{"id":889792,"date":"2026-04-24T14:28:33","date_gmt":"2026-04-24T14:28:33","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/889792\/"},"modified":"2026-04-24T14:28:33","modified_gmt":"2026-04-24T14:28:33","slug":"toulouse-lautrec-une-icone-a-caumont-93-oeuvres-de-lillustrateur-exposees-a-aix","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/889792\/","title":{"rendered":"Toulouse Lautrec, une ic\u00f4ne \u00e0 Caumont\u00a0: 93 \u0153uvres de l\u2019illustrateur expos\u00e9es \u00e0 Aix"},"content":{"rendered":"<p>Aristocrate iconoclaste, fin portraitiste, humaniste bon vivant, <a href=\"https:\/\/www.laprovence.com\/article\/france-monde\/1223315058954515\/retrospective-a-albi-de-loeuvre-integrale-du-toulouse-lautrec-affichiste\" target=\"_blank\" rel=\"nofollow noopener\">Henri de Toulouse Lautrec<\/a> (1864-1901) d\u00e9barque jusqu\u2019au 4\u00a0octobre\u00a02026 \u00e0 <a href=\"https:\/\/www.laprovence.com\/article\/culture-loisirs\/57864260779058\/le-centre-dart-caumont-a-aix-en-provence-accueille-54-chefs-doeuvre-de-la-collection-oscar-ghez\" target=\"_blank\" rel=\"nofollow noopener\">Caumont<\/a>. Cet artiste savait concevoir des images fortes, les rendre novatrices, symboliques. Les \u00e9lever au rang d\u2019ic\u00f4ne, m\u00eame, et ce malgr\u00e9 la faible production d\u2019affiches qu\u2019on lui conna\u00eet, seulement 31, en comparaison au prolifique Jules Ch\u00e9ret, le \u00ab\u00a0Roi de l\u2019affiche\u00a0\u00bb, qui en produisit plus de mille. Si ce dernier se penchait sur les illustres anonymes, Lautrec pr\u00e9f\u00e9rait les l\u00e9gendaires mondaines et mondains, celles et ceux que l\u2019on reconnaissait dans la rue.<\/p>\n<p>Form\u00e9 \u00e0 Paris dans les ateliers de L\u00e9on Bonnad et Fernand Cormon d\u00e8s\u00a01882, il s\u2019int\u00e9resse en\u00a01891 \u00e0 la technique de la lithographie, apr\u00e8s avoir \u00e9t\u00e9 profond\u00e9ment marqu\u00e9 par l\u2019affiche de <a href=\"https:\/\/www.laprovence.com\/article\/region\/1266996894524615\/on-imagine-bien-etre-la-avec-les-baigneurs-zoom-sur-une-oeuvre-majeure-de-lexpo-bonnard-et-le-japon-a-aix\" target=\"_blank\" rel=\"nofollow noopener\">Bonnard<\/a>, France-Champagne. Cette app\u00e9tence ne le quittera plus.<\/p>\n<p>Paris iconique<\/p>\n<p>Il d\u00e9couvre la vie festive et nocturne parisienne \u00e0 <a href=\"https:\/\/www.laprovence.com\/article\/france-monde\/1122646253886614\/avec-montmartre-le-tour-de-france-fait-sa-revolution\" target=\"_blank\" rel=\"nofollow noopener\">Montmartre<\/a>, o\u00f9 il s\u2019installe en\u00a01884, sans savoir encore qu\u2019il deviendrait le pilier de ce quartier. Il cr\u00e9e dans cette effervescence sa premi\u00e8re affiche en\u00a01891, command\u00e9e par le Moulin Rouge. Mise en avant dans la premi\u00e8re salle de l\u2019exposition de Caumont, cette \u0153uvre phare par la&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"Aristocrate iconoclaste, fin portraitiste, humaniste bon vivant, Henri de Toulouse Lautrec (1864-1901) d\u00e9barque jusqu\u2019au 4\u00a0octobre\u00a02026 \u00e0 Caumont. Cet&hellip;\n","protected":false},"author":2,"featured_media":889793,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[1358],"tags":[5734,1348,1384,1385,16129,251,1386,58,59,1011,27,28950,95528,95527,13813,2312,96],"class_list":["post-889792","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-et-design","tag-5734","tag-arts","tag-arts-and-design","tag-arts-et-design","tag-caumont","tag-culture","tag-design","tag-divertissement","tag-entertainment","tag-fr","tag-france","tag-icone","tag-lillustrateur","tag-lautrec","tag-oeuvres","tag-toulouse","tag-une"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fr\/116460159412912985","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/889792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/comments?post=889792"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/posts\/889792\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media\/889793"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/media?parent=889792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/categories?post=889792"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fr\/wp-json\/wp\/v2\/tags?post=889792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}