez-et-thomas-guillin-nos-coups-de-coeur-556","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/344792\/","title":{"rendered":"Leticia P\u00e9rez et Thomas Guillin, nos coups de c\u0153ur #556"},"content":{"rendered":"<p class=\"is-style-body-alt\">Leticia P\u00e9rez et Thomas Guillin, nos coups de c\u0153ur de la semaine, s\u2019int\u00e9ressent \u00e0 <a href=\"https:\/\/fisheyemagazine.fr\/article\/les-images-de-la-semaine-du-21-10-24-au-27-10-24-voyages-dans-lespace-et-la-memoire\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">l\u2019espace<\/a>, aux lieux et aux individus qui l\u2019habitent. Si la premi\u00e8re y cherche son <a href=\"https:\/\/fisheyemagazine.fr\/article\/eman-ali-identites-tokyoites\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">identit\u00e9<\/a>, le second s\u2019emploie \u00e0 documenter les <a href=\"https:\/\/fisheyemagazine.fr\/article\/kyotographie-ou-limage-devient-territoire\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">territoires<\/a> en mutation, avec une certaine marge de libert\u00e9.<\/p>\n<p>Pour Leticia P\u00e9rez, \u00ab\u00a0habiter ne signifie pas seulement occuper un lieu, mais construire une relation profonde avec lui et avec nous-m\u00eames\u00a0\u00bb. Plus encore, notre environnement et le rapport qu\u2019on entretient avec lui participeraient \u00e0 la construction de notre \u00eatre. Relier l\u2019intime et le monde ext\u00e9rieur appara\u00eet au c\u0153ur du travail de l\u2019artiste, install\u00e9e dans un petit village du nord de l\u2019Espagne. Dot\u00e9e d\u2019une formation en <a href=\"https:\/\/fisheyemagazine.fr\/article\/architectes-spatiaux\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">architecture<\/a>, elle explore avec po\u00e9sie l\u2019espace, le corps et la m\u00e9moire, qu\u2019elle r\u00e9unit par l\u2019image. La photographie, chez elle, se fait tissage, point de rencontre entre ces \u00e9l\u00e9ments. Plus encore, elle permet \u00e0 la plasticienne de r\u00e9v\u00e9ler \u00ab\u00a0les histoires et les \u00e9motions [que portent en eux] les gestes et les objets du quotidien\u00a0\u00bb, de doter d\u2019une conscience l\u2019inanim\u00e9 comme le m\u00e9canique. Ces derniers, v\u00e9hiculant r\u00e9cits et <a href=\"https:\/\/fisheyemagazine.fr\/article\/photographies-de-la-semaine-du-7-avril-2025\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">souvenirs<\/a>, contribuent \u00e0 un rapport de transmission, et m\u00eame de filiation, comme le constate la photographe. En ce sens, ne peuvent-ils pas \u00eatre consid\u00e9r\u00e9s comme des composantes de notre personne\u00a0? C\u2019est en tout cas ce que propose la jeune femme avec sa s\u00e9rie P\u00f3rtico, dans laquelle elle revisite les archives et la m\u00e9moire du domicile <a href=\"https:\/\/fisheyemagazine.fr\/article\/vie-en-societe-seance-rattrapage-focus\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">familial<\/a>. Par ce projet, l\u2019artiste tente de \u00ab\u00a0se reconstrui[re] \u00e0 travers des espaces \u2013 physiques et m\u00e9taphoriques \u2013 en explorant [s]on moi le plus intime et vuln\u00e9rable afin d\u2019apprendre \u00e0 r\u00e9ellement [s]\u2019habiter\u00a0\u00bb. Ainsi chez Leticia P\u00e9rez, l\u2019individualit\u00e9 devient maison, un paysage de lumi\u00e8re, d\u2019arcades et de r\u00e9miniscences.<\/p>\n","protected":false},"excerpt":{"rendered":"Leticia P\u00e9rez et Thomas Guillin, nos coups de c\u0153ur de la semaine, s\u2019int\u00e9ressent \u00e0 l\u2019espace, aux lieux et&hellip;\n","protected":false},"author":2,"featured_media":344793,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27],"class_list":{"0":"post-344792","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115094232994424577","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/344792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=344792"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/344792\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/344793"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=344792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=344792"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=344792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}