{"id":580521,"date":"2025-12-05T19:34:15","date_gmt":"2025-12-05T19:34:15","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/580521\/"},"modified":"2025-12-05T19:34:15","modified_gmt":"2025-12-05T19:34:15","slug":"charmant-et-fascinant-ou-intrigant-et-choquant-qui-se-cache-reellement-derriere-lartiste-anish-kapoor","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/580521\/","title":{"rendered":"Charmant et fascinant ou intrigant et choquant, qui se cache r\u00e9ellement derri\u00e8re l\u2019artiste Anish Kapoor ?"},"content":{"rendered":"<p data-module=\"standfirst\" data-context=\"@media (min-width:48em)\">\n    L\u2019artiste qui enchanta \u00abMonumenta\u00bb au Grand Palais en 2011 et d\u00e9cha\u00eena la pol\u00e9mique \u00e0 Versailles en 2015, s\u2019exposera dans son palais en mai pour la Biennale de Venise. Il \u0153uvre en petit pour R\u00e9my Martin et en grand \u00e0 Naples. Un artiste farouchement exp\u00e9rimental.<\/p>\n<p class=\"fig-paragraph fig-paragraph--dropped\"><a href=\"http:\/\/avis-vin.lefigaro.fr\/spiritueux\/remy-martin-occupe-une-place-privilegiee-dans-ma-memoire-anish-kapoor-signe-une-collaboration-inedite-avec-la-maison-de-cognac-20250923\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"AVIS_VIN\" target=\"_blank\" rel=\"noopener\">Anish Kapoor<\/a>, c\u2019est un paradoxe vivant, un artiste qui bouleverse l\u2019espace par ses sculptures, \u00e0 la fois abstraites et terriblement organiques, qui se jouent de l\u2019\u00e9chelle, du volume, de la mati\u00e8re, lisse et maternelle, parfois envahissante et monstrueuse. Comme si l\u2019art \u00e9tait un immense organisme vivant, dans lequel chaque partie est un d\u00e9fi en soi. Du fait de cette nature extr\u00eame, il charme, fascine, enveloppe le public avec son Leviathan, \u00e9norme matrice rouge cr\u00e9\u00e9e contre vents et mar\u00e9es pour \u00ab\u00a0<a href=\"https:\/\/www.lefigaro.fr\/arts-expositions\/2016\/05\/08\/03015-20160508ARTFIG00096-le-monument-de-la-mondialisation.php\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Monumenta\u00a0<\/a>\u00bb en 2011, cette carte blanche donn\u00e9e \u00e0 un artiste pour investir les 13\u00a0500\u00a0m2 de la nef du Grand Palais. Bilan\u00a0: plus de 290\u00a0000\u00a0visiteurs en six semaines et demie, du 10\u00a0mai au 23\u00a0juin 2011, qui ont exp\u00e9riment\u00e9 ce voyage int\u00e9rieur dans un corps c\u00e9leste, dans une inversion des rapports quasi mystique.<\/p>\n<p class=\"fig-paragraph fig-paragraph--dropped\">Du fait de cette nature, il surprend, intrigue, choque, fait enrager l\u2019opinion par son Dirty Corner en 2015 au\u00a0<a href=\"http:\/\/www.lefigaro.fr\/style\/montblanc-inspire-par-la-grandeur-du-chateau-de-versailles-20251105\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">ch\u00e2teau de Versailles<\/a>. L\u2019\u00e9norme corne d\u2019abondance en acier Corten rappelle\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 89% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vous avez envie de lire la suite ?<\/p>\n<p class=\"fig-premium-paywall__subtitle\">D\u00e9bloquez tous les articles imm\u00e9diatement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Fculture%2Fcharmant-et-fascinant-ou-intriguant-et-choquant-qui-se-cache-reellement-derriere-l-artiste-anish-kapoor-20251205\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGNlYjU3LTk1N2UtNmVjNC1iMmRkLTAzOGE5MmQ4OWY1ZV9fQXJ0aWNsZQ==_Charmant et fascinant ou intrigant et choquant, qui se cache r\u00e9ellement derri\u00e8re l\u2019artiste Anish Kapoor\u00a0?_180&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGNlYjU3LTk1N2UtNmVjNC1iMmRkLTAzOGE5MmQ4OWY1ZV9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"L\u2019artiste qui enchanta \u00abMonumenta\u00bb au Grand Palais en 2011 et d\u00e9cha\u00eena la pol\u00e9mique \u00e0 Versailles en 2015, s\u2019exposera&hellip;\n","protected":false},"author":2,"featured_media":580522,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[16491,1396,2593,1348,1384,1385,20596,1386,58,59,1658,1011,27,20423],"class_list":{"0":"post-580521","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-anish-kapoor","9":"tag-art-contemporain","10":"tag-artiste","11":"tag-arts","12":"tag-arts-and-design","13":"tag-arts-et-design","14":"tag-biennale-de-venise","15":"tag-design","16":"tag-divertissement","17":"tag-entertainment","18":"tag-f-art-de-vivre","19":"tag-fr","20":"tag-france","21":"tag-versailles"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115668638974412625","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/580521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=580521"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/580521\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/580522"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=580521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=580521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=580521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}