{"id":409010,"date":"2025-09-22T08:00:59","date_gmt":"2025-09-22T08:00:59","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/409010\/"},"modified":"2025-09-22T08:00:59","modified_gmt":"2025-09-22T08:00:59","slug":"au-petit-palais-greuze-en-portraitiste-virtuose-et-sensible-de-lenfant-des-lumieres","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/409010\/","title":{"rendered":"Au Petit Palais, Greuze en portraitiste virtuose et sensible de l\u2019enfant des Lumi\u00e8res"},"content":{"rendered":"<p class=\"editor-content__paragraph\">Des <strong>visages poupins<\/strong> ouvrent de grands yeux r\u00eaveurs. Les pupilles sont humides, les<strong> joues rebondies et roses<\/strong>, les sourcils soucieux. L\u2019un d\u2019eux s\u2019est endormi d\u2019ennui sur son livre, une autre, en chemise de nuit, serre un petit chien dans ses bras, un troisi\u00e8me regarde hors cadre, perdu dans ses pens\u00e9es. Certains semblent un peu tristes dans leurs petits paletots d\u2019hommes miniatures. Vuln\u00e9rables, intelligents, m\u00e9lancoliques, <strong>les enfants peints par <a href=\"https:\/\/www.beauxarts.com\/grand-format\/jean-baptiste-greuze-en-2-minutes\/\" target=\"_blank\" rel=\"noopener\">Jean-Baptiste Greuze<\/a><\/strong> (1725\u20131805) transpercent la toile tant ils paraissent vivants, et <strong>emplis d\u2019\u00e9motions subtiles<\/strong>.<\/p>\n<p class=\"editor-content__paragraph\">Ombres port\u00e9es des cils sur les joues, finesse a\u00e9rienne des boucles blondes\u2026 Admirateur de <a href=\"https:\/\/www.beauxarts.com\/grand-format\/jean-simeon-chardin-en-2-minutes\/\" target=\"_blank\" rel=\"noopener\">Jean Sim\u00e9on Chardin<\/a>, de <a href=\"https:\/\/www.beauxarts.com\/grand-format\/frans-hals-en-2-minutes\/\" target=\"_blank\" rel=\"noopener\">Frans Hals<\/a> et de <a href=\"https:\/\/www.beauxarts.com\/grand-format\/rembrandt-en-2-minutes\/\" target=\"_blank\" rel=\"noopener\">Rembrandt<\/a>, Greuze fait preuve d\u2019une <strong>technicit\u00e9 remarquable<\/strong> dans ses portraits d\u2019enfants aux teintes raffin\u00e9es, qu\u2019il s\u2019agisse de ceux de <strong>ses propres filles<\/strong> (Anne-Genevi\u00e8ve et Louise-Gabrielle), ou de gar\u00e7ons comme <strong>Le Petit \u00c9colier<\/strong> (1755\u20131757) et <strong>Le Petit Paresseux<\/strong> (1755).<\/p>\n<p class=\"editor-content__paragraph editor-content__paragraph--is-hidden\">Cette virtuosit\u00e9 combine une <strong>facture tr\u00e8s fine et l\u00e9ch\u00e9e<\/strong>, en accord avec la pr\u00e9ciosit\u00e9 de son temps, et des <strong>emp\u00e2tements \u00e9nergiques<\/strong>, tr\u00e8s modernes pour son si\u00e8cle, qui lui permettent \u00e0 certains endroits de <strong>modeler les volumes des visages<\/strong> et les plis des v\u00eatements.<\/p>\n<p>            <strong>Continuez votre lecture<\/strong><\/p>\n<p>\n                et acc\u00e9dez \u00e0 Beaux Arts Magazine<br \/>et \u00e0 tous les contenus web<br \/><strong>en illimit\u00e9 \u00e0 partir de 5,75\u20ac \/ mois<\/strong>\n            <\/p>\n<p class=\"cta-abonnement__log-in\">\n        D\u00e9j\u00e0 abonn\u00e9 ?        <a data-id=\"aHR0cHM6Ly93d3cuYmVhdXhhcnRzLmNvbS9tb24tY29tcHRlLw==\">Connectez-vous<\/a>\n    <\/p>\n<p>            <img data-vllblanksrc=\"https:\/\/www.beauxarts.com\/expos\/sous-ses-dehors-tendres-greuze-traite-de-sujets-graves-que-la-societe-ne-veut-pas-voir-le-portraitiste-virtuose-de-lenfance-au-petit-palais\/1\" data-vllsrc=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/09\/couv-bam-496-232x300.png\" alt=\"\"\/><img data-vllblanksrc=\"https:\/\/www.beauxarts.com\/expos\/sous-ses-dehors-tendres-greuze-traite-de-sujets-graves-que-la-societe-ne-veut-pas-voir-le-portraitiste-virtuose-de-lenfance-au-petit-palais\/1\" data-vllsrc=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/08\/bam495_ciouv_page_001-232x300.jpg\" alt=\"\"\/>        <\/p>\n","protected":false},"excerpt":{"rendered":"Des visages poupins ouvrent de grands yeux r\u00eaveurs. Les pupilles sont humides, les joues rebondies et roses, les&hellip;\n","protected":false},"author":2,"featured_media":409011,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[14535,1348,1384,1385,1386,58,59,1011,27,1585,29081],"class_list":{"0":"post-409010","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-art-ancien","9":"tag-arts","10":"tag-arts-and-design","11":"tag-arts-et-design","12":"tag-design","13":"tag-divertissement","14":"tag-entertainment","15":"tag-fr","16":"tag-france","17":"tag-peinture","18":"tag-petit-palais"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115246903047189121","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/409010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=409010"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/409010\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/409011"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=409010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=409010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=409010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}