{"id":431187,"date":"2025-10-01T13:15:12","date_gmt":"2025-10-01T13:15:12","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/431187\/"},"modified":"2025-10-01T13:15:12","modified_gmt":"2025-10-01T13:15:12","slug":"a-paris-un-menu-pas-toujours-digeste","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/431187\/","title":{"rendered":"\u00e0 Paris, un menu pas toujours digeste"},"content":{"rendered":"<p><strong>CRITIQUE <\/strong>&#8211; Si les formations de la capitale ont fait preuve d\u2019une \u00e9nergie prometteuse, le choix de leurs programmes a parfois laiss\u00e9 songeur.<\/p>\n<p class=\"fig-paragraph\">Comment composer le programme d\u2019un concert de rentr\u00e9e\u00a0? Si possible comme un menu de festin destin\u00e9 \u00e0 donner envie de revenir aussi souvent que possible de septembre \u00e0 juin. Mais aussi en dosant plats et ingr\u00e9dients de mani\u00e8re \u00e0 m\u00e9nager envie de se faire plaisir et soif de d\u00e9couverte, tout en restant digeste. Chaque orchestre parisien s\u2019y est pris cette ann\u00e9e \u00e0 sa fa\u00e7on, sans toujours parvenir \u00e0 cocher toutes les cases, mais en n\u2019en faisant pas moins preuve d\u2019une \u00e9nergie prometteuse.<\/p>\n<p class=\"fig-paragraph\">Digeste, le concert inaugural de l\u2019<a href=\"http:\/\/www.lefigaro.fr\/musique\/la-violoniste-sarah-nemtanu-rejoint-l-orchestre-de-paris-20250902\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Orchestre de Paris<\/a>\u00a0\u00e0 la Philharmonie ne le fut pas toujours, misant un peu trop sur le volume sonore. Au moins cela a-t-il permis aux cuivres de montrer leurs muscles, dans la toujours spectaculaire Fanfare for the Common Man, de Copland, et son astucieux pendant f\u00e9minin Fanfare for the Uncommon Woman, de Joan Tower. Mais dans ce programme \u00e0 dominante am\u00e9ricaine,\u00a0<a href=\"https:\/\/www.lefigaro.fr\/musique\/le-violoncelliste-klaus-makela-la-baguette-magique-20211203\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Klaus M\u00e4kel\u00e4<\/a>\u00a0pousse trop le Gershwin d\u2019Un Am\u00e9ricain \u00e0 Paris du c\u00f4t\u00e9 de Richard Strauss, oubliant de swinguer\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 81% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vous avez envie de lire la suite ?<\/p>\n<p class=\"fig-premium-paywall__subtitle\">D\u00e9bloquez tous les articles imm\u00e9diatement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Fmusique%2Fconcerts-classiques-de-la-rentree-a-paris-un-menu-pas-toujours-digeste-20251001\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDllMGZjLTJhNzYtNjY4MC1hZWJiLTY1NzFlMmQ3ZjA4MF9fQXJ0aWNsZQ==_Concerts classiques de la rentr\u00e9e\u00a0: \u00e0 Paris, un menu pas toujours digeste_507&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDllMGZjLTJhNzYtNjY4MC1hZWJiLTY1NzFlMmQ3ZjA4MF9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"CRITIQUE &#8211; Si les formations de la capitale ont fait preuve d\u2019une \u00e9nergie prometteuse, le choix de leurs&hellip;\n","protected":false},"author":2,"featured_media":431188,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1888],"tags":[11,1777,674,1011,27,2936,12,14196,55935,626,25],"class_list":{"0":"post-431187","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-paris","8":"tag-actualites","9":"tag-eu","10":"tag-europe","11":"tag-fr","12":"tag-france","13":"tag-musique-classique","14":"tag-news","15":"tag-orchestre","16":"tag-orchestre-de-chambre-de-paris","17":"tag-paris","18":"tag-republique-francaise"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115299098596718720","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/431187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=431187"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/431187\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/431188"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=431187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=431187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=431187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}