{"id":519653,"date":"2025-11-08T03:10:34","date_gmt":"2025-11-08T03:10:34","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/519653\/"},"modified":"2025-11-08T03:10:34","modified_gmt":"2025-11-08T03:10:34","slug":"a-lopera-de-lille-lecume-des-jours-donne-du-vague-a-lame","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/519653\/","title":{"rendered":"\u00c0 l\u2019Op\u00e9ra de Lille, L\u2019\u00c9cume des jours donne du vague \u00e0 l\u2019\u00e2me"},"content":{"rendered":"<p>\n    <strong>CRITIQUE &#8211;<\/strong> Pour ouvrir sa saison, la nouvelle directrice Barbara Eckle a choisi cette \u0153uvre du compositeur russe Edison Denisov d\u2019apr\u00e8s le roman de Boris Vian. Un signal fort, m\u00eame si cette partition attachante pr\u00e9sente des d\u00e9fauts.<\/p>\n<p class=\"fig-paragraph\">\u00c9tudiant en 1986, l\u2019auteur de ces lignes assiste, \u00e0 l\u2019Op\u00e9ra Comique, \u00e0 la cr\u00e9ation mondiale d\u2019un op\u00e9ra du compositeur russe Edison Denisov d\u2019apr\u00e8s L\u2019\u00c9cume des jours, de\u00a0<a href=\"https:\/\/www.lefigaro.fr\/culture\/boris-vian-la-tragedie-de-l-arroseur-arrose-sur-arte-20221116\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" rel=\"nofollow noopener\" target=\"_blank\">Boris Vian<\/a>. C\u2019est de la musique contemporaine. 2025\u00a0: pour sa prise de fonction comme directrice de l\u2019Op\u00e9ra de Lille, o\u00f9 elle succ\u00e8de \u00e0 Caroline Sonrier, Barbara Eckle fait le pari que, quarante ans apr\u00e8s, c\u2019est un classique. Faire entrer au r\u00e9pertoire les cr\u00e9ations encore r\u00e9centes \u00e9tant un enjeu important du monde lyrique, on commencera par saluer ce signal fort, alors qu\u2019il aurait \u00e9t\u00e9 si facile d\u2019ouvrir avec Carmen ou\u00a0<a href=\"https:\/\/www.lefigaro.fr\/culture\/echappes-de-la-traviata-alfred-et-violetta-enchantent-depuis-tbilissi-20231105\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" rel=\"nofollow noopener\" target=\"_blank\">La traviata<\/a> .<\/p>\n<p class=\"fig-paragraph\">On retrouve l\u2019\u00e9clectisme du langage de Denisov (1929-1996), ouvert au jazz comme au dod\u00e9caphonisme et \u00e0 la liturgie orthodoxe, ce qui valut \u00e0 ce disciple de\u00a0<a href=\"http:\/\/www.lefigaro.fr\/musique\/une-partition-de-chostakovitch-retrouvee-20230412\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" rel=\"nofollow noopener\" target=\"_blank\">Chostakovitch\u00a0<\/a>d\u2019\u00eatre malmen\u00e9 par le r\u00e9gime sovi\u00e9tique. Certains aspects ont vieilli, \u00e0 commencer par le style vocal syllabique, qui rend le texte de Vian monotone et d\u00e9samorce son ironie corrosive. Mais l\u2019\u00e9criture orchestrale atteint\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 65% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vous avez envie de lire la suite ?<\/p>\n<p class=\"fig-premium-paywall__subtitle\">D\u00e9bloquez tous les articles imm\u00e9diatement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Fmusique%2Fa-l-opera-de-lille-l-ecume-des-jours-donne-du-vague-a-l-ame-20251107\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGJiMzBjLTVhZGEtNjk1YS04ODljLTU3NTM5NWFkYzRmMF9fQXJ0aWNsZQ==_\u00c0 l\u2019Op\u00e9ra de Lille, &lt;i&gt;L\u2019\u00c9cume des jours&lt;\/i&gt; donne du vague \u00e0 l\u2019\u00e2me_389&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGJiMzBjLTVhZGEtNjk1YS04ODljLTU3NTM5NWFkYzRmMF9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"CRITIQUE &#8211; Pour ouvrir sa saison, la nouvelle directrice Barbara Eckle a choisi cette \u0153uvre du compositeur russe&hellip;\n","protected":false},"author":2,"featured_media":519654,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2815],"tags":[1111,11,64062,1777,674,1011,27,811,1307,12,7165,25],"class_list":{"0":"post-519653","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lille","8":"tag-actu","9":"tag-actualites","10":"tag-boris-vian","11":"tag-eu","12":"tag-europe","13":"tag-fr","14":"tag-france","15":"tag-hauts-de-france","16":"tag-lille","17":"tag-news","18":"tag-opera","19":"tag-republique-francaise"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115511887442586657","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/519653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=519653"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/519653\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/519654"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=519653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=519653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=519653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}