{"id":470192,"date":"2025-10-17T14:57:14","date_gmt":"2025-10-17T14:57:14","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/470192\/"},"modified":"2025-10-17T14:57:14","modified_gmt":"2025-10-17T14:57:14","slug":"a-la-philharmonie-de-paris-kandinsky-sadmire-et-secoute","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/470192\/","title":{"rendered":"\u00c0 la Philharmonie de Paris, Kandinsky s\u2019admire et s\u2019\u00e9coute"},"content":{"rendered":"<p>\n    <strong>CRITIQUE &#8211;<\/strong> Une exposition in\u00e9dite et \u00e9blouissante explore la place essentielle et conceptuelle de la musique chez le ma\u00eetre russe de l\u2019art moderne.<\/p>\n<p class=\"fig-paragraph\">Sons et lumi\u00e8res, il ne faut pas choisir. C\u2019est le pari de \u00ab\u00a0<a href=\"https:\/\/www.lefigaro.fr\/culture\/notre-critique-du-documentaire-vassily-kandinsky-et-gabriele-munter-passion-et-revolutions-sur-france-tv-20221002\" target=\"_blank\" data-fig-type=\"Article\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">Kandinsky<\/a>, la musique des couleurs\u00a0\u00bb, exposition de tous les sens \u00e0 la Philharmonie de Paris qui r\u00e9ussit \u00e0 associer chefs-d\u2019\u0153uvre de l\u2019art moderne et musique, intellect et mati\u00e8re, dans un parcours \u00e9clair\u00e9 pour tous publics, gr\u00e2ce au travail des lumi\u00e8res de Pascal Rodriguez, le sc\u00e9nographe du\u00a0<a href=\"http:\/\/www.lefigaro.fr\/culture\/le-centre-pompidou-sera-inscrit-aux-monuments-historiques-laurent-le-bon-revele-les-dessous-du-chantier-de-beaubourg-20250910\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Centre Pompidou<\/a>, partenaire de l\u2019exposition.<\/p>\n<p class=\"fig-paragraph\">L\u2019entr\u00e9e est dans la p\u00e9nombre mais les \u00e9clairs du pr\u00e9lude de Lohengrin viennent l\u2019illuminer. Pendant que retentit, dans le casque audio de chaque visiteur, le pianissimo des cordes ouvrant le p\u00e9riple du chevalier du Graal, dans la version de<a href=\"https:\/\/www.lefigaro.fr\/musique\/2018\/07\/31\/03006-20180731ARTFIG00179--bayreuth-lohengrin-chevalier-perdant.php\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">\u00a0Bayreuth<\/a>\u00a0immortalis\u00e9e par Wolfgang Sawallisch en 1962, d\u00e9bute un cheminement sensoriel dans la \u00ab\u00a0symphonie\u00a0Kandinsky\u00a0\u00bb.<\/p>\n<p>    En ouverture, le choc Wagner ressenti par le jeune Vassily Kandinsky dans la repr\u00e9sentation de Lohengrin \u00e0 l\u2019Op\u00e9ra de Moscou en 1896.<br \/>\n                Joachim BERTRAND \/ Philharmonie<\/p>\n<p class=\"fig-paragraph\">Sur les grands panneaux noirs th\u00e9\u00e2tralement dispos\u00e9s dans cette \u00ab\u00a0antichambre\u00a0\u00bb<a href=\"http:\/\/www.lefigaro.fr\/musique\/michel-fau-au-figaro-wagner-aurait-fait-un-tres-grand-realisateur-de-series-20250515\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">\u00a0Wagner<\/a>\u00a0d\u00e9filent des projections fantomatiques de maquettes de costumes ou d\u2019esquisses de d\u00e9cors. Issues de la biblioth\u00e8que-mus\u00e9e de l\u2019Op\u00e9ra de Paris\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 90% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vous avez envie de lire la suite ?<\/p>\n<p class=\"fig-premium-paywall__subtitle\">D\u00e9bloquez tous les articles imm\u00e9diatement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Farts-expositions%2Fa-la-philharmonie-de-paris-kandinsky-s-admire-et-s-ecoute-20251017\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGE4Y2Y5LWNkN2YtNjkyYy04Yzk2LWYzNTA3MTAyOTYwM19fQXJ0aWNsZQ==_\u00c0 la Philharmonie de Paris, Kandinsky s\u2019admire et s\u2019\u00e9coute_230&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGE4Y2Y5LWNkN2YtNjkyYy04Yzk2LWYzNTA3MTAyOTYwM19fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"CRITIQUE &#8211; Une exposition in\u00e9dite et \u00e9blouissante explore la place essentielle et conceptuelle de la musique chez le&hellip;\n","protected":false},"author":2,"featured_media":470193,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1888],"tags":[11,12870,4223,1777,674,1011,27,59386,12,626,25,8656],"class_list":{"0":"post-470192","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-paris","8":"tag-actualites","9":"tag-art-moderne","10":"tag-centre-pompidou","11":"tag-eu","12":"tag-europe","13":"tag-fr","14":"tag-france","15":"tag-kandinsky","16":"tag-news","17":"tag-paris","18":"tag-republique-francaise","19":"tag-wagner"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115390096662843659","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/470192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=470192"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/470192\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/470193"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=470192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=470192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=470192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}