{"id":893400,"date":"2026-04-26T07:42:25","date_gmt":"2026-04-26T07:42:25","guid":{"rendered":"https:\/\/www.europesays.com\/fr\/893400\/"},"modified":"2026-04-26T07:42:25","modified_gmt":"2026-04-26T07:42:25","slug":"une-femme-libre-qui-choisit-le-veuvage-pour-exercer-son-independance-madame-de-sevigne-celebree-a-paris-dans-sa-carnavalette","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fr\/893400\/","title":{"rendered":"\u00ab\u00a0Une femme libre qui choisit le veuvage pour exercer son ind\u00e9pendance\u00a0\u00bb\u00a0: Madame de S\u00e9vign\u00e9 c\u00e9l\u00e9br\u00e9e \u00e0 Paris dans sa \u00ab\u00a0Carnavalette\u00a0\u00bb"},"content":{"rendered":"

\n CRITIQUE –<\/strong> Pour les 400\u00a0ans de la naissance de la marquise \u00e9pistoli\u00e8re, le Mus\u00e9e Carnavalet, \u00e0 Paris, o\u00f9 elle v\u00e9cut, a con\u00e7u un parcours ax\u00e9 sur le pouvoir f\u00e9minin au XVIIe\u00a0si\u00e8cle.<\/p>\n

D\u2019abord, \u00e9vacuer l\u2019image d\u2019\u00c9pinal\u00a0: en ce qui concerne\u00a0la marquise de S\u00e9vign\u00e9<\/a>, cette image prend la forme d\u2019une bo\u00eete de chocolats, d\u2019un papier \u00e0 lettres au d\u00e9cor fleuri, voire d\u2019un sac sign\u00e9 Louis Vuitton<\/a>. \u00c0 Paris, au\u00a0Mus\u00e9e Carnavalet<\/a>, dans son h\u00f4tel particulier, la question de la post\u00e9rit\u00e9 de la c\u00e9l\u00e8bre marquise est trait\u00e9e en une salle au tout d\u00e9but de l\u2019exposition qui lui est consacr\u00e9e. C\u2019est aussi ici que l\u2019on a rel\u00e9gu\u00e9 le bureau dit \u00ab\u00a0de\u00a0Madame de S\u00e9vign\u00e9\u00a0\u00bb offert par les amis du mus\u00e9e en 1937. Des \u00e9tudes pouss\u00e9es men\u00e9es l\u2019an pass\u00e9 ont discr\u00e9dit\u00e9 l\u2019hypoth\u00e8se d\u2019une appartenance \u00e0 l\u2019\u00e9crivain. Le meuble est bien joli, mais il se trouve que l\u2019\u00e9pistoli\u00e8re \u00e9crivait certainement sur une simple table. \u00c0 c\u00f4t\u00e9 est expos\u00e9e une relique un peu douteuse, un morceau de tissu de la robe mortuaire de Marie, n\u00e9e de\u00a0Rabutin-Chantal, dont la fortune critique arriva t\u00f4t apr\u00e8s sa mort, en 1696, \u00e0 l\u2019\u00e2ge de 70\u00a0ans, avec la publication de ses lettres, qu\u2019elle n\u2019avait pas autoris\u00e9e de son vivant<\/p>\n

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