{"id":393503,"date":"2025-09-15T21:12:23","date_gmt":"2025-09-15T21:12:23","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/393503\/"},"modified":"2025-09-15T21:12:23","modified_gmt":"2025-09-15T21:12:23","slug":"george-de-la-tour-poete-des-flammes-avait-une-comprehension-exceptionnelle-de-lame-humaine","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/393503\/","title":{"rendered":"George de La Tour, po\u00e8te des flammes, \u00ab\u00a0avait une compr\u00e9hension exceptionnelle de l\u2019\u00e2me humaine\u00a0\u00bb"},"content":{"rendered":"<p data-module=\"fig-standfirst\" data-context=\"@media (min-width:48em)\"><strong>GRAND ENTRETIEN &#8211; <\/strong>Aucune exposition d\u2019envergure n\u2019avait \u00e9t\u00e9 consacr\u00e9e en France au peintre depuis celle du Grand Palais en 1997. La splendide r\u00e9trospective du Mus\u00e9e Jacquemart-Andr\u00e9 rend les honneurs au virtuose lorrain. Immersion en compagnie de Gail Feigenbaum et Pierre Curie, commissaires de l\u2019exposition.<\/p>\n<p class=\"fig-paragraph fig-paragraph--dropped\">Cet article est issu du Figaro hors-s\u00e9rie \u00ab Georges de La Tour, Ombres et lumi\u00e8res\u00a0\u00bb. Plongez dans le myst\u00e8re La\u00a0Tour et\u00a0<a href=\"https:\/\/boutique.lefigaro.fr\/produit\/140822-georges-de-la-tour-l-enigmatique\" target=\"_blank\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\">la compr\u00e9hension de son \u0153uvre en 160 pages<\/a> , magnifiquement illustr\u00e9es.<\/p>\n<p>    \u00ab Georges de La Tour, Ombres et lumi\u00e8res\u00a0\u00bb.<br \/>\n                Le Figaro hors-s\u00e9rie<\/p>\n<p class=\"fig-paragraph fig-paragraph--dropped\"><strong>LE FIGARO HORS-S\u00c9RIE. &#8211;<\/strong> <strong>Une partie de la fascination qu\u2019exerce\u00a0<\/strong><a href=\"http:\/\/www.lefigaro.fr\/vox\/culture\/michel-de-jaeghere-georges-de-la-tour-le-peintre-du-silence-et-de-la-vie-spirituelle-20250911\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\"><strong>Georges de La\u00a0Tour<\/strong><\/a> <strong>\u00a0est due \u00e0 la raret\u00e9 de ses \u0153uvres. L\u2019exposition en pr\u00e9sente 25, c\u2019est-\u00e0-dire plus de la moiti\u00e9 du corpus connu. En a-t-il peint davantage\u00a0?\u00a0<\/strong><\/p>\n<p class=\"fig-paragraph fig-paragraph--dropped\"><strong>Gail FEIGENBAUM. &#8211;<\/strong> Gr\u00e2ce \u00e0 deux faisceaux d\u2019indices, on estime qu\u2019il a peint plus du double de ce qui nous est parvenu. Les nombreuses copies peintes d\u2019abord \u2013\u00a0certaines extraordinaires, issues de son atelier qui produisait des copies autoris\u00e9es pour les collectionneurs, d\u2019autres r\u00e9alis\u00e9es hors de l\u2019atelier\u00a0\u2013 nous donnent l\u2019\u00e9cho de compositions originales aujourd\u2019hui perdues. Les inventaires d\u2019anciens collectionneurs ensuite, qui mentionnent ses \u0153uvres dans diverses r\u00e9gions de France. La\u00a0Tour n\u2019\u00e9tait pas un peintre ultra-prolifique ni particuli\u00e8rement rapide. Mais ce n\u2019\u00e9tait\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 96% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vous avez envie de lire la suite ?<\/p>\n<p class=\"fig-premium-paywall__subtitle\">D\u00e9bloquez tous les articles imm\u00e9diatement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Farts-expositions%2Fgeorge-de-la-tour-poete-des-flammes-avait-une-comprehension-exceptionnelle-de-l-ame-humaine-20250915\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDkyMTAwLTMwZjItNmJhNi05OTgxLTIxNDI5YWM3YTg4MF9fQXJ0aWNsZQ==_George de La Tour, po\u00e8te des flammes, \u00ab\u00a0avait une compr\u00e9hension exceptionnelle de l\u2019\u00e2me humaine\u00a0\u00bb_575&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDkyMTAwLTMwZjItNmJhNi05OTgxLTIxNDI5YWM3YTg4MF9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"GRAND ENTRETIEN &#8211; Aucune exposition d\u2019envergure n\u2019avait \u00e9t\u00e9 consacr\u00e9e en France au peintre depuis celle du Grand Palais&hellip;\n","protected":false},"author":2,"featured_media":393504,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27,51539],"class_list":{"0":"post-393503","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france","16":"tag-georges-de-la-tour"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115210377250750010","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/393503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=393503"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/393503\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/393504"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=393503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=393503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=393503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}