{"id":472215,"date":"2025-10-18T10:11:11","date_gmt":"2025-10-18T10:11:11","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/472215\/"},"modified":"2025-10-18T10:11:11","modified_gmt":"2025-10-18T10:11:11","slug":"la-revolution-lui-doit-ses-icones-jacques-louis-david-la-peinture-dans-le-tourbillon-de-lhistoire","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/472215\/","title":{"rendered":"\u00abLa R\u00e9volution lui doit ses ic\u00f4nes\u00bb\u00a0:\u00a0Jacques-Louis David, la peinture dans le tourbillon de l\u2019histoire"},"content":{"rendered":"<p data-module=\"standfirst\" data-context=\"@media (min-width:48em)\">\n    <strong>GRAND ENTRETIEN<\/strong> &#8211; Le mus\u00e9e du Louvre rend un splendide hommage au p\u00e8re de la peinture fran\u00e7aise moderne, avec une exposition qui c\u00e9l\u00e8bre sa cr\u00e9ativit\u00e9 et son originalit\u00e9, dont S\u00e9bastien Allard est commissaire.<\/p>\n<p class=\"fig-paragraph fig-paragraph--dropped\">Cet article est issu du\u00a0<a href=\"https:\/\/boutique.lefigaro.fr\/produit\/141029-david-un-monde-nouveau\" target=\"_blank\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\">Figaro Hors-S\u00e9rie \u00ab\u00a0David, un monde nouveau\u00a0\u00bb<\/a>, publi\u00e9 \u00e0 l\u2019occasion de la magistrale exposition \u00abDavid\u00ab au mus\u00e9e du Louvre. D\u00e9couvrez la vie et l\u2019\u0153uvre du peintre de la R\u00e9volution et de l\u2019Empire, dans les tourmentes de l\u2019Histoire.<\/p>\n<p>    \u00abDavid, un monde nouveau\u00bb.<br \/>\n                Le Figaro hors-s\u00e9rie<\/p>\n<p class=\"fig-paragraph fig-paragraph--dropped\"><strong>LE FIGARO HORS-S\u00c9RIE. &#8211; Un qualificatif semble s\u2019imposer, quand on parle de\u00a0<\/strong><a href=\"http:\/\/www.lefigaro.fr\/arts-expositions\/michel-de-jaeghere-ami-de-robespierre-david-fut-l-imagier-de-la-religion-laique-qui-installa-le-patriotisme-et-la-liberte-a-la-place-de-dieu-20251015\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\"><strong>David\u00a0<\/strong><\/a> <strong>: celui de \u00ab\u00a0n\u00e9oclassique\u00a0\u00bb. Vous le r\u00e9cusez pourtant\u2026<\/strong><\/p>\n<p class=\"fig-paragraph fig-paragraph--dropped\"><strong>S\u00e9bastien ALLARD. &#8211;<\/strong> Nous refusons en effet absolument le terme \u00ab\u00a0n\u00e9oclassicisme\u00a0\u00bb. Ce terme, comme beaucoup d\u2019autres aujourd\u2019hui, est utilis\u00e9 parce qu\u2019il facilite une compr\u00e9hension imm\u00e9diate, mais sa valeur explicative est limit\u00e9e et r\u00e9ductrice. Ce refus tient \u00e0 deux motifs. D\u2019une part, le terme \u00ab\u00a0n\u00e9oclassicisme\u00a0\u00bb renvoie \u00e0 une notion de formalisme abstrait qui ne correspond pas \u00e0 David. La perfection formelle de David ne doit pas faire oublier que pour lui, la peinture est aussi une mani\u00e8re d\u2019agir sur le monde. Il pratique ce que j\u2019appellerais un \u00ab\u00a0choix classique\u00a0\u00bb\u00a0: dans\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 96% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vous avez envie de lire la suite ?<\/p>\n<p class=\"fig-premium-paywall__subtitle\">D\u00e9bloquez tous les articles imm\u00e9diatement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Fhistoire%2Fla-revolution-lui-doit-ses-icones-david-la-peinture-en-action-20251018\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGFiMjVhLTRiMzgtNjU4Yy05Yzg4LTRkMDVjZTkzMTFlYV9fQXJ0aWNsZQ==_\u00abLa R\u00e9volution lui doit ses ic\u00f4nes\u00bb\u00a0:\u00a0Jacques-Louis David, la peinture dans le tourbillon de l\u2019histoire_600&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGFiMjVhLTRiMzgtNjU4Yy05Yzg4LTRkMDVjZTkzMTFlYV9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"GRAND ENTRETIEN &#8211; Le mus\u00e9e du Louvre rend un splendide hommage au p\u00e8re de la peinture fran\u00e7aise moderne,&hellip;\n","protected":false},"author":2,"featured_media":472216,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27,1585],"class_list":{"0":"post-472215","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france","16":"tag-peinture"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115394634312455709","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/472215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=472215"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/472215\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/472216"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=472215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=472215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=472215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}