{"id":472051,"date":"2025-10-18T08:41:14","date_gmt":"2025-10-18T08:41:14","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/472051\/"},"modified":"2025-10-18T08:41:14","modified_gmt":"2025-10-18T08:41:14","slug":"dun-quartier-miserable-de-paris-a-plus-grande-violoncelliste-du-xixe-siecle-le-fabuleux-destin-de-lise-cristiani","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/472051\/","title":{"rendered":"D\u2019un quartier mis\u00e9rable de Paris \u00e0 plus grande violoncelliste du XIXe si\u00e8cle, le fabuleux destin de Lise Cristiani"},"content":{"rendered":"<p>\n    <strong>R\u00c9CIT &#8211;<\/strong> Premi\u00e8re violoncelliste professionnelle, cette Fran\u00e7aise\u00a0aurait eu 200\u00a0ans cette ann\u00e9e. Pour la c\u00e9l\u00e9brer, Sol Gabetta lui consacre son dernier disque ainsi qu\u2019un documentaire, tandis qu\u2019une biographie sort le 7\u00a0novembre chez Bleu Nuit.<\/p>\n<p class=\"fig-paragraph\">Salle des concerts Herz, 14\u00a0f\u00e9vrier 1845, en plein c\u0153ur du 9e\u00a0arrondissement. Le Tout-Paris s\u2019est donn\u00e9 rendez-vous pour d\u00e9couvrir LA jeune prodige qui d\u00e9fraie d\u00e9j\u00e0 la chronique, alors que personne ne l\u2019a entendue publiquement. En cette soir\u00e9e d\u2019hiver, o\u00f9 la saison des concerts dans la capitale bat son plein, on ne vient pas tant pour \u00e9couter Lise Cristiani que pour la voir.\u00a0<a href=\"https:\/\/www.lefigaro.fr\/histoire\/archives\/2016\/05\/19\/26010-20160519ARTFIG00308-ces-femmes-compositrices-dans-l-ombre-des-hommes-au-xixe-siecle.php\" target=\"_blank\" data-fig-type=\"Article\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">Car dans cette soci\u00e9t\u00e9 du XIXe si\u00e8cle<\/a>\u00a0o\u00f9 les femmes qui font carri\u00e8re comme musiciennes se comptent d\u00e9j\u00e0 sur les doigts d\u2019une main, l\u2019interpr\u00e8te, que l\u2019on dit \u00e2g\u00e9e de seulement 16\u00a0ans, doit se produire avec un instrument jug\u00e9 des plus inconvenants pour une femme\u00a0:\u00a0<a href=\"https:\/\/www.lefigaro.fr\/musique\/un-violoncelle-en-foret-pour-proteger-les-arbres-20220930\" target=\"_blank\" data-fig-type=\"Article\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">le violoncelle\u00a0!<\/a><\/p>\n<p class=\"fig-paragraph\">\u00ab\u00a0Paris est en avance \u00e0 cette \u00e9poque en mati\u00e8re d\u2019\u00e9mancipation des femmes par les arts, explique Waldemar Kamer. Sp\u00e9cialiste de la musique sous la Monarchie de juillet, qui consacre \u00e0 Lise Cristiani, avec son confr\u00e8re Ren\u00e9 de Vries, une biographie \u00e0 para\u00eetre le 7\u00a0novembre chez Bleu Nuit (en partenariat avec le\u00a0<a href=\"https:\/\/www.lefigaro.fr\/musique\/classique-happy-birthday-palazzetto-20191001\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Palazzetto Bru Zane<\/a>)<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 91% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vous avez envie de lire la suite ?<\/p>\n<p class=\"fig-premium-paywall__subtitle\">D\u00e9bloquez tous les articles imm\u00e9diatement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Fmusique%2Fd-un-quartier-miserable-de-paris-a-plus-grande-violoncelliste-du-xixe-siecle-le-fabuleux-destin-de-lise-cristiani-20251018\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGFhOGQ0LWY3MDctNmFmYS05ZTAwLWUzMjMyNDkzZTBkM19fQXJ0aWNsZQ==_D\u2019un quartier mis\u00e9rable de Paris \u00e0 plus grande violoncelliste du XIX&lt;sup&gt;e&lt;\/sup&gt; si\u00e8cle, le fabuleux destin de Lise Cristiani_331&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGFhOGQ0LWY3MDctNmFmYS05ZTAwLWUzMjMyNDkzZTBkM19fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"R\u00c9CIT &#8211; Premi\u00e8re violoncelliste professionnelle, cette Fran\u00e7aise\u00a0aurait eu 200\u00a0ans cette ann\u00e9e. Pour la c\u00e9l\u00e9brer, Sol Gabetta lui consacre&hellip;\n","protected":false},"author":2,"featured_media":472052,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1888],"tags":[11,1777,674,1011,27,59551,2936,12,59550,626,25,59552],"class_list":{"0":"post-472051","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-paris","8":"tag-actualites","9":"tag-eu","10":"tag-europe","11":"tag-fr","12":"tag-france","13":"tag-jacques-offenbach","14":"tag-musique-classique","15":"tag-news","16":"tag-palazzetto-bru-zane","17":"tag-paris","18":"tag-republique-francaise","19":"tag-violoncelle"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115394280493367618","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/472051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=472051"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/472051\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/472052"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=472051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=472051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=472051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}