{"id":561254,"date":"2025-11-27T01:56:19","date_gmt":"2025-11-27T01:56:19","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/561254\/"},"modified":"2025-11-27T01:56:19","modified_gmt":"2025-11-27T01:56:19","slug":"michaelina-wautier-une-grande-peintre-baroque-redecouverte-a-vienne","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/561254\/","title":{"rendered":"Michaelina Wautier, une grande peintre baroque red\u00e9couverte \u00e0 Vienne"},"content":{"rendered":"<p>\n    <strong>D\u00c9CRYPTAGE &#8211;<\/strong> Avant Londres, le Kunsthistorisches Museum r\u00e9unit l\u2019\u0153uvre de cette artiste oubli\u00e9e, seule pourtant \u00e0 s\u2019\u00eatre impos\u00e9e au XVIIe si\u00e8cle comme peintre de sc\u00e8nes bibliques ou mythologiques. Un \u00ab\u00a0cas\u00a0\u00bb singulier dans l\u2019histoire de l\u2019art.<\/p>\n<p class=\"fig-paragraph\">Une surprise de taille attend le public au\u00a0<a href=\"http:\/\/www.lefigaro.fr\/voyages\/guides\/vienne-cinq-musees-insoupconnes-a-decouvrir-dans-la-capitale-autrichienne-20220410\" target=\"_blank\" data-fig-type=\"Article\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">Kunsthistorisches Museum de Vienne<\/a>. Elle s\u2019appelle Michaelina Wautier. Cette artiste n\u00e9e vers 1616 et morte en 1689 est l\u2019une des red\u00e9couvertes les plus passionnantes de l\u2019histoire de l\u2019art r\u00e9cente. Jusqu\u2019alors personne ne croyait \u00e0 l\u2019existence d\u2019une femme qui se soit hiss\u00e9e au rang de\u00a0<a href=\"http:\/\/www.lefigaro.fr\/arts-expositions\/courbet-goya-delacroix-au-musee-marmottan-monet-la-fascination-des-peintres-pour-le-sommeil-20251121\" target=\"_blank\" data-fig-type=\"Article\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">peintre de grand genre<\/a>\u00a0dans l\u2019Europe du XVIIe\u00a0si\u00e8cle. Qui plus est capable de produire et de vendre des sc\u00e8nes mythologiques, religieuses ou historiques.<\/p>\n<p class=\"fig-paragraph\">Ce sommet de la hi\u00e9rarchie officiellement pos\u00e9e en France par Andr\u00e9 F\u00e9libien, historiographe de\u00a0<a href=\"http:\/\/www.lefigaro.fr\/lyon\/homme-descend-de-ce-cheval-la-statue-de-louis-xiv-de-nouveau-taguee-a-lyon-20250311\" data-fig-type=\"NewsFlash\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Louis XIV<\/a>, pour la jeune Acad\u00e9mie royale de peinture et de sculpture en 1667, \u00e9tait l\u2019apanage des hommes sous l\u2019Ancien R\u00e9gime. Et il l\u2019est demeur\u00e9 longtemps apr\u00e8s. Seuls eux, pensait-il, pouvaient ma\u00eetriser le rendu illusionniste des corps car seuls eux avaient le droit de s\u2019exercer devant des mod\u00e8les nus. Les traits des dieux et des saints ne pouvaient na\u00eetre correctement que d\u2019une main masculine.<\/p>\n<p class=\"fig-paragraph\">Ici pourtant, entre des\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 85% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Black Friday<\/p>\n<p class=\"fig-premium-paywall__subtitle\">-70% sur l&rsquo;abonnement num\u00e9rique<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Farts-expositions%2Fmichaelina-wautier-une-grande-peintre-baroque-redecouverte-a-vienne-20251126\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGI5NTlhLWU1Y2ItNjVjNi1hZjRlLTQzZDNmZTYyMDM3Yl9fQXJ0aWNsZQ==_Michaelina Wautier, une grande peintre baroque red\u00e9couverte \u00e0 Vienne_20&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGI5NTlhLWU1Y2ItNjVjNi1hZjRlLTQzZDNmZTYyMDM3Yl9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"D\u00c9CRYPTAGE &#8211; Avant Londres, le Kunsthistorisches Museum r\u00e9unit l\u2019\u0153uvre de cette artiste oubli\u00e9e, seule pourtant \u00e0 s\u2019\u00eatre impos\u00e9e&hellip;\n","protected":false},"author":2,"featured_media":561255,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,3293,1011,27,1585,52990,1584],"class_list":{"0":"post-561254","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-exposition","15":"tag-fr","16":"tag-france","17":"tag-peinture","18":"tag-rubens","19":"tag-vienne"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115619180269191480","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/561254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=561254"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/561254\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/561255"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=561254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=561254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=561254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}