{"id":559454,"date":"2025-11-26T07:41:17","date_gmt":"2025-11-26T07:41:17","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/559454\/"},"modified":"2025-11-26T07:41:17","modified_gmt":"2025-11-26T07:41:17","slug":"un-mendiant-pour-florence-une-elegante-pour-milan","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/559454\/","title":{"rendered":"Un mendiant pour Florence, une \u00e9l\u00e9gante pour Milan"},"content":{"rendered":"<p>20\/11\/25 &#8211; <strong> Acquisitions &#8211; Florence, Galleria degli Uffizi, Milan, Pinacoteca di Brera <\/strong> &#8211;  L\u2019exposition sur \u00ab\u00a0Le Mod\u00e8le noir\u00a0\u00bb au Mus\u00e9e d\u2019Orsay (voir <a href=\"https:\/\/www.latribunedelart.com\/le-modele-noir-de-gericault-a-matisse-7894\" class=\"spip_in\" target=\"_blank\" rel=\"noopener\">l\u2019article<\/a>) commen\u00e7ait son propos \u00e0 la fin du XVIIIe si\u00e8cle, consid\u00e9rant qu\u2019avant l\u2019abolition de l\u2019esclavage, les Noirs dans l\u2019art \u00e9taient r\u00e9duits \u00e0 des st\u00e9r\u00e9otypes, assign\u00e9s aux r\u00f4les de pages et de mages, personnages exotiques empanach\u00e9s, charg\u00e9s d\u2019incarner un Orient fantasm\u00e9.<\/p>\n<dl class=\"spip_document_77005 spip_documents spip_documents_center\" itemprop=\"image\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\">\n<dt>\n\t\t<a href=\"https:\/\/www.latribunedelart.com\/IMG\/jpg\/ceruti-il_mendicante_moro_1.jpg?77005\/2992169e6e15fbd593d06c73ac87879c7614ea54736c68c1bd2cb96eeadfc58b\" title=\"\" type=\"image\/jpeg\" target=\"_blank\" rel=\"noopener\"><br \/>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/11\/ceruti-il_mendicante_moro_1-91462.jpg\" width=\"397\" height=\"500\" alt=\"\" itemprop=\"contentUrl\"\/><br \/>\n\t\t<\/a>\n\t<\/dt>\n<dd class=\"crayon document-descriptif-77005 spip_doc_descriptif\" style=\"width:350px;\" itemprop=\"description\">1. Giacomo Ceruti (1698-1767)<br class=\"autobr\"\/><br \/>\nLe Mendiant Maure, vers 1725-1730<br class=\"autobr\"\/><br \/>\nHuile sur toile &#8211; 117,5 x 93,5 cm<br class=\"autobr\"\/><br \/>\nFlorence, Gallerie degli Uffizi<br class=\"autobr\"\/><br \/>\nPhoto\u00a0: Robilant+Voena\n<\/dd>\n<dd class=\"spip_doc_lien-galerie\">\n\t\t<a href=\"https:\/\/www.latribunedelart.com\/spip.php?page=docbig&amp;id_document=77005&amp;id_article=13094\" target=\"_blank\" rel=\"noopener\">Voir l\u00b4image dans sa page<\/a>\n\t<\/dd>\n<\/dl>\n<p>La peinture de Giacomo Ceruti, achet\u00e9e par le Mus\u00e9e des Offices de Florence \u00e0 la galerie Robilant+Voena, fait donc figure d\u2019exception (ill. 1)\u00a0: peinte vers 1725-1730,\u2026<\/p>\n<p>Pour avoir acc\u00e8s \u00e0 ce contenu, vous devez vous abonner \u00e0 La Tribune de l\u2019Art. Les avantages et les conditions de cet abonnement, qui vous permettra par ailleurs de soutenir La Tribune de l\u2019Art, sont d\u00e9crits sur <a href=\"https:\/\/www.latribunedelart.com\/s-abonner\" target=\"_blank\" rel=\"noopener\">la page d\u2019abonnement<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"20\/11\/25 &#8211; Acquisitions &#8211; Florence, Galleria degli Uffizi, Milan, Pinacoteca di Brera &#8211; L\u2019exposition sur \u00ab\u00a0Le Mod\u00e8le noir\u00a0\u00bb&hellip;\n","protected":false},"author":2,"featured_media":559455,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27],"class_list":{"0":"post-559454","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115614875296763611","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/559454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=559454"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/559454\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/559455"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=559454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=559454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=559454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}