{"id":548325,"date":"2025-11-21T04:15:24","date_gmt":"2025-11-21T04:15:24","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/548325\/"},"modified":"2025-11-21T04:15:24","modified_gmt":"2025-11-21T04:15:24","slug":"a-nantes-la-pluie-sous-le-pinceau-des-plus-grands-peintres","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/548325\/","title":{"rendered":"\u00e0 Nantes, la pluie sous le pinceau des plus grands peintres"},"content":{"rendered":"<p>\n    <strong>CRITIQUE &#8211;<\/strong> Des nuages de Turner aux coulures de Hockney, comment les artistes signifient-ils l\u2019averse, l\u2019ond\u00e9e ou le crachin\u00a0? R\u00e9ponse en 150\u00a0\u0153uvres m\u00e9t\u00e9orologiques, r\u00e9unies bien \u00e0 l\u2019abri dans le grand patio du palais 1900.<\/p>\n<p class=\"fig-paragraph\">Immanquablement les plus \u00e2g\u00e9s chantonnent du\u00a0<a href=\"http:\/\/www.lefigaro.fr\/politique\/regarde-quand-barbara-celebre-la-victoire-de-francois-mitterrand-20250807\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" rel=\"nofollow noopener\" target=\"_blank\">Barbara\u00a0<\/a>lorsqu\u2019ils p\u00e9n\u00e8trent dans la rotonde du Mus\u00e9e d\u2019arts. \u00ab\u00a0Il pleut sur Nantes\/ Donne moi la main\/ Le ciel de Nantes\/ Rend mon c\u0153ur chagrin\u00a0\u00bb\u2026 Ici, dans cette institution de la\u00a0<a href=\"http:\/\/www.lefigaro.fr\/voyages\/48-heures-a-nantes-deux-jours-d-art-et-de-culture-dans-la-cite-des-ducs-de-bretagne-20200622\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" rel=\"nofollow noopener\" target=\"_blank\">cit\u00e9 des ducs de Bretagne<\/a>\u00a0qui adore faire dialoguer art ancien et contemporain, Marie-Anne du Boullay, responsable des collections du XIXe\u00a0si\u00e8cle, a r\u00e9uni pr\u00e8s de 150\u00a0\u0153uvres. Toutes, courageusement, parlent du \u00ab\u00a0mauvais\u00a0\u00bb temps qu\u2019il fait. Que l\u2019ond\u00e9e soit crachin ou averse.<\/p>\n<p class=\"fig-paragraph\">Les murs du vaste patio couverts d\u2019un cama\u00efeu de gris, les nuages qui semblent s\u2019amonceler derri\u00e8re les grands hublots m\u00e9nag\u00e9s par le sc\u00e9nographe Martin Michel et les 3500\u00a0m2 de verri\u00e8re z\u00e9nithale optimisant tant bien que mal la faible luminosit\u00e9 de cet automne maussade pourraient bien aggraver un spleen naissant. Quand le ciel bas et lourd p\u00e8se comme un couvercle, a \u00e9crit\u00a0<a href=\"http:\/\/www.lefigaro.fr\/livres\/baudelaire-absolument-moderne-absolument-reactionnaire-20240511\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" rel=\"nofollow noopener\" target=\"_blank\">Baudelaire\u00a0<\/a>si sensible aux correspondances.<\/p>\n<p class=\"fig-paragraph\">Mais voil\u00e0. Ce qu\u2019on d\u00e9couvre est un enchantement. Car, pour peu qu\u2019on\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 85% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Black Friday<\/p>\n<p class=\"fig-premium-paywall__subtitle\">-70% sur l&rsquo;abonnement num\u00e9rique<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Farts-expositions%2Fturner-courbet-caillebotte-a-nantes-la-pluie-sous-le-pinceau-des-plus-grands-peintres-20251120\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGMwNWU1LTAxMWMtNmFmZS1hYTcyLWM1Nzg1MTJjNDRlOV9fQXJ0aWNsZQ==_Turner, Courbet, Caillebotte\u00a0: \u00e0 Nantes, la pluie sous le pinceau des plus grands peintres_69&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGMwNWU1LTAxMWMtNmFmZS1hYTcyLWM1Nzg1MTJjNDRlOV9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"CRITIQUE &#8211; Des nuages de Turner aux coulures de Hockney, comment les artistes signifient-ils l\u2019averse, l\u2019ond\u00e9e ou le&hellip;\n","protected":false},"author":2,"featured_media":548326,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[3734,1348,1384,1385,1386,58,59,3293,1011,27,766],"class_list":{"0":"post-548325","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-art","9":"tag-arts","10":"tag-arts-and-design","11":"tag-arts-et-design","12":"tag-design","13":"tag-divertissement","14":"tag-entertainment","15":"tag-exposition","16":"tag-fr","17":"tag-france","18":"tag-nantes"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115585752920492649","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/548325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=548325"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/548325\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/548326"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=548325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=548325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=548325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}