{"id":633711,"date":"2026-01-01T07:08:10","date_gmt":"2026-01-01T07:08:10","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/633711\/"},"modified":"2026-01-01T07:08:10","modified_gmt":"2026-01-01T07:08:10","slug":"picasso-metamorphoses-en-bleu-et-rose-notre-critique","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/633711\/","title":{"rendered":"\u201cPicasso, m\u00e9tamorphoses en bleu et rose\u201d\u00a0: notre critique"},"content":{"rendered":"\n<p class=\"article__chapeau\">Focus sur les ann\u00e9es 1899 \u00e0 1906 de Pablo Picasso, ses ann\u00e9es de formation. On y d\u00e9couvre un jeune homme sensible qui va se forger une armure o\u00f9 l\u2019amiti\u00e9 joue un r\u00f4le central. Et le masque du monstre s\u2019en trouve singuli\u00e8rement fissur\u00e9.<\/p>\n<p>                  <a href=\"https:\/\/macommande.telerama.fr\/account\/create\/106068.25305\/106068.25309?article=https:\/\/www.telerama.fr\/television\/picasso-metamorphoses-en-bleu-et-rose-notre-critique_cri-7042154.php#at_medium=CTA_je-m-abo&amp;at_campaign=paywall_note&amp;at_libellen2=ecrans_tv&amp;at_titrecontenu=picasso_metamorphoses_en_bleu_et_rose \" class=\"article__notation-hidden-container\" target=\"_blank\" rel=\"noopener\"> <\/p>\n<p class=\"article__label-notation-hidden\">S&rsquo;abonner pour voir la note<\/p>\n<p>  <\/a>              <a href=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2026\/01\/362491363d70473bba96ae740fdd4fff.jpg\" data-pswp-width=\"\" data-pswp-height=\"\" class=\"media__hd\" target=\"_blank\">      <img decoding=\"async\" fetchpriority=\"high\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2026\/01\/362491363d70473bba96ae740fdd4fff.jpg\" class=\"media__picture js-media-zoom-main \" alt=\"\" title=\"\"\/>       <\/a>                  <\/p>\n<p class=\"author author--simple\">Par  <a class=\"author author--link\" href=\"https:\/\/www.telerama.fr\/recherche\/articles?q=Olivier+Cena\" target=\"_blank\" rel=\"noopener\"> Olivier Cena <\/a>    <\/p>\n<p class=\"publication__date\">Publi\u00e9 le 01 janvier 2026 \u00e0 06h00<\/p>\n<p>   Partager   <\/p>\n<ul class=\"sharing-popin--results\">\n<li class=\"sharing-popin--item sharing-popin--item-container\"> Partage  <\/li>\n<li data-share=\"linkedin\" class=\"sharing-popin--item\">  LinkedIn <\/li>\n<li data-share=\"facebook\" class=\"sharing-popin--item\">  Facebook <\/li>\n<li data-share=\"mail\" data-social=\"mail\" class=\"sharing-popin--item\">  Envoyer par email <\/li>\n<li data-share=\"copy\" class=\"sharing-popin--item\">  Copier le lien <\/li>\n<\/ul>\n<p>        Favoris       <\/p>\n<p>           Noter (0)          Critiquer (0)      <a class=\"openapp__link\" data-event=\"click-open-app\" data-deep-link=\"tlrm:\/\/element?id=television\/picasso-metamorphoses-en-bleu-et-rose-notre-critique_cri-7042154.php&amp;source=deeplink_site\">  Lire dans l&rsquo;application<br \/>\n  <\/a>                         <\/p>\n<p class=\"paragraph\">L\u2018exposition que le mus\u00e9e d\u2019Orsay a consacr\u00e9e en\u00a02018 aux p\u00e9riodes\u00a0bleue et rose\u00a0de\u00a0Picasso, c\u2019est-\u00e0-dire \u00e0 l\u2019\u0153uvre peinte entre\u00a01901 et\u00a01906, \u00e9tait en tous points remarquable. Par sa richesse et l\u2019\u00e9l\u00e9gance de sa sc\u00e9nographie, par le regard qu\u2019elle portait sur ce jeune homme extraordinairement dou\u00e9 qui, pourtant, observant ses ma\u00eetres, a travaill\u00e9, \u00e9tudi\u00e9, dessin\u00e9 encore plus que les autres.<\/p>\n<p class=\"paragraph\"> Le documentaire (et c\u2019est son int\u00e9r\u00eat), \u00e0 l\u2019aide de nombreuses archives qui lui donnent beaucoup de vie, retrace l\u2019avant\u00a0: l\u2019enfance du peintre\u00a0; le rapport au p\u00e8re, lui-m\u00eame peintre, qui finira par poser d\u00e9finitivement les pinceaux face au talent de l\u2019adolescent\u00a0; la vie sauvage \u00e0 Horta,<\/p>\n","protected":false},"excerpt":{"rendered":"Focus sur les ann\u00e9es 1899 \u00e0 1906 de Pablo Picasso, ses ann\u00e9es de formation. On y d\u00e9couvre un&hellip;\n","protected":false},"author":2,"featured_media":633712,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27],"class_list":{"0":"post-633711","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115818587984151621","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/633711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=633711"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/633711\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/633712"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=633711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=633711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=633711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}