{"id":581006,"date":"2025-12-06T00:34:18","date_gmt":"2025-12-06T00:34:18","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/581006\/"},"modified":"2025-12-06T00:34:18","modified_gmt":"2025-12-06T00:34:18","slug":"modigliani-chagall-foujita-lecole-de-paris-renait-a-montmartre","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/581006\/","title":{"rendered":"Modigliani, Chagall, Foujita… L\u2019\u00ab\u00c9cole de Paris\u00bb rena\u00eet \u00e0 Montmartre"},"content":{"rendered":"

\n CRITIQUE –<\/strong> Chagall, Foujita, Tamara de Lempicka, Zadkine… Le mus\u00e9e de la Butte pr\u00e9sente 130\u00a0peintures et sculptures peu vues. Toutes datant de la premi\u00e8re moiti\u00e9 du XXe\u00a0si\u00e8cle. Toutes appartenant \u00e0 un collectionneur polonais.<\/p>\n

De l\u2019aube du XXe\u00a0si\u00e8cle \u00e0 la Seconde Guerre mondiale, avant que New York la supplante, Paris a \u00e9t\u00e9 la capitale mondiale des arts. Plus qu\u2019ailleurs, la modernit\u00e9 s\u2019y est invent\u00e9e. D\u2019abord \u00e0\u00a0Montmartre<\/a>, ensuite \u00e0\u00a0Montparnasse<\/a>. Pour d\u00e9crire cette effervescence cosmopolite, Andr\u00e9 Warnod a popularis\u00e9 une expression \u00e0 l\u2019origine p\u00e9jorative. En 1925, ce critique d\u2019art du Figaro a parl\u00e9 d\u2019\u00ab\u00a0\u00c9cole de Paris\u00a0\u00bb.<\/p>\n

\u00ab\u00a0En fait il ne s\u2019agit pas d\u2019une \u00e9cole ni m\u00eame un mouvement mais plut\u00f4t une constellation d\u2019artistes qui, sur plusieurs g\u00e9n\u00e9rations, sont souvent venus de loin\u00a0\u00bb, explique Fanny de L\u00e9pinau. Cette directrice du\u00a0Mus\u00e9e de Montmartre<\/a>\u00a0a convaincu le collectionneur polonais Marek Roefler de montrer in situ 130 de ses \u0153uvres. Toutes acquises dans les trente derni\u00e8res ann\u00e9es. Toutes relevant de cette effervescence qui l\u2019a toujours passionn\u00e9e. L\u2019ensemble sort pour la premi\u00e8re fois de son \u00e9crin, la Villa La Fleur pr\u00e8s de Varsovie. Il acte de cet incomparable \u00e9lan, sans style unique.<\/p>\n

Le rayonnement parisien<\/p>\n

Ces peintures\u2026<\/p>\n

\n Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s. Il vous reste 83% \u00e0 d\u00e9couvrir.\n <\/p>\n

\"Le<\/p>\n

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