Le pr\u00e9ambule swingue comme l\u2019adolescence: Cath Naylor et Shirley Craigie, 15\u00a0ans, se paient une vir\u00e9e entre filles \u00e0 Glasgow, avec tourn\u00e9e de vodka, chapardage au rayon lingerie, et retour sur l\u2019\u00eele de Bute avant 18h. Une seule ombre passe sur cet apr\u00e8s-midi d\u2019insouciance: \u00e0 la lumi\u00e8re des r\u00e9verb\u00e8res, Shirley semble soudain plus \u00e2g\u00e9e, \u00abfant\u00f4me anticip\u00e9 de la femme qu\u2019elle ne deviendrait jamais\u00bb. Parce que le 30\u00a0ao\u00fbt 2001, Shirley a \u00e9t\u00e9 tu\u00e9e par balles, ainsi que sa m\u00e8re et son petit fr\u00e8re. Le p\u00e8re, John Craigie, une brute, est d\u00e9c\u00e9d\u00e9 le m\u00eame jour dans un accident d\u2019automobile. L\u2019enqu\u00eate conclut logiquement qu\u2019il s\u2019est suicid\u00e9 apr\u00e8s avoir massacr\u00e9 sa famille.<\/p>\n
La quatri\u00e8me de couverture\u00a0annonce fi\u00e8rement la couleur: Les Bons Voisins\u00a0est le \u00abpremier roman noir\u00bb de Nina Allan. Qu\u2019on se rassure, l\u2019\u00e9crivaine anglaise ne fait pas dans le hard boiled fa\u00e7on Dashiell Hammett, mais approche l\u2019histoire d\u2019un familicide par la tangente, avec la m\u00eame finesse qu\u2019elle met \u00e0 relater la mort incertaine d\u2019une adolescente (La Fracture) ou \u00e0 sugg\u00e9rer l\u2019hypoth\u00e8se parano\u00efaque d\u2019une invasion extraterrestre (Conquest). La noirceur est piquet\u00e9e d\u2019indices telles des \u00e9toiles dans le cosmos, l\u2019\u00e9criture se d\u00e9ploie, l\u00e9g\u00e8re et captivante, \u00e0 la fa\u00e7on d\u2019une toile d\u2019araign\u00e9e. Le r\u00e9cit, qui avance par \u00e0-coups, analepses, courants de conscience, \u00e9quivoques et incertitudes, s\u2019av\u00e8re d\u2019une envo\u00fbtante subtilit\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"Le pr\u00e9ambule swingue comme l\u2019adolescence: Cath Naylor et Shirley Craigie, 15\u00a0ans, se paient une vir\u00e9e entre filles \u00e0…\n","protected":false},"author":2,"featured_media":448410,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1357],"tags":[1379,58,59,3297,1011,27,1351,1380,301],"class_list":{"0":"post-448409","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-livres","8":"tag-books","9":"tag-divertissement","10":"tag-entertainment","11":"tag-entre-temps","12":"tag-fr","13":"tag-france","14":"tag-litterature","15":"tag-livres","16":"tag-premium"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115340645807598216","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/448409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=448409"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/448409\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/448410"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=448409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=448409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=448409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}