{"id":488572,"date":"2025-10-25T07:27:15","date_gmt":"2025-10-25T07:27:15","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/488572\/"},"modified":"2025-10-25T07:27:15","modified_gmt":"2025-10-25T07:27:15","slug":"entre-paris-et-montpellier-decouvrez-notre-selection-pour-la-fin-du-mois-doctobre","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/488572\/","title":{"rendered":"entre Paris et Montpellier, d\u00e9couvrez notre s\u00e9lection pour la fin du mois d&rsquo;octobre"},"content":{"rendered":"<p><strong>Le r\u00e9cital de Khatia Buniatishvili \u00e0 la Philharmonie de Paris, Le Sacre du Printemps \u00e0 La Seine Musicale et Alcina de Haendel sous la direction de Philippe Jaroussky \u00e0 Montpellier : d\u00e9couvrez la s\u00e9lection Radio Classique des rendez-vous \u00e0 ne pas manquer dans les prochains jours.<\/strong><\/p>\n<p><strong>26 octobre\u00a0: R\u00e9cital de Khatia Buniatishvili \u00e0 la Philharmonie de Paris<\/strong><\/p>\n<p>La pianiste star est de retour \u00e0 la Philharmonie de Paris dans la Grande salle Pierre Boulez pour un r\u00e9cital. Khatia Buniatishvili interpr\u00e9tera la Fantaisie de Schumann, la Rhapsodie n\u00b02 et trois Intermezzo de Brahms, ainsi que Scherzo n\u00b02 de <a href=\"https:\/\/www.radioclassique.fr\/compositeurs\/frederic-chopin\/biographie\/\" rel=\"nofollow noopener\" target=\"_blank\">Chopin<\/a> et la Sonate n\u00b07 de Prokofiev. Au programme \u00e9galement une courte pi\u00e8ce de la compositrice russe Sofia Gouba\u00efdoulina,\u00a0 Song of the Fisherman \u00e9crite en 1969.<\/p>\n<p><strong>31 octobre : Le Sacre du Printemps \u00e0 La Seine Musicale<\/strong><\/p>\n<p>Le Sacre du Printemps de <a href=\"https:\/\/www.radioclassique.fr\/compositeurs\/igor-stravinsky\/biographie\/\" rel=\"nofollow noopener\" target=\"_blank\">Stravinsky<\/a> est \u00e0 l\u2019affiche de La Seine Musicale Il sera interpr\u00e9t\u00e9 par l\u2019Orchestre Albatros, form\u00e9 de jeunes instrumentistes, sous la direction de Florent des Bocs. En seconde partie de concert Eric Lacrouts interpr\u00e9tera les deux Romances pour violon et orchestre de <a href=\"https:\/\/www.radioclassique.fr\/compositeurs\/ludwig-van-beethoven\/biographie\/\" rel=\"nofollow noopener\" target=\"_blank\">Beethoven<\/a>.<\/p>\n<p><strong>3 novembre\u00a0: Alcina de Haendel sous la direction de Philippe Jaroussky \u00e0 Montpellier<\/strong><\/p>\n<p>C\u2019est une version de concert d\u2019Alcina de <a href=\"https:\/\/www.radioclassique.fr\/compositeurs\/georg-friedrich-haendel\/biographie\/\" rel=\"nofollow noopener\" target=\"_blank\">Haendel<\/a> que propose l\u2019Op\u00e9ra de Montpellier. Philippe Jaroussky dirigera son Ensemble Artaserse, avec Kathryn Lewek dans le r\u00f4le-titre, Carlo Vistoli dans celui de Ruggiero et Lauranne Oliva dans celui de Morgana, pour ne citer que ces trois r\u00f4les l\u00e0.<\/p>\n","protected":false},"excerpt":{"rendered":"Le r\u00e9cital de Khatia Buniatishvili \u00e0 la Philharmonie de Paris, Le Sacre du Printemps \u00e0 La Seine Musicale&hellip;\n","protected":false},"author":2,"featured_media":488573,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1888],"tags":[11,1777,674,1011,27,12,626,25],"class_list":{"0":"post-488572","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-paris","8":"tag-actualites","9":"tag-eu","10":"tag-europe","11":"tag-fr","12":"tag-france","13":"tag-news","14":"tag-paris","15":"tag-republique-francaise"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115433625633104847","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/488572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=488572"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/488572\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/488573"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=488572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=488572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=488572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}