{"id":625679,"date":"2025-12-27T18:38:25","date_gmt":"2025-12-27T18:38:25","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/625679\/"},"modified":"2025-12-27T18:38:25","modified_gmt":"2025-12-27T18:38:25","slug":"a-la-galerie-anne-de-villepoix-a-paris-dans-la-splendeur-de-la-nuit-juxtapose-celebrites-et-revelations-africaines-et-afro-descendantes","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/625679\/","title":{"rendered":"A la galerie Anne de\u00a0Villepoix, \u00e0 Paris, \u00ab\u00a0Dans la splendeur de la nuit\u00a0\u00bb juxtapose c\u00e9l\u00e9brit\u00e9s et r\u00e9v\u00e9lations africaines et afro-descendantes"},"content":{"rendered":"<p>                     <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/12\/02b804a_upload-1-hmbc57pma37j-group-show-galerie-anne-de-villepoix-paris-c-hafid-lhachmi-adagp-paris.jpeg\" alt=\"Vue d\u2019ensemble de l\u2019exposition \u00ab\u00a0Dans la splendeur de la nuit\u00a0\u00bb, \u00e0 la galerie Anne de Villepoix, \u00e0 Paris, en novembre 2025.\"   width=\"664\" height=\"443\"\/>    Vue d\u2019ensemble de l\u2019exposition \u00ab\u00a0Dans la splendeur de la nuit\u00a0\u00bb, \u00e0 la galerie Anne de Villepoix, \u00e0 Paris, en novembre 2025.  HAFID LHACHMI\/GALERIE ANNE DE VILLEPOIX\/ADAGP                 <\/p>\n<p class=\"article__paragraph  \">A Paris, dans l\u2019ancienne imprimerie dont elle a fait sa galerie, Anne de Villepoix poursuit le travail en faveur des artistes africains et afro-descendants, qu\u2019elle a commenc\u00e9 bien avant que le march\u00e9 et les institutions ne s\u2019y int\u00e9ressent. Cette anciennet\u00e9 et cette constance se voient dans le nombre et la diversit\u00e9 des \u0153uvres pr\u00e9sentes sur les murs dans une exposition collective qui r\u00e9capitule quelques-uns des engagements de la galeriste et en ajoute de plus r\u00e9cents. Il y en a m\u00eame tant que l\u2019on ne peut les \u00e9voquer tous.<\/p>\n<p>   Lire plus tard  <\/p>\n<p class=\"article__paragraph  \">Deux aquarelles de Barth\u00e9l\u00e9my Toguo rappellent ainsi que l\u2019artiste camerounais, n\u00e9 en\u00a01967, depuis longtemps internationalement reconnu, a longtemps expos\u00e9 chez Anne de Villepoix. Pr\u00e8s d\u2019elles est plac\u00e9e l\u2019une de ces \u0153uvres associant photographie, num\u00e9rique et tapisserie dans lesquelles Noel W. Anderson, qui est n\u00e9 en\u00a01981, reprend, apr\u00e8s <a href=\"https:\/\/www.lemonde.fr\/arts\/article\/2017\/10\/02\/l-art-en-noir-de-la-lutte-pour-les-droits-civiques_5194687_1655012.html\" target=\"_blank\" rel=\"noopener\">Barkley Hendricks<\/a> (1945-2017) et <a href=\"https:\/\/www.lemonde.fr\/culture\/article\/2021\/05\/21\/david-hammons-expose-a-la-bourse-de-commerce-une-premiere-francaise_6081062_3246.html\" target=\"_blank\" rel=\"noopener\">David Hammons<\/a>, l\u2019un des sujets symboliques de l\u2019art afro-am\u00e9ricain\u00a0: le sport, ici le basket-ball. Moyen de promotion \u00e9conomique ou assignation sociale \u00e0 une carri\u00e8re d\u2019athl\u00e8te\u00a0? Exaltation ou enfermement des corps noirs\u00a0? La r\u00e9ponse d\u2019Anderson ne laisse aucun doute.<\/p>\n<p class=\"reading-mode-only \"><strong>Il vous reste 66.95% de cet article \u00e0 lire. La suite est r\u00e9serv\u00e9e aux abonn\u00e9s.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"Vue d\u2019ensemble de l\u2019exposition \u00ab\u00a0Dans la splendeur de la nuit\u00a0\u00bb, \u00e0 la galerie Anne de Villepoix, \u00e0 Paris,&hellip;\n","protected":false},"author":2,"featured_media":625680,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27],"class_list":{"0":"post-625679","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115792991092322323","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/625679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=625679"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/625679\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/625680"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=625679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=625679"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=625679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}