{"id":513316,"date":"2025-11-05T10:35:25","date_gmt":"2025-11-05T10:35:25","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/513316\/"},"modified":"2025-11-05T10:35:25","modified_gmt":"2025-11-05T10:35:25","slug":"le-cinquieme-plan-de-la-jetee-une-ombre-familiale-dans-le-chef-doeuvre-du-cineaste-chris-marker","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/513316\/","title":{"rendered":"\u00ab\u00a0Le Cinqui\u00e8me Plan de \u201cLa Jet\u00e9e\u201d\u00a0\u00bb, une ombre familiale dans le chef-d\u2019\u0153uvre du cin\u00e9aste Chris Marker"},"content":{"rendered":"<p>                     <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/11\/46d0fcf_upload-1-wddfyc7pjgln-le-cinquiei-me-plan-de-la-jetei-e-2-a-ad-libitum.png\" alt=\"Image extraite du documentaire \u00ab Le Cinqui\u00e8me Plan de \u201cLa Jet\u00e9e\u201d\u00a0\u00bb, de Dominique Cabrera.\"   width=\"664\" height=\"443\"\/>    Image extraite du documentaire \u00ab Le Cinqui\u00e8me Plan de \u201cLa Jet\u00e9e\u201d\u00a0\u00bb, de Dominique Cabrera.  AD LIBITUM                <\/p>\n<blockquote class=\"article__catchphrase\">\n<p class=\"article__quote\">L\u2019AVIS DU \u00ab\u00a0MONDE\u00a0\u00bb \u2013 \u00c0 VOIR<\/p>\n<\/blockquote>\n<p class=\"article__paragraph  \">Le documentaire de Dominique Cabrera se d\u00e9roule dans une salle de montage. La raison n\u2019en est pas anodine. Jean-Henri, le cousin de la r\u00e9alisatrice, lui explique, devant un moniteur arr\u00eat\u00e9 sur un photogramme, comment il s\u2019est reconnu, enfant, en d\u00e9couvrant le film de science-fiction de <a href=\"https:\/\/www.lemonde.fr\/m-actu\/article\/2018\/05\/04\/toutes-les-vies-de-chris-marker_5294413_4497186.html\" rel=\"nofollow noopener\" target=\"_blank\">Chris Marker<\/a>, La Jet\u00e9e (1962). Tout se joue, en effet, au cinqui\u00e8me plan dudit film, o\u00f9 figure une famille nucl\u00e9aire \u2013 la m\u00e8re, le p\u00e8re, le fils \u2013 photographi\u00e9e de dos alors qu\u2019ils contemplent les avions depuis la jet\u00e9e de l\u2019a\u00e9roport d\u2019Orly.<\/p>\n<p>   Lire plus tard  <\/p>\n<p class=\"article__paragraph  \">Un mot sur La Jet\u00e9e s\u2019impose donc ici. C\u2019est un chef-d\u2019\u0153uvre m\u00e9connu, religieusement ch\u00e9ri par l\u2019enti\u00e8re tribu des cin\u00e9philes. Son auteur, <a href=\"https:\/\/www.lemonde.fr\/culture\/article\/2012\/07\/30\/mort-du-realisateur-chris-marker_1740096_3246.html\" rel=\"nofollow noopener\" target=\"_blank\">Chris Marker (1921-2012)<\/a>, est un des plus grands documentaristes fran\u00e7ais, sur le versant essayiste du genre, auquel il donne ses lettres de noblesse. Citons pour m\u00e9moire Les statues meurent aussi (cor\u00e9alis\u00e9 avec <a href=\"https:\/\/www.lemonde.fr\/archives\/article\/1995\/08\/06\/l-art-negre-sous-le-regard-d-alain-resnais_3856824_1819218.html\" rel=\"nofollow noopener\" target=\"_blank\">Alain Resnais<\/a>, en\u00a01953), <a href=\"https:\/\/www.lemonde.fr\/cinema\/article\/2017\/02\/22\/reprise-chris-marker-face-a-l-utopie-et-aux-defis-d-israel_5083400_3476.html\" rel=\"nofollow noopener\" target=\"_blank\">Description d\u2019un combat<\/a> (1961), <a href=\"https:\/\/www.lemonde.fr\/archives\/article\/1983\/03\/05\/sans-soleil-de-chris-marker-la-voix-qui-parle-au-monde_3079511_1819218.html\" rel=\"nofollow noopener\" target=\"_blank\">Sans soleil<\/a> (1983). La Jet\u00e9e est, en vingt-huit minutes, une de ses rares incursions dans la fiction. Il y montre autant d\u2019originalit\u00e9 et de talent que dans ses grands essais historiques.<\/p>\n<p class=\"reading-mode-only \"><strong>Il vous reste 61.99% de cet article \u00e0 lire. La suite est r\u00e9serv\u00e9e aux abonn\u00e9s.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"Image extraite du documentaire \u00ab Le Cinqui\u00e8me Plan de \u201cLa Jet\u00e9e\u201d\u00a0\u00bb, de Dominique Cabrera. AD LIBITUM L\u2019AVIS DU&hellip;\n","protected":false},"author":2,"featured_media":513317,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1354],"tags":[58,59,1346,1011,27,1360],"class_list":{"0":"post-513316","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-films","8":"tag-divertissement","9":"tag-entertainment","10":"tag-films","11":"tag-fr","12":"tag-france","13":"tag-movies"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115496652682603171","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/513316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=513316"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/513316\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/513317"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=513316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=513316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=513316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}