{"id":414317,"date":"2025-09-24T15:53:18","date_gmt":"2025-09-24T15:53:18","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/414317\/"},"modified":"2025-09-24T15:53:18","modified_gmt":"2025-09-24T15:53:18","slug":"adele-de-romance-peintre-libre-lart-du-portrait","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/414317\/","title":{"rendered":"Ad\u00e8le de Romance, peintre libre. L’Art du portrait"},"content":{"rendered":"

Premi\u00e8re exposition monographique consacr\u00e9e \u00e0 Ad\u00e8le de Romance, la petite r\u00e9trospective du Mus\u00e9e Fragonard poursuit le cycle qu\u2019il d\u00e9die aux artistes femmes de la g\u00e9n\u00e9ration de Marguerite G\u00e9rard, peintre phare de son fonds permanent. L\u2019initiait en 2023, un remarquable premier volet consacr\u00e9 aux s\u0153urs Lemoine et \u00e0 leur cousine Jeanne-\u00c9lisabeth Chaudet (voir l\u2019article<\/a>), d\u00e9j\u00e0 sous le commissariat de l\u2019historienne de l\u2019art Carole Blumenfeld, sp\u00e9cialiste de la peinture de genre et du portrait de la fin du XVIIIe si\u00e8cle et du d\u00e9but du XIXe si\u00e8cle, d\u00e9cid\u00e9ment dou\u00e9e pour exhumer les figures oubli\u00e9es.<\/p>\n

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1. Ad\u00e8le de Romance (1769-1846)

\nPortrait d\u2019une jeune personne et de son fr\u00e8re,

\nAm\u00e9lie Justine et Charles Edouard Pontois, 1800

\nHuile sur toile – 92 x 73 cm

\nParis, collection particuli\u00e8re

\nPhoto\u00a0: Paris, collection particuli\u00e8re\n<\/dd>\n
\n\t\tVoir l\u00b4image dans sa page<\/a>\n\t<\/dd>\n<\/dl>\n

Face \u00e0 des sources biographiques ponctu\u00e9es d\u2019erreurs et une bibliographie fran\u00e7aise muette ou presque, la t\u00e2che s\u2019annon\u00e7ait ardue, d\u2019autant plus que l\u2019artiste usa de diff\u00e9rents patronymes \u00e0 m\u00eame d\u2019aviver les confusions, n\u00e9e \u00ab\u00a0de Romance\u00a0\u00bb avant de devenir, au gr\u00e9 des Salons, \u00ab\u00a0Romance\u00a0\u00bb, \u00ab\u00a0Romany\u00a0\u00bb, \u00ab\u00a0Romani\u00a0\u00bb, \u00ab\u00a0Roman\u00e9e\u00a0\u00bb, \u00ab\u00a0Romany-de-Romance\u00a0\u00bb ou \u00ab\u00a0AR\u00a0\u00bb. \u00c0 la faveur d\u2019un important travail de recherche et du d\u00e9pouillement de pi\u00e8ces d\u2019archives in\u00e9dites, en partie retranscrites en annexes du catalogue publi\u00e9 pour l\u2019occasion, la commissaire a \u00e9tabli une biographie des plus claires et affin\u00e9 la connaissance du corpus des \u0153uvres attach\u00e9es \u00e0 l\u2019artiste, d\u00e9voilant tableaux in\u00e9dits comme nouvelles attributions ou identifications.<\/p>\n

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2. Ad\u00e8le de Romance (1769-1846)

\nPortrait d\u2019Alexandrine Florence Virginie Casimire Thevenet de Montgarrel pr\u00e8s d\u2019un piano tenant un cahier de musique, 1802

\nHuile sur toile – 98,5 x 80 cm

\nCollection particuli\u00e8re

\nPhoto\u00a0: Collection particuli\u00e8re\n<\/dd>\n
\n\t\tVoir l\u00b4image dans sa page<\/a>\n\t<\/dd>\n<\/dl>\n
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3. Ad\u00e8le de Romance (1769-1846)

\nPortrait de femme tenant une corbeille de fleurs, vers\u2026<\/dd>\n<\/dl>\n","protected":false},"excerpt":{"rendered":"Premi\u00e8re exposition monographique consacr\u00e9e \u00e0 Ad\u00e8le de Romance, la petite r\u00e9trospective du Mus\u00e9e Fragonard poursuit le cycle qu\u2019il…\n","protected":false},"author":2,"featured_media":414318,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27],"class_list":{"0":"post-414317","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115260084178661486","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/414317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=414317"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/414317\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/414318"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=414317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=414317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=414317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}