{"id":613163,"date":"2025-12-21T05:34:13","date_gmt":"2025-12-21T05:34:13","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/613163\/"},"modified":"2025-12-21T05:34:13","modified_gmt":"2025-12-21T05:34:13","slug":"quand-le-figaro-pourfendait-les-impressionnistes","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/613163\/","title":{"rendered":"quand Le Figaro pourfendait les impressionnistes"},"content":{"rendered":"<p>\n    <strong>R\u00c9CIT &#8211;<\/strong> Grand pourfendeur des impressionnistes, qu\u2019il taxait d\u2019\u00abali\u00e9n\u00e9s\u00bb, le critique d\u2019art Albert Wolff finit par revenir sur son jugement.<\/p>\n<p class=\"fig-paragraph\">Cet article est extrait du Figaro Hors-s\u00e9rie \u00ab 1826-2026\u00a0: Le Figaro traverse les si\u00e8cles &#8211; 200 ans d\u2019histoire de France\u00a0\u00bb\u00a0:\u00a0<a href=\"https:\/\/boutique.lefigaro.fr\/rayon\/303-le-figaro-hors-serie\" target=\"_blank\" rel=\"sponsored noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\">d\u00e9couvrez les grandes figures du journal, son histoire \u00e0 rebondissements, son go\u00fbt pour la libert\u00e9 d\u2019expression, en kiosque et sur Figaro Store.<\/a><\/p>\n<p>    \u00abLe Figaro traverse les si\u00e8cles &#8211; 200 ans d\u2019histoire de France\u00bb.<br \/>\n                Le Figaro Hors-S\u00e9rie<\/p>\n<p class=\"fig-paragraph\">L\u2019exposition en 1874, dans les anciens locaux \u00e0 Paris du photographe\u00a0<a href=\"http:\/\/www.lefigaro.fr\/arts-expositions\/le-temps-des-impressionnistes-nadar-photographe-iconoclaste-transforme-son-atelier-en-galerie-20240414\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Nadar<\/a>, d\u2019un groupe de jeunes artistes totalement inconnus, d\u00e9clencha l\u2019un des plus grands et des plus violents scandales de l\u2019histoire de l\u2019art. Monet, Renoir,\u00a0<a href=\"http:\/\/www.lefigaro.fr\/arts-expositions\/pissarro-l-anarchiste-l-impressionnisme-ligne-dure-20240413\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Pissarro<\/a>, Sisley, C\u00e9zanne,<a href=\"http:\/\/www.lefigaro.fr\/arts-expositions\/berthe-morisot-la-douceur-de-peindre-20240413\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">\u00a0Berthe Morisot<\/a>\u2026 devenaient c\u00e9l\u00e8bres du jour au lendemain. Leurs toiles provoquaient une avalanche d\u2019insultes et de sarcasmes sans pr\u00e9c\u00e9dent. Un critique du Charivari, Louis Leroy, surgira de l\u2019anonymat et passera \u00e0 la post\u00e9rit\u00e9 en surnommant, par d\u00e9rision, ces inconnus \u00ab impressionnistes\u00a0\u00bb, apr\u00e8s avoir relev\u00e9 le titre d\u2019une toile de Monet\u00a0: Impression, soleil levant.<\/p>\n<p class=\"fig-paragraph\">Les grands ma\u00eetres de l\u2019art acad\u00e9mique qui triomphent au Salon et font l\u2019admiration\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 76% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vous avez envie de lire la suite ?<\/p>\n<p class=\"fig-premium-paywall__subtitle\">D\u00e9bloquez tous les articles imm\u00e9diatement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Fhistoire%2Fsavoir-revenir-sur-son-jugement-quand-le-figaro-pourfendait-les-impressionnistes-20251220\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGQ5YTcxLTg0ZjEtNmYxMC05NGEwLTI5MmJhYWJlYzZmY19fQXJ0aWNsZQ==_Savoir revenir sur son jugement\u00a0: quand &lt;i&gt;Le Figaro&lt;\/i&gt; pourfendait les impressionnistes_81&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMGQ5YTcxLTg0ZjEtNmYxMC05NGEwLTI5MmJhYWJlYzZmY19fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"R\u00c9CIT &#8211; Grand pourfendeur des impressionnistes, qu\u2019il taxait d\u2019\u00abali\u00e9n\u00e9s\u00bb, le critique d\u2019art Albert Wolff finit par revenir sur&hellip;\n","protected":false},"author":2,"featured_media":613164,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,72415,1386,58,59,1011,27,11949],"class_list":{"0":"post-613163","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-bicentenaire-du-figaro","12":"tag-design","13":"tag-divertissement","14":"tag-entertainment","15":"tag-fr","16":"tag-france","17":"tag-impressionnisme"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115755932897829169","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/613163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=613163"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/613163\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/613164"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=613163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=613163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=613163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}