{"id":80835,"date":"2025-05-07T03:02:19","date_gmt":"2025-05-07T03:02:19","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/80835\/"},"modified":"2025-05-07T03:02:19","modified_gmt":"2025-05-07T03:02:19","slug":"une-version-qui-dejoue-le-kitsch","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/80835\/","title":{"rendered":"une version qui d\u00e9joue le kitsch"},"content":{"rendered":"<p><strong>CRITIQUE &#8211;<\/strong> Mise en sc\u00e8ne par Denis Podalyd\u00e8s, cette version coproduite avec l\u2019Op\u00e9ra\u00a0Comique a \u00e9t\u00e9 d\u00e9barrass\u00e9e de ces airs f\u00e9tiches et revient aux dialogues parl\u00e9s. Ce qui donne \u00e0 l\u2019\u0153uvre de Charles Gounod un aspect plus satirique. Une belle r\u00e9ussite.<\/p>\n<p class=\"fig-paragraph\">Vous pensiez conna\u00eetre par c\u0153ur le\u00a0<a href=\"http:\/\/www.lefigaro.fr\/culture\/a-lille-le-faust-de-charles-gounod-retrouve-sa-version-originelle-20250413\" target=\"_blank\" data-fig-type=\"NewsFlash\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">Faust de Gounod\u00a0<\/a>? \u00ab\u00a0Le Veau d\u2019or est toujours debout\u00a0\u00bb, \u00ab\u00a0Avant de quitter ces lieux\u00a0\u00bb, \u00ab\u00a0Gloire immortelle de nos a\u00efeux\u00a0\u00bb, vous n\u2019entendrez pas ces airs f\u00e9tiches \u00e0 l\u2019<a href=\"https:\/\/www.lefigaro.fr\/musique\/double-anniversaire-a-l-opera-de-lille-avec-mozart-au-programme-20231008\" target=\"_blank\" data-fig-type=\"Article\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">Op\u00e9ra de Lille<\/a>, qui pr\u00e9sente une captivante version, en coproduction avec l\u2019Op\u00e9ra\u00a0Comique, qui l\u2019accueillera en juin. Ce qui s\u2019est pass\u00e9\u00a0? On joue la version originelle, cr\u00e9\u00e9e en 1859, qui \u00e9tait justement un op\u00e9ra-comique, avec dialogues parl\u00e9s, et non un grand op\u00e9ra avec r\u00e9citatifs. Cette \u00e9dition, r\u00e9alis\u00e9e par le\u00a0<a href=\"https:\/\/www.lefigaro.fr\/musique\/classique-happy-birthday-palazzetto-20191001\" target=\"_blank\" data-fig-type=\"Article\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">Palazzetto Bru Zane<\/a>, avait \u00e9t\u00e9 enregistr\u00e9e par Christophe Rousset, c\u2019en est la premi\u00e8re sc\u00e9nique, avec de nouveaux choix \u00e9ditoriaux de\u00a0<a href=\"http:\/\/www.lefigaro.fr\/culture\/louis-langree-prend-la-tete-de-l-opera-comique-20211021\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" target=\"_blank\" rel=\"noopener\">Louis Langr\u00e9e<\/a>.<\/p>\n<p class=\"fig-paragraph\">Il faudrait une page enti\u00e8re pour d\u00e9tailler l\u2019int\u00e9r\u00eat de cette \u00e9dition\u00a0; on se contentera de dire qu\u2019elle conf\u00e8re \u00e0 l\u2019\u0153uvre un caract\u00e8re beaucoup plus satirique et ironique, donc moins pompier. Souvent dr\u00f4le, parfois inqui\u00e9tant (l\u2019air de\u00a0<a href=\"http:\/\/www.lefigaro.fr\/mode-homme\/la-mephisto-de-nos-retraites-qu-adorent-les-branches-new-yorkais-20250419\" target=\"_blank\" data-fig-type=\"Article\" rel=\"noopener\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\">M\u00e9phisto<\/a>\u00a0qui remplace la ronde du veau d\u2019or est nettement plus myst\u00e9rieux)\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 68% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Je m&rsquo;informe, je m&rsquo;inspire, je m&rsquo;abonne.<\/p>\n<p class=\"fig-premium-paywall__subtitle\">D\u00e9couvrez notre offre de bienvenue.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Fmusique%2Fnotre-critique-de-faust-a-l-opera-de-lille-une-version-qui-dejoue-le-kitsch-20250506\" data-js-gtm=\"{&quot;customCategorie&quot;: &quot;conversion&quot;, &quot;customAction&quot;: &quot;before_Landing_Connexion_paywall_auto&quot;, &quot;customLabel&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDJhNGViLWI1NzgtNmMxNC05MjY3LTM5YTE1OGE5YjljYl9fQXJ0aWNsZQ==_Notre critique de &lt;i&gt;Faust&lt;\/i&gt; \u00e0 l\u2019Op\u00e9ra de Lille\u00a0: une version qui d\u00e9joue le kitsch_313&quot;, &quot;customIDSPE&quot;: &quot;bGVmaWdhcm8uZnJfXzFmMDJhNGViLWI1NzgtNmMxNC05MjY3LTM5YTE1OGE5YjljYl9fQXJ0aWNsZQ==&quot;, &quot;event&quot;: &quot;customEventSPE&quot;}\" target=\"_blank\" rel=\"noopener\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"CRITIQUE &#8211; Mise en sc\u00e8ne par Denis Podalyd\u00e8s, cette version coproduite avec l\u2019Op\u00e9ra\u00a0Comique a \u00e9t\u00e9 d\u00e9barrass\u00e9e de ces&hellip;\n","protected":false},"author":2,"featured_media":80836,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2815],"tags":[1111,11,2937,2932,2935,1696,18813,2934,2933,1777,674,8227,1011,27,811,1307,18814,873,2936,1698,12,25],"class_list":{"0":"post-80835","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lille","8":"tag-actu","9":"tag-actualites","10":"tag-artistes","11":"tag-cd","12":"tag-chansons","13":"tag-chanteur","14":"tag-charles-gounod","15":"tag-chason","16":"tag-dvd","17":"tag-eu","18":"tag-europe","19":"tag-faust","20":"tag-fr","21":"tag-france","22":"tag-hauts-de-france","23":"tag-lille","24":"tag-louis-langree","25":"tag-musique","26":"tag-musique-classique","27":"tag-musiques","28":"tag-news","29":"tag-republique-francaise"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/114464328564946383","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/80835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=80835"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/80835\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/80836"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=80835"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=80835"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=80835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}