{"id":375664,"date":"2025-09-08T16:35:10","date_gmt":"2025-09-08T16:35:10","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/375664\/"},"modified":"2025-09-08T16:35:10","modified_gmt":"2025-09-08T16:35:10","slug":"au-musee-dorsay-bridget-riley-rend-hommage-a-georges-seurat","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/375664\/","title":{"rendered":"Au Mus\u00e9e d\u2019Orsay, Bridget Riley rend hommage \u00e0 Georges Seurat"},"content":{"rendered":"<p><strong>CRITIQUE &#8211;<\/strong> Grande peintre de l\u2019art optique, la Britannique a d\u2019abord regard\u00e9 les ma\u00eetres postimpressionnistes.<\/p>\n<p class=\"fig-paragraph\">Bridget Riley, 94\u00a0ans, c\u2019est une l\u00e9gende britannique, l\u2019autre dame de fer d\u2019une \u00eele qui entretient des rapports particuliers avec la peinture, comme vient de le d\u00e9montrer son compatriote\u00a0<a href=\"http:\/\/www.lefigaro.fr\/arts-expositions\/van-gogh-etait-completement-heureux-lorsqu-il-peignait-le-peintre-david-hockney-illumine-la-fondation-louis-vuitton-20250407\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">David Hockney\u00a0<\/a>\u00e0 la Fondation Louis Vuitton, avec 916.614\u00a0visiteurs pour son exposition \u00ab\u00a0David Hockney 25\u00a0\u00bb. N\u00e9e, elle aussi, dans le Yorkshire en 1931, soit dans la m\u00eame d\u00e9cennie, Bridget Riley a grandi en Cornouailles avec une tante qui avait \u00e9tudi\u00e9 au Golsdmiths College o\u00f9 elle fera elle-m\u00eame ses classes de 1949 \u00e0 1952. L\u2019histoire retient le choc que cette reine de l\u2019abstraction rythm\u00e9e eut devant l\u2019\u0153uvre de\u00a0<a href=\"http:\/\/www.lefigaro.fr\/automobile\/jackson-pollock-le-peintre-americain-qui-n-a-pas-choisi-entre-boire-ou-conduire-sa-decapotable-20250808\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Jackson Pollock<\/a>\u00a0\u00e0 la Whitechapel Gallery, \u00e0 Londres, en 1958.<\/p>\n<p>    Bridget Riley, Pink Landscape, 1960. Collection particuli\u00e8re<br \/>\n                Photograph by Prudence Cuming Associates Bridget Riley 2025. All rights reserved<\/p>\n<p class=\"fig-paragraph\">Mais c\u2019est au d\u00e9but de son parcours que s\u2019int\u00e9ressera le Mus\u00e9e d\u2019Orsay, en explorant \u00ab\u00a0comment l\u2019\u00e9tude de l\u2019\u0153uvre de\u00a0<a href=\"http:\/\/www.lefigaro.fr\/arts-expositions\/le-peintre-georges-seurat-mis-a-l-honneur-par-google-20211202\" target=\"_blank\" data-fig-type=\"Article\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">Georges Seurat<\/a> \u00a0a constitu\u00e9 une impulsion fondatrice dans le d\u00e9veloppement de sa d\u00e9marche artistique\u00a0\u00bb. \u00ab\u00a0Bridget Riley, point de d\u00e9part\u00a0\u00bb se situera donc cet automne dans la galerie postimpressionniste, du\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 65% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vente Flash<\/p>\n<p class=\"fig-premium-paywall__subtitle\">4,99\u20ac par mois pendant 12 mois. Sans engagement<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Farts-expositions%2Fau-musee-d-orsay-bridget-riley-rend-hommage-a-georges-seurat-20250908\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDhjOGVhLWY3NDMtNjRjYy05ZTU1LTgzMjg4NjhlZjJkZF9fQXJ0aWNsZQ==_Au Mus\u00e9e d\u2019Orsay, Bridget Riley rend hommage \u00e0 Georges Seurat_332&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDhjOGVhLWY3NDMtNjRjYy05ZTU1LTgzMjg4NjhlZjJkZF9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"CRITIQUE &#8211; Grande peintre de l\u2019art optique, la Britannique a d\u2019abord regard\u00e9 les ma\u00eetres postimpressionnistes. Bridget Riley, 94\u00a0ans,&hellip;\n","protected":false},"author":2,"featured_media":375665,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,50967,1386,58,59,1011,27,1651,21400],"class_list":{"0":"post-375664","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-david-hockney","12":"tag-design","13":"tag-divertissement","14":"tag-entertainment","15":"tag-fr","16":"tag-france","17":"tag-musee-dorsay","18":"tag-tate-modern"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115169651772070963","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/375664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=375664"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/375664\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/375665"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=375664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=375664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=375664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}