{"id":422914,"date":"2025-09-28T04:08:10","date_gmt":"2025-09-28T04:08:10","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/422914\/"},"modified":"2025-09-28T04:08:10","modified_gmt":"2025-09-28T04:08:10","slug":"adam-caruso-architecte-la-seule-position-valable-cest-la-renovation","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/422914\/","title":{"rendered":"Adam Caruso, architecte: \u00abLa seule position valable, c\u2019est la r\u00e9novation!\u00bb"},"content":{"rendered":"<p>\u00abAdam Caruso (Caruso St John Acrhitects) \u2013 What Is It Worth?\u00bb, conf\u00e9rence Espaces communs (en anglais), mercredi 1er octobre \u00e0 18h30, Auditorium du MCBA, Plateforme 10, Lausanne, entr\u00e9e libre sur inscription via la billetterie Plateforme 10:\u00a0<a href=\"http:\/\/plateforme10.ch\" rel=\"nofollow noopener\" target=\"_blank\">plateforme10.ch<\/a>\u00a0|\u00a0<a href=\"http:\/\/fondationcub.ch\" rel=\"nofollow noopener\" target=\"_blank\">fondationcub.ch<\/a><\/p>\n<p>    R\u00e9sum\u00e9 en 20 secondes<\/p>\n<p>        En savoir plus sur ce type de contenu<\/p>\n<p>Ce r\u00e9sum\u00e9 peut avoir \u00e9t\u00e9 \u00e9crit avec l&rsquo;assistance d\u2019une IA g\u00e9n\u00e9rative. <a href=\"https:\/\/www.letemps.ch\/cyber\/l-usage-de-l-ia-generative-par-les-journalistes-du-temps\" target=\"_blank\" rel=\"noopener\">En savoir plus<\/a><\/p>\n<p class=\"article__abstract-call-to-action\" data-ariato=\"TrackableElement\" data-trackable-element-type=\"article_abstract_cta\" data-trackable-element-location=\"article_header\" data-trackable-element-id=\"507206\">\n        <a data-event=\"click-&gt;clicked\" href=\"https:\/\/www.letemps.ch\/abonnements\" target=\"_blank\" rel=\"noopener\">Abonnez-vous<\/a> pour acc\u00e9der au r\u00e9sum\u00e9 en 20 secondes.\n      <\/p>\n<p>Quatre concours lausannois et autant de d\u00e9sillusions pour le bureau d\u2019architecture Caruso St John, fond\u00e9 par le Canadien Adam Caruso et le Britannique Peter St John \u00e0 Londres en 1990. Reconnu \u00e0 l\u2019\u00e9chelle internationale d\u00e8s la construction de la superbe New Art Gallery de Walsall en 1995, qui participait \u00e0 la r\u00e9g\u00e9n\u00e9ration du centre-ville de cette localit\u00e9 au c\u0153ur de l\u2019Angleterre tout en s\u2019int\u00e9grant \u00e0 son paysage industriel, le bureau a r\u00e9alis\u00e9 de nombreux projets d\u2019envergure au Royaume-Uni, comme la r\u00e9novation de la Tate Britain, l\u2019extension du Museum of Childhood ou des succursales pour la Gagosian Gallery.\u00a0Un second bureau a vu le jour \u00e0 Zurich en 2010 lorsque Caruso St John construisait un b\u00e2timent raffin\u00e9 du nouveau quartier commercial d\u2019Europaallee. Le bureau s\u2019attelle d\u00e9sormais, entre autres, \u00e0 l\u2019extension de la Kunsthalle Bielefeld en Allemagne, le seul b\u00e2timent public en Europe du grand architecte am\u00e9ricain Philip Johnson.<\/p>\n<p>Invit\u00e9 \u00e0 participer aux concours des deux \u00e9difices mus\u00e9aux de Plateforme 10, \u00e0 Lausanne, pour lesquels il a obtenu \u00e0 chaque fois le deuxi\u00e8me prix, puis du futur quartier commercial de la Rasude et enfin de la place de la Gare, le bureau a esquiss\u00e9 des contre-propositions marquantes aux projets retenus, en conservant notamment l\u2019ancienne halle aux locomotives, dont il ne reste que le pignon dans le Mus\u00e9e cantonal des beaux-arts r\u00e9alis\u00e9 par le bureau espagnol Barozzi Veiga, ou en imaginant deux conduits ext\u00e9rieurs ascendants amenant \u00e0 Photo Elys\u00e9e et au mudac.<\/p>\n","protected":false},"excerpt":{"rendered":"\u00abAdam Caruso (Caruso St John Acrhitects) \u2013 What Is It Worth?\u00bb, conf\u00e9rence Espaces communs (en anglais), mercredi 1er&hellip;\n","protected":false},"author":2,"featured_media":422915,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1350,1348,1384,1385,1386,58,59,1011,27,300,301,299],"class_list":{"0":"post-422914","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-architecture","9":"tag-arts","10":"tag-arts-and-design","11":"tag-arts-et-design","12":"tag-design","13":"tag-divertissement","14":"tag-entertainment","15":"tag-fr","16":"tag-france","17":"tag-le-magazine-du-temps","18":"tag-premium","19":"tag-t"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115279960949098321","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/422914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=422914"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/422914\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/422915"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=422914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=422914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=422914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}