{"id":536219,"date":"2025-11-15T15:17:45","date_gmt":"2025-11-15T15:17:45","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/536219\/"},"modified":"2025-11-15T15:17:45","modified_gmt":"2025-11-15T15:17:45","slug":"opera-orchestre-normandie-rouen-les-5-et-6-dec-2025-tchaikovsky-rimsky-korsakov-juliette-folville-pierre-dumoussaud-direction","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/536219\/","title":{"rendered":"OP\u00c9RA ORCHESTRE NORMANDIE ROUEN. Les 5 et 6 d\u00e9c 2025 : Tcha\u00efkovsky, Rimsky-Korsakov, Juliette Folville\u2026 (Pierre Dumoussaud, direction)"},"content":{"rendered":"

\"\"<\/a>\"image_pdf\"T\u00e9l\u00e9charger (.pdf)<\/a>Deux grands r\u00e9cits, deux grandes \u00e9pop\u00e9es se rencontrent (et dialoguent) dans ce concert aux couleurs flamboyantes : de l\u2019amour tragique du Rom\u00e9o et Juliette de Tcha\u00efkovsky<\/strong> \u00e0 la magie orientale de la Sh\u00e9h\u00e9razade de Rimski-Korsakov<\/strong>, \u2013 sans omettre la haute virtuosit\u00e9 de Juliette Froville<\/strong>, la musique raconte, bouleverse, impressionne, \u00e9merveille\u2026<\/p>\n

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L\u2019\u00e2me romantique de Tcha\u00efkovsky<\/strong> s\u2019exprime avec intensit\u00e9 dans l\u2019Ouverture-fantaisie de Rom\u00e9o et Juliette<\/strong>, fresque dramatique aux \u00e9lans poignants, sans mots, port\u00e9 par l\u2019\u00e9blouissante force symphonique. Dans Sh\u00e9h\u00e9razade<\/strong> (Saint-P\u00e9tersbourg, 1889), conte orchestral en 4 mouvements, aux mille et une couleurs, Rimski-Korsakov<\/strong>, magicien des timbres et ma\u00eetre conteur, emporte dans un Orient r\u00eav\u00e9, dramatique, spectaculaire, o\u00f9 s\u2019affirment temp\u00eates marines, r\u00e9cits merveilleux, serments et passion amoureuse\u2026 La notice que le compositeur r\u00e9dige en compl\u00e9ment du concert de cr\u00e9ation reste dans l\u2019\u00e9vocation: Rimsky y brosse la silhouette du sultan Shahriar qui \u00ab persuad\u00e9 de la perfidie et de l\u2019infid\u00e9lit\u00e9 des femmes, jura de mettre \u00e0 mort chacune de ses \u00e9pouses apr\u00e8s leur premi\u00e8re nuit\u2026 \u00bb. La sultane Sh\u00e9h\u00e9razade parvient \u00e0 d\u00e9faire ce cycle fun\u00e8bre en racontant chaque soir une fable fantastique, qui tenant en haleine Shahriar l\u2019am\u00e8nera progressivement \u00e0 rompre son voeu\u2026 LIRE aussi notre dossier Sh\u00e9h\u00e9razade de Rimsky-Korsakov : https:\/\/www.classiquenews.com\/rimski-korsakov-shhrazade-tribune-des-critiquesfrance-musique-dimanche-15-mars-2009-10h\/<\/a>\n<\/p>\n

Entre tourments de l\u2019amour et mirages orientaux, le lyrisme du Concertst\u00fcck <\/strong>de Juliette Folville<\/strong> (Li\u00e8ge, 1905), page exquise et virtuose, expose l\u2019\u00e9loquence du violoncelle de Xavier Phillips, \u00e0 la fois \u00ab intime et lumineux \u00bb. La compositrice assume un post romantisme \u00e9l\u00e9gant et techniquement redoutable : introduction courte et grave, Allegro appassionato, puis pl\u00e9nitude pastorale y d\u00e9ploient une \u00e9criture contrast\u00e9e, alternant calme, agitation, variations o\u00f9 dialoguent \u00e0 \u00e9galit\u00e9 chant orchestral et soliste virtuose. Ad\u00e8le Cl\u00e9ment (1884-1958) en assure la cr\u00e9ation fran\u00e7aise en mars 1908.\n<\/p>\n

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__________________________________
Tcha\u00efkovsky, Rimski-Korsakov\"\"<\/a><\/strong>
Pierre Dumoussaud, direction & Xavier Phillips, violoncelle
ROUEN, Th\u00e9\u00e2tre des Arts<\/strong>
Vendredi 5 d\u00e9cembre 2025<\/strong> \u00e0 20h
\u2028Samedi 6 d\u00e9cembre 2025<\/strong> \u00e0 18h \u2013 Tarif famille
\nR\u00c9SERVEZ VOS PLACES<\/strong> directement sur le site de l\u2019Op\u00e9ra Orchestre Normandie Rouen : https:\/\/www.operaorchestrenormandierouen.fr\/programmation\/tchaikovsky-rimski-korsakov\/<\/a><\/p>\n

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Piotr Ilitch Tcha\u00efkovsky<\/a> <\/strong>
Rom\u00e9o et Juliette, Ouverture-fantaisie\n<\/p>\n

\u2028Juliette Folville<\/strong>
Concertst\u00fcck pour violoncelle
Xavier Phillips<\/strong>, violoncelle.\n<\/p>\n

Nikola\u00ef Rimski-Korsakov<\/strong>
Sch\u00e9h\u00e9razade\n<\/p>\n

Dur\u00e9e : 2h, entracte inclus\n<\/p>\n

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Autour du spectacle<\/strong>
mer 3 d\u00e9c.<\/strong> 14h
Rencontre et r\u00e9p\u00e9tition ouverte
Concert de l\u2019Orchestre Th\u00e9\u00e2tre des Arts
Quelques jours avant la premi\u00e8re repr\u00e9sentation, les \u00e9quipes artistiques vous livrent les secrets de leur cr\u00e9ation et vous invitent \u00e0 assister \u00e0 un temps de r\u00e9p\u00e9tition.
R\u00e9servez votre place : https:\/\/billetterie.operaorchestrenormandierouen.fr\/selection\/event\/date?productId=10229415328388&gtmStepTracking=true<\/a>
\nven 5 d\u00e9c<\/strong>. 19h
Introduction \u00e0 l\u2019\u0153uvre
\nsam 6 d\u00e9c<\/strong>. 17h
Introduction \u00e0 l\u2019\u0153uvre<\/p>\n

______________________________________________\n<\/p>\n

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\"image_pdf\"T\u00e9l\u00e9charger (.pdf)<\/a>\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"T\u00e9l\u00e9charger (.pdf)Deux grands r\u00e9cits, deux grandes \u00e9pop\u00e9es se rencontrent (et dialoguent) dans ce concert aux couleurs flamboyantes :…\n","protected":false},"author":2,"featured_media":536220,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9587],"tags":[1111,11,1777,674,1011,27,12,5161,25,9590],"class_list":{"0":"post-536219","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-rouen","8":"tag-actu","9":"tag-actualites","10":"tag-eu","11":"tag-europe","12":"tag-fr","13":"tag-france","14":"tag-news","15":"tag-normandie","16":"tag-republique-francaise","17":"tag-rouen"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115554383007290873","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/536219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=536219"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/536219\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/536220"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=536219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=536219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=536219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}