{"id":649713,"date":"2026-01-08T16:03:10","date_gmt":"2026-01-08T16:03:10","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/649713\/"},"modified":"2026-01-08T16:03:10","modified_gmt":"2026-01-08T16:03:10","slug":"critique-expo-premiere-retrospective-de-magdalena-abakanowicz-une-confrontation-magistrale-aux-oeuvres-de-lartiste","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/649713\/","title":{"rendered":"Critique expo\u00a0: Pr\u00e9mi\u00e8re r\u00e9trospective de Magdalena Abakanowicz, une confrontation magistrale aux \u0153uvres de l&rsquo;artiste"},"content":{"rendered":"<p class=\"PopSlotParagraph qg-tx2 qg-xtra-lh svelte-1r0pyek\">Le mus\u00e9e Bourdelle consacre une exposition d\u2019ampleur \u00e0 Magdalena Abakanowicz, figure majeure de la sc\u00e8ne artistique polonaise du XXe si\u00e8cle. Marqu\u00e9e par la guerre, la censure et les r\u00e9gimes autoritaires, l\u2019artiste a d\u00e9velopp\u00e9 un langage sculptural puissant, m\u00ealant fibres textiles, bronze et formes organiques. Des Abakans suspendus aux foules anonymes de corps sans t\u00eate, son \u0153uvre explore la s\u00e9rialit\u00e9, la perte d\u2019identit\u00e9 et les tensions entre individu et collectif. \u00c0 travers un parcours chrono-th\u00e9matique de 70 ensembles, La trame de l\u2019existence r\u00e9v\u00e8le une \u0153uvre profond\u00e9ment politique, en r\u00e9sonance avec les enjeux contemporains humanistes et environnementaux.<\/p>\n<p> <strong>Les avis des critiques<\/strong><\/p>\n<p class=\"PopSlotParagraph qg-tx2 qg-xtra-lh svelte-1r0pyek\">Sally Bonn\u00a0: \u00ab\u00a0La trame de l&rsquo;existence retrace l&rsquo;\u0153uvre magistrale d&rsquo;une artiste, peu expos\u00e9e en France, qui d\u00e9passe largement la cat\u00e9gorie de l\u2019art textile.\u00a0Abakanowicz est une artiste \u00e0 la fois vari\u00e9e, \u00e9trange, forte, \u00e9mouvante, visc\u00e9rale et organique. Elle d\u00e9tourne magistralement que l\u2019art r\u00e9v\u00e9lerait de la cat\u00e9gorie du beau car quand\u00a0on traverse l\u2019exposition, ce qui nous vient \u00e0 l\u2019\u0153il et \u00e0 l\u2019esprit ce n\u2019est pas la question de la beaut\u00e9. La force de cette r\u00e9trospective r\u00e9side dans la confrontation \u00e0 des oeuvres \u00e0 la fois monumentales et magistrales, par leur pr\u00e9sence, leurs mat\u00e9riaux et leur fabrication.\u00a0\u00bb<\/p>\n<p class=\"PopSlotParagraph qg-tx2 qg-xtra-lh svelte-1r0pyek\">St\u00e9phane Corr\u00e9ard\u00a0: \u00ab\u00a0Une r\u00e9trospective attendue et n\u00e9cessaire pour mesurer la puissance d\u2019une\u00a0\u0153uvre \u00e0 la fois po\u00e9tique, politique et m\u00eame m\u00e9taphysique. Et si l\u2019ampleur du travail peine parfois \u00e0 s&rsquo;exprimer dans les espaces contraints du mus\u00e9e Bourdelle o\u00f9 les oeuvres semblent \u00eatre un peu \u00e0 l\u2019\u00e9troit, le choix de faire l&rsquo;impasse sur la biographie de l&rsquo;artiste fait \u00e0 la fois force et la limite de l&rsquo;exposition. Cela permet de se concentrer sur la puissance \u00e9vocatrice de son oeuvre tout en laissant l&rsquo;impression d&rsquo;une oeuvre d\u00e9sincarn\u00e9e et en retenue, ce qui est paradoxal au regarde des trag\u00e9dies intimes et personnelles qui ont marqu\u00e9 la vie de l&rsquo;artiste.\u00a0\u00bb<\/p>\n<p>  <img decoding=\"async\" class=\"Image-preview  svelte-1b9cmvl\" data-testid=\"image-preview\" src=\"data:image\/jpeg;charset=utf-8;base64, \/9j\/2wBDACgcHiMeGSgjISMtKygwPGRBPDc3PHtYXUlkkYCZlo+AjIqgtObDoKrarYqMyP\/L2u71\/\/\/\/m8H\/\/\/\/6\/+b9\/\/j\/2wBDASstLTw1PHZBQXb4pYyl+Pj4+Pj4+Pj4+Pj4+Pj4+Pj4+Pj4+Pj4+Pj4+Pj4+Pj4+Pj4+Pj4+Pj4+Pj4+Pj4+Pj\/wAARCAAdACoDASIAAhEBAxEB\/8QAGAABAQEBAQAAAAAAAAAAAAAAAwECBAD\/xAAYEAEBAQEBAAAAAAAAAAAAAAAAAQIREv\/EABYBAQEBAAAAAAAAAAAAAAAAAAABAv\/EABYRAQEBAAAAAAAAAAAAAAAAAAABEf\/aAAwDAQACEQMRAD8A7taFrb29B1pGoT21NOf03mi10Sr0cq9VkeqLRKOistZrKwNLKvoXV6Mv\/9k=\" alt=\"\" aria-hidden=\"false\"\/>     <img decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2026\/01\/860_sc_abakan-rouge-1969-magdalena-abakanowicz-tate-presente-anonymement-2009-photo-c-magdalena-abak.jpeg\" loading=\"lazy\" fetchpriority=\"low\" width=\"860\" height=\"607\" class=\"Image-main  svelte-1b9cmvl rounded\" data-testid=\"image-src\" alt=\"Abakan rouge, 1969, Magdalena Abakanowicz. Tate, Pr\u00e9sent\u00e9 anonymement, 2009\" aria-hidden=\"false\" onload=\"this.__e=event\" onerror=\"this.__e=event\"\/> Abakan rouge, 1969, Magdalena Abakanowicz. Tate, Pr\u00e9sent\u00e9 anonymement, 2009  &#8211; \u00a9 Magdalena Abakanowicz Extrait sonore<\/p>\n<ul>\n<li>Extrait de\u00a0Magdalena Abakanowicz &#8211; RTS en 2023<\/li>\n<\/ul>\n<p>Plus d&rsquo;informations<\/p>\n<ul>\n<li>Magdalena Abakanowicz, La trame de l&rsquo;existence du 20 novembre 2025 au 12 avril 2026 au Mus\u00e9e Bourdelle<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"Le mus\u00e9e Bourdelle consacre une exposition d\u2019ampleur \u00e0 Magdalena Abakanowicz, figure majeure de la sc\u00e8ne artistique polonaise du&hellip;\n","protected":false},"author":2,"featured_media":649714,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1358],"tags":[1348,1384,1385,1386,58,59,1011,27],"class_list":{"0":"post-649713","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-et-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-arts-et-design","11":"tag-design","12":"tag-divertissement","13":"tag-entertainment","14":"tag-fr","15":"tag-france"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/115860327829762630","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/649713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=649713"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/649713\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/649714"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=649713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=649713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=649713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}