{"id":80705,"date":"2025-05-07T01:44:10","date_gmt":"2025-05-07T01:44:10","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/80705\/"},"modified":"2025-05-07T01:44:10","modified_gmt":"2025-05-07T01:44:10","slug":"nice-ca-baigne-pour-la-villa-arson","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/80705\/","title":{"rendered":"Nice. \u00c7\u00e0 baigne pour la Villa Arson&#8230;"},"content":{"rendered":"<p style=\"text-align: center;\"><img decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/05\/nice-ocean.png\" title=\"\" alt=\"\"\/><\/p>\n<p>La Villa Arson, TBA21 Thyssen-Bornemisza Art Contemporary, la Fondation Tara Oc\u00e9an, avec la collaboration du Schmidt Ocean Institute pr\u00e9sentent Becoming Ocean\u00a0: a social conversation about the Ocean, une grande exposition qui explore de fa\u00e7on chorale les principaux d\u00e9fis de l\u2019Oc\u00e9an, dans le cadre de la Biennale des Arts et de l\u2019Oc\u00e9an organis\u00e9e par la Ville de Nice. Plus de 20 artistes internationaux participent \u00e0 l\u2019exposition \u00e0 travers des approches critiques et documentaires ainsi que des expressions plus sensorielles, po\u00e9tiques ou sp\u00e9culatives.\u00a0<\/p>\n<p>Avec\u00a0: Allora &amp; Calzadilla, Antoine Bertin, Samuel Bollendorff, Seba Calfuqueo, Stephanie Comilang, Anne Duk Hee Jordan, Simone Fattal, Nicolas Floc\u2019h, Max Hooper Schneider, Kapwani Kiwanga, Sonia Levy, Armin Linke, Courtney Desiree Morris, Asunci\u00f3n Molinos Gordo, Ingo Niermann, Diana Policarpo, Christian Sardet et les Macronautes, Robertina \u0160ebjani\u010d, Allan Sekula, Janaina Tsch\u00e4pe, Laure Winants, Susanne M. Winterling.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.europesays.com\/fr\/wp-content\/uploads\/2025\/05\/nice-ocean-2.jpg\" title=\"\" alt=\"\"\/><\/p>\n<p>La Villa Arson pr\u00e9sente Liquid Grounds, une exposition de Saodat Ismailova et Elena Mazzi. Dans la galerie carr\u00e9e, un dialogue s\u2019instaure entre les pi\u00e8ces des deux artistes\u00a0: l&rsquo;installation audiovisuelle Stains of Oxus de Saodat Ismailova, racontant la relation entre le fleuve Amou-Daria et les communaut\u00e9s qui vivent le long de ses rives et les \u0153uvres d&rsquo;Elena Mazzi qui explorent les cons\u00e9quences environnementales, sociales et g\u00e9opolitiques de la soi-disant \u00ab\u00a0route de la soie polaire\u00a0\u00bb tirant parti de la fonte des glaces dans l&rsquo;Arctique. Deux perspectives g\u00e9ographiquement (et g\u00e9ologiquement) \u00e9loign\u00e9es, mais proches dans leur fa\u00e7on commune et f\u00e9ministe de parler d\u2019environnement et d\u2019humanit\u00e9.<\/p>\n<ul>\n<li>La Villa Arson est un e\u0301tablissement public administratif du ministe\u0300re de la Culture, composante a\u0300 personnalite\u0301 morale d&rsquo;Universit\u00e9 C\u00f4te d&rsquo;Azur.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"La Villa Arson, TBA21 Thyssen-Bornemisza Art Contemporary, la Fondation Tara Oc\u00e9an, avec la collaboration du Schmidt Ocean Institute&hellip;\n","protected":false},"author":2,"featured_media":80706,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2819],"tags":[1111,47,11,1777,674,1011,27,1110,1031,12,2401,882,25],"class_list":{"0":"post-80705","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-nice","8":"tag-actu","9":"tag-actualite","10":"tag-actualites","11":"tag-eu","12":"tag-europe","13":"tag-fr","14":"tag-france","15":"tag-informations","16":"tag-magazine","17":"tag-news","18":"tag-nice","19":"tag-provence-alpes-cote-dazur","20":"tag-republique-francaise"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114464021888765251","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/80705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=80705"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/80705\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/80706"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=80705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=80705"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=80705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}