{"id":354479,"date":"2025-08-30T11:46:23","date_gmt":"2025-08-30T11:46:23","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/354479\/"},"modified":"2025-08-30T11:46:23","modified_gmt":"2025-08-30T11:46:23","slug":"en-images-le-mois-de-la-photo-en-suisse","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/354479\/","title":{"rendered":"En images: le mois de la photo en Suisse"},"content":{"rendered":"<p>Ecoles d\u2019art, biblioth\u00e8ques, centres d\u2019art contemporain, mus\u00e9es, galeries, archives, tous les lieux culturels suisses d\u00e9di\u00e9s \u00e0 l\u2019image se r\u00e9unissent dans un programme commun durant six semaines \u00e0 partir du 29\u00a0ao\u00fbt. Le Swiss Photomonth offre la possibilit\u00e9 de prendre le pouls de la cr\u00e9ation photographique contemporaine, et de red\u00e9couvrir des photographes historiques. Dans les deux cas, les Suisses sont en bonne place.<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/small.jpeg\" data-type=\"image\" data-description=\"Joiri Minaya, #dominicanwomengooglesearch, 2016  est propos\u00e9 au Fotomuseum de Winterthur, dans l'exposition &quot;The Lure of the Image&quot;.&#10;&#10; \u2014 \u00a9 Maxime Boisvert\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/small.jpeg\" width=\"2000\" height=\"2996\" title=\"Joiri Minaya, #dominicanwomengooglesearch, 2016  est propos\u00e9 au Fotomuseum de Winterthur, dans l'exposition &quot;The Lure of the Image&quot;.&#10;&#10; \u2014 \u00a9 Maxime Boisvert\" alt=\"Joiri Minaya, #dominicanwomengooglesearch, 2016  est propos\u00e9 au Fotomuseum de Winterthur, dans l'exposition &quot;The Lure of the Image&quot;.&#10;&#10; \u2014 \u00a9 Maxime Boisvert\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>Joiri Minaya, #dominicanwomengooglesearch, 2016  est propos\u00e9 au Fotomuseum de Winterthur, dans l&rsquo;exposition \u00ab\u00a0The Lure of the Image\u00a0\u00bb.<\/p>\n<p> \u2014 \u00a9 Maxime Boisvert<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554373_645_small.jpeg\" data-type=\"image\" data-description=\"Olga Cafiero, Astres &amp;Soleil II, 2023, de la s\u00e9rie &quot; Ephemeris&quot;, Prochainement \u00e0 Photo Elys\u00e9e \u00e0 Lausanne. \u2014 \u00a9 Olga Cafiero\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554373_645_small.jpeg\" width=\"2000\" height=\"2500\" title=\"Olga Cafiero, Astres &amp;Soleil II, 2023, de la s\u00e9rie &quot; Ephemeris&quot;, Prochainement \u00e0 Photo Elys\u00e9e \u00e0 Lausanne. \u2014 \u00a9 Olga Cafiero\" alt=\"Olga Cafiero, Astres &amp;Soleil II, 2023, de la s\u00e9rie &quot; Ephemeris&quot;, Prochainement \u00e0 Photo Elys\u00e9e \u00e0 Lausanne. \u2014 \u00a9 Olga Cafiero\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>Olga Cafiero, Astres &amp;Soleil II, 2023, de la s\u00e9rie \u00a0\u00bb Ephemeris\u00a0\u00bb, Prochainement \u00e0 Photo Elys\u00e9e \u00e0 Lausanne. \u2014 \u00a9 Olga Cafiero<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554374_41_small.jpeg\" data-type=\"image\" data-description=\"Viktoria Binschtok, Digital Semiotics (Rice Bunny \/ Mi Tu), 2024, au Fotomuseum de Winterthur. \u2014 \u00a9 Viktoria Binschtok\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554374_41_small.jpeg\" width=\"2000\" height=\"1414\" title=\"Viktoria Binschtok, Digital Semiotics (Rice Bunny \/ Mi Tu), 2024, au Fotomuseum de Winterthur. \u2014 \u00a9 Viktoria Binschtok\" alt=\"Viktoria Binschtok, Digital Semiotics (Rice Bunny \/ Mi Tu), 2024, au Fotomuseum de Winterthur. \u2014 \u00a9 Viktoria Binschtok\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>Viktoria Binschtok, Digital Semiotics (Rice Bunny \/ Mi Tu), 2024, au Fotomuseum de Winterthur. \u2014 \u00a9 Viktoria Binschtok<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554375_870_small.jpeg\" data-type=\"image\" data-description=\"Gregory Halpern, \u00e0 la CameraArts de Lucerne. \u2014 \u00a9 Gregory Halpern\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554375_870_small.jpeg\" width=\"1602\" height=\"2000\" title=\"Gregory Halpern, \u00e0 la CameraArts de Lucerne. \u2014 \u00a9 Gregory Halpern\" alt=\"Gregory Halpern, \u00e0 la CameraArts de Lucerne. \u2014 \u00a9 Gregory Halpern\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>Gregory Halpern, \u00e0 la CameraArts de Lucerne. \u2014 \u00a9 Gregory Halpern<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554376_787_small.jpeg\" data-type=\"image\" data-description=\"De la s\u00e9rie &quot;Breathing Borders&quot;, visible dans l'espace d\u00e9di\u00e9 \u00e0 la photographie contemporaine \u00e0 Lucerne, BULB 6000. \u2014 \u00a9 Roland Schmid\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554376_787_small.jpeg\" width=\"2000\" height=\"1325\" title=\"De la s\u00e9rie &quot;Breathing Borders&quot;, visible dans l'espace d\u00e9di\u00e9 \u00e0 la photographie contemporaine \u00e0 Lucerne, BULB 6000. \u2014 \u00a9 Roland Schmid\" alt=\"De la s\u00e9rie &quot;Breathing Borders&quot;, visible dans l'espace d\u00e9di\u00e9 \u00e0 la photographie contemporaine \u00e0 Lucerne, BULB 6000. \u2014 \u00a9 Roland Schmid\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>De la s\u00e9rie \u00ab\u00a0Breathing Borders\u00a0\u00bb, visible dans l&rsquo;espace d\u00e9di\u00e9 \u00e0 la photographie contemporaine \u00e0 Lucerne, BULB 6000. \u2014 \u00a9 Roland Schmid<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554377_434_small.jpeg\" data-type=\"image\" data-description=\"Ziyu Wang, Lads, de la s\u00e9rie &quot;Go Get Em Boy&quot;, Londres, 2022, \u00e0 Photo Elys\u00e9e, Lausanne. \u2014 \u00a9 Ziyu Wang\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554377_434_small.jpeg\" width=\"2000\" height=\"1596\" title=\"Ziyu Wang, Lads, de la s\u00e9rie &quot;Go Get Em Boy&quot;, Londres, 2022, \u00e0 Photo Elys\u00e9e, Lausanne. \u2014 \u00a9 Ziyu Wang\" alt=\"Ziyu Wang, Lads, de la s\u00e9rie &quot;Go Get Em Boy&quot;, Londres, 2022, \u00e0 Photo Elys\u00e9e, Lausanne. \u2014 \u00a9 Ziyu Wang\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>Ziyu Wang, Lads, de la s\u00e9rie \u00ab\u00a0Go Get Em Boy\u00a0\u00bb, Londres, 2022, \u00e0 Photo Elys\u00e9e, Lausanne. \u2014 \u00a9 Ziyu Wang<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554377_58_small.jpeg\" data-type=\"image\" data-description=\"&quot;Beautiful Resistance&quot;, Lagos 2022, visible \u00e0 Photo Elys\u00e9e. \u2014 \u00a9  Daniel Obasi\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554377_58_small.jpeg\" width=\"\" height=\"\" title=\"&quot;Beautiful Resistance&quot;, Lagos 2022, visible \u00e0 Photo Elys\u00e9e. \u2014 \u00a9  Daniel Obasi\" alt=\"&quot;Beautiful Resistance&quot;, Lagos 2022, visible \u00e0 Photo Elys\u00e9e. \u2014 \u00a9  Daniel Obasi\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>\u00ab\u00a0Beautiful Resistance\u00a0\u00bb, Lagos 2022, visible \u00e0 Photo Elys\u00e9e. \u2014 \u00a9  Daniel Obasi<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554377_281_small.jpeg\" data-type=\"image\" data-description=\"Une figure bien connue de la photographie de presse, Anne Morgenstren, s\u00e9lectionn\u00e9e au Swiss Press Photo, Mus\u00e9e national suisse, Z\u00fcrich \u2014 \u00a9 Anne Morgenstern\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554377_281_small.jpeg\" width=\"1254\" height=\"1881\" title=\"Une figure bien connue de la photographie de presse, Anne Morgenstren, s\u00e9lectionn\u00e9e au Swiss Press Photo, Mus\u00e9e national suisse, Z\u00fcrich \u2014 \u00a9 Anne Morgenstern\" alt=\"Une figure bien connue de la photographie de presse, Anne Morgenstren, s\u00e9lectionn\u00e9e au Swiss Press Photo, Mus\u00e9e national suisse, Z\u00fcrich \u2014 \u00a9 Anne Morgenstern\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>Une figure bien connue de la photographie de presse, Anne Morgenstren, s\u00e9lectionn\u00e9e au Swiss Press Photo, Mus\u00e9e national suisse, Z\u00fcrich \u2014 \u00a9 Anne Morgenstern<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554378_628_small.jpeg\" data-type=\"image\" data-description=\"Pino Musi, Phytostopia #01, 2021\/2025 \u00e0 la Fondazione Rolla, Bruzella (TI).\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554378_628_small.jpeg\" width=\"2000\" height=\"2800\" title=\"Pino Musi, Phytostopia #01, 2021\/2025 \u00e0 la Fondazione Rolla, Bruzella (TI).\" alt=\"Pino Musi, Phytostopia #01, 2021\/2025 \u00e0 la Fondazione Rolla, Bruzella (TI).\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>Pino Musi, Phytostopia #01, 2021\/2025 \u00e0 la Fondazione Rolla, Bruzella (TI).<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554379_156_small.jpeg\" data-type=\"image\" data-description=\"Le th\u00e9\u00e2tre du Crochetan (VS) participe aussi au Swiss Photomonth, avec une photo de  C\u00e9dric Raccio tir\u00e9e de la s\u00e9rie &quot;Metano\u00efa&quot;. \u2014 \u00a9 C\u00e9dric Raccio\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554379_156_small.jpeg\" width=\"2000\" height=\"2446\" title=\"Le th\u00e9\u00e2tre du Crochetan (VS) participe aussi au Swiss Photomonth, avec une photo de  C\u00e9dric Raccio tir\u00e9e de la s\u00e9rie &quot;Metano\u00efa&quot;. \u2014 \u00a9 C\u00e9dric Raccio\" alt=\"Le th\u00e9\u00e2tre du Crochetan (VS) participe aussi au Swiss Photomonth, avec une photo de  C\u00e9dric Raccio tir\u00e9e de la s\u00e9rie &quot;Metano\u00efa&quot;. \u2014 \u00a9 C\u00e9dric Raccio\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>Le th\u00e9\u00e2tre du Crochetan (VS) participe aussi au Swiss Photomonth, avec une photo de  C\u00e9dric Raccio tir\u00e9e de la s\u00e9rie \u00ab\u00a0Metano\u00efa\u00a0\u00bb. \u2014 \u00a9 C\u00e9dric Raccio<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554380_11_small.jpeg\" data-type=\"image\" data-description=\"Charlotte Aeb sera \u00e0 Lausanne, visible \u00e0 Pyxis. \u2014 \u00a9 Charlotte Aeb\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554380_11_small.jpeg\" width=\"\" height=\"\" title=\"Charlotte Aeb sera \u00e0 Lausanne, visible \u00e0 Pyxis. \u2014 \u00a9 Charlotte Aeb\" alt=\"Charlotte Aeb sera \u00e0 Lausanne, visible \u00e0 Pyxis. \u2014 \u00a9 Charlotte Aeb\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>Charlotte Aeb sera \u00e0 Lausanne, visible \u00e0 Pyxis. \u2014 \u00a9 Charlotte Aeb<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554380_57_small.jpeg\" data-type=\"image\" data-description=\"&quot;Ohne Titel&quot;, 2008 de Roger Humbert, \u00e0 la Fotostiftung \u00e0 Winterthur. \u2014 \u00a9 Fotostiftung Schweiz\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554380_57_small.jpeg\" width=\"2000\" height=\"2872\" title=\"&quot;Ohne Titel&quot;, 2008 de Roger Humbert, \u00e0 la Fotostiftung \u00e0 Winterthur. \u2014 \u00a9 Fotostiftung Schweiz\" alt=\"&quot;Ohne Titel&quot;, 2008 de Roger Humbert, \u00e0 la Fotostiftung \u00e0 Winterthur. \u2014 \u00a9 Fotostiftung Schweiz\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>\u00ab\u00a0Ohne Titel\u00a0\u00bb, 2008 de Roger Humbert, \u00e0 la Fotostiftung \u00e0 Winterthur. \u2014 \u00a9 Fotostiftung Schweiz<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554381_624_small.jpeg\" data-type=\"image\" data-description=\"Oeuvre de Hilla Kurki, au Centre de la Photographie de Gen\u00e8ve (CPG).\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554381_624_small.jpeg\" width=\"\" height=\"\" title=\"Oeuvre de Hilla Kurki, au Centre de la Photographie de Gen\u00e8ve (CPG).\" alt=\"Oeuvre de Hilla Kurki, au Centre de la Photographie de Gen\u00e8ve (CPG).\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>Oeuvre de Hilla Kurki, au Centre de la Photographie de Gen\u00e8ve (CPG).<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554382_559_small.jpeg\" data-type=\"image\" data-description=\"Massimiliano Rossetto, FEROCE, 2025, \u00e0 Standard-deluxe, Lausanne.\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554382_559_small.jpeg\" width=\"2000\" height=\"2500\" title=\"Massimiliano Rossetto, FEROCE, 2025, \u00e0 Standard-deluxe, Lausanne.\" alt=\"Massimiliano Rossetto, FEROCE, 2025, \u00e0 Standard-deluxe, Lausanne.\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>Massimiliano Rossetto, FEROCE, 2025, \u00e0 Standard-deluxe, Lausanne.<\/p>\n<p>      <a class=\"glightbox\" role=\"button\" href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554383_483_small.jpeg\" data-type=\"image\" data-description=\"Lin Zhipeng (aka-No.223), Blossom Mode, 2023, Bulb 6000, Lucerne.\" data- data-><\/p>\n<p>          Agrandir l&rsquo;image<\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/1756554383_483_small.jpeg\" width=\"2000\" height=\"2978\" title=\"Lin Zhipeng (aka-No.223), Blossom Mode, 2023, Bulb 6000, Lucerne.\" alt=\"Lin Zhipeng (aka-No.223), Blossom Mode, 2023, Bulb 6000, Lucerne.\" class=\"lazy\"\/><\/p>\n<p>      <\/a><\/p>\n<p>Lin Zhipeng (aka-No.223), Blossom Mode, 2023, Bulb 6000, Lucerne.<\/p>\n","protected":false},"excerpt":{"rendered":"Ecoles d\u2019art, biblioth\u00e8ques, centres d\u2019art contemporain, mus\u00e9es, galeries, archives, tous les lieux culturels suisses d\u00e9di\u00e9s \u00e0 l\u2019image se&hellip;\n","protected":false},"author":2,"featured_media":354480,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,3297,1011,27,4438,14022,1756],"class_list":{"0":"post-354479","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-entre-temps","15":"tag-fr","16":"tag-france","17":"tag-free","18":"tag-musees-et-expositions","19":"tag-photographie"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115117555144105781","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/354479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=354479"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/354479\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/354480"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=354479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=354479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=354479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}