{"id":11313,"date":"2026-08-20T12:04:10","date_gmt":"2026-08-20T12:04:10","guid":{"rendered":"https:\/\/www.europesays.com\/fra\/paris\/11313\/"},"modified":"2026-08-20T12:04:10","modified_gmt":"2026-08-20T12:04:10","slug":"monet-warhol-cezanne-miro-les-20-expositions-les-plus-attendues-de-la-rentree-2026","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fra\/paris\/11313\/","title":{"rendered":"Monet, Warhol, Cezanne, Mir\u00f3&#8230; les 20 expositions les plus attendues de la rentr\u00e9e 2026"},"content":{"rendered":"<p>\t\t\t1\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tTintoret \u00e0 Jacquemart-Andr\u00e9\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Tintoret \u00e0 Jacquemart-Andr\u00e9\" width=\"1064\" height=\"609\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_2-tt-width-1064-height-609-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Tintoret \u00e0 Jacquemart-Andr\u00e9\" width=\"1064\" height=\"609\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_2-tt-width-1064-height-609-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Tintoret, La Cr\u00e9ation des animaux, 1550-1553, huile sur toile, 140 x 196 cm, Venise, Gallerie dell\u2019Accademia.\u00a0\u00a9 Eric Vandeville \/ akg-images<\/p>\n<p>\n\t\t\u00ab \u00c9ternel Tintoret \u00bb, Paris, mus\u00e9e Jacquemart-Andr\u00e9, 158, boulevard Haussmann, 75008 Paris, du\u00a011 septembre 2026 au 24 janvier 2027\t<\/p>\n<p>\t\t\t2\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tEva Gonzal\u00e8s au Petit Palais\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Eva Gonzal\u00e8s au Petit Palais\" width=\"1064\" height=\"794\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_3-tt-width-1064-height-794-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Eva Gonzal\u00e8s au Petit Palais\" width=\"1064\" height=\"794\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_3-tt-width-1064-height-794-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Eva Gonzal\u00e8s, Une loge aux Italiens, vers 1874, huile sur toile,\u00a097,7\u00a0x 130,\u00a0Don Jean Gu\u00e9rard, 1927, \u00a9\u00a0Mus\u00e9e d\u2019Orsay, Dist. RMN-Grand Palais\u00a0\/\u00a0Patrice Schmidt<\/p>\n<p>\n\t\t\u00ab Eva Gonzal\u00e8s. Parcours d&rsquo;une artiste libre\u00bb, Petit Palais,\u00a0Avenue Winston Churchill, 75008 Paris,\u00a0du 15 septembre\u00a0au\u00a024 janvier 2027\t<\/p>\n<p>\t\t\t3\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tLa ligne Warhol au mus\u00e9e du Luxembourg\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"La ligne Warhol au mus\u00e9e du Luxembourg\" width=\"1064\" height=\"1248\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_4-tt-width-1064-height-1248-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"La ligne Warhol au mus\u00e9e du Luxembourg\" width=\"1064\" height=\"1248\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_4-tt-width-1064-height-1248-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Andy Warhol, Kids on Swings, 1946, tempera, crayon et encre sur masonite, 76.2 x 66 cm, Collection Antoine Ohannessian \u00a9 The Andy Warhol Foundation for the Visual Arts, Inc. Licensed by ADAGP, Paris 2025<\/p>\n<p>\n\t\t\u00abAndy Warhol. La ligne et l\u2019image\u00bb, Mus\u00e9e du Luxembourg, 19 rue de Vaugirard, 75006 Paris, du\u00a016 septembre 2026\u00a0au\u00a010 janvier 2027\t<\/p>\n<p>\t\t\t4\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tCezanne et nous au Grand Palais\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Cezanne et nous au Grand Palais\" width=\"1064\" height=\"929\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_5-tt-width-1064-height-929-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Cezanne et nous au Grand Palais\" width=\"1064\" height=\"929\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_5-tt-width-1064-height-929-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Paul Cezanne, Trois baigneuses, entre 1874 et 1875, Mus\u00e9e d\u2019Orsay. Dation, 1982 \u00a9 GrandPalaisRmn (mus\u00e9e d&rsquo;Orsay), Herv\u00e9 Lewandowki<\/p>\n<p>\n\t\t\u00abC\u00e9zanne et nous\u00bb, Grand Palais, Avenue Winston-Churchill, 75008 Paris, du 23 septembre au 17 janvier 2027\t<\/p>\n<p>\t\t\t5\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tTrop Mignon\u00a0! au Louvre-Lens\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Trop Mignon\u00a0! au Louvre-Lens\" width=\"1064\" height=\"800\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_6-tt-width-1064-height-800-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Trop Mignon\u00a0! au Louvre-Lens\" width=\"1064\" height=\"800\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_6-tt-width-1064-height-800-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Jules Le Roy, Chats dans une commode, 1900 , huile sur bois, 26.3 x 24.8 cm \u00a9Roubaix, La Piscine<\/p>\n<p>\n\t\t\u00abTrop Mignon ! L\u2019art du bonheur\u00bb, Mus\u00e9e du Louvre-Lens,\u00a099 Rue Paul Bert, 62300 Lens, du\u00a023 septembre au 18 janvier 2027\t<\/p>\n<p>\t\t\t6\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tHistoires de paysages au mus\u00e9e Marmottan Monet\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Histoires de paysages au mus\u00e9e Marmottan Monet\" width=\"1064\" height=\"1408\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_7-tt-width-1064-height-1408-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Histoires de paysages au mus\u00e9e Marmottan Monet\" width=\"1064\" height=\"1408\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_7-tt-width-1064-height-1408-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Claude Monet, Coin de l\u2019\u00e9tang \u00e0 Giverny, 1917, huile sur toile, 117 x 83 cm, Grenoble, mus\u00e9e de Grenoble, don de l&rsquo;artiste en 1923,\u00a0\u00a9 Ville de Grenoble \/ Mus\u00e9e de Grenoble \u2013 J.L. Lacroix<\/p>\n<p>\n\t\t\u00ab Histoires de paysages de Monet \u00e0 Hockney\u00a0(1893-2026) \u00bb, Mus\u00e9e Marmottan Monet,\u00a02 Rue Louis Boilly, 75016 Paris, du 24 septembre au 31 janvier 2027\t<\/p>\n<p>\t\t\t7\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tMonet au mus\u00e9e de l\u2019Orangerie\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Monet au mus\u00e9e de l\u2019Orangerie\" width=\"1064\" height=\"1024\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_8-tt-width-1064-height-1024-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Monet au mus\u00e9e de l\u2019Orangerie\" width=\"1064\" height=\"1024\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_8-tt-width-1064-height-1024-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Claude Monet, Le Bassin aux nymph\u00e9as, harmonie verte, 1899, huile sur toile, 89,5 \u00d7 92,5 cm Paris, mus\u00e9e d\u2019Orsay, legs comte Isaac de Camondo, 1911, RF 2004 photo \u00a9 mus\u00e9e d\u2019Orsay, dist. GrandPalaisRMN \/ La\u00ebtitia Striffling-Marcu<\/p>\n<p>\n\t\t\u00abMonet, Peindre le temps\u00bb, mus\u00e9e de\u00a0l\u2019Orangerie, Jardin des Tuileries, 75001 Paris, du 30 septembre au 25 janvier 2027\t<\/p>\n<p>\t\t\t8\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tLook ! 40 ans de mode au Mus\u00e9e des Arts d\u00e9coratifs de Paris\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Look ! 40 ans de mode au Mus\u00e9e des Arts d\u00e9coratifs de Paris\" width=\"1064\" height=\"1596\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_9-tt-width-1064-height-1596-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Look ! 40 ans de mode au Mus\u00e9e des Arts d\u00e9coratifs de Paris\" width=\"1064\" height=\"1596\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_9-tt-width-1064-height-1596-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Azzedine Ala\u00efa,\u00a0robe du soir, 1989\u00a0\u00a9 Les Arts d\u00e9coratifs \/ Jean Tholance<\/p>\n<p>\n\t\t\u00abLook ! 40 ans de mode au mus\u00e9e\u00bb, mus\u00e9e des Arts d\u00e9coratifs\u00a0(MAD),\u00a0107 Rue de Rivoli, 75001 Paris, du 30 septembre au 4 avril 2027\t<\/p>\n<p>\t\t\t9\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tPen &amp; Fashion \u00e0 la MEP\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Pen &amp; Fashion \u00e0 la MEP\" width=\"1064\" height=\"1186\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_10-tt-width-1064-height-1186-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Pen &amp; Fashion \u00e0 la MEP\" width=\"1064\" height=\"1186\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_10-tt-width-1064-height-1186-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Irving Penn, Young Woman with Headdress, 2005, New York\u00a0\u00a9 The Irving Penn Foundation \/ Collection de The Irving Penn<\/p>\n<p>\n\t\t\u00abPenn &amp; Fashion\u00bb, Maison Europ\u00e9enne de la Photographie, 5\/7 Rue de Fourcy, 75004 Paris, du 30 septembre au 17 janvier 2027\t<\/p>\n<p>\t\t\t10\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tPainting the French Riviera \u00e0 la Royal Academy of Art de Londres\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Painting the French Riviera \u00e0 la Royal Academy of Art de Londres\" width=\"1064\" height=\"1296\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_11-tt-width-1064-height-1296-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Painting the French Riviera \u00e0 la Royal Academy of Art de Londres\" width=\"1064\" height=\"1296\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_11-tt-width-1064-height-1296-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Pierre Bonnard, La Porte de la Villa du Bosquet au Cannet, 1944, huile sur toile, 61,6 x 49,8 cm, \u00a9 Loan courtesy of the Muskegon Museum of Art, Gift of the L.C. and Margaret Walker Foundation<\/p>\n<p>\n\t\t\u00abPainting the French Riviera\u00bb, Royal Academy of Art,\u00a0Burlington House, Piccadilly, London, du 2 octobre au 31 janvier 2027\t<\/p>\n<p>\t\t\t11\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tMiro aux Abattoirs de Toulouse\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Miro aux Abattoirs de Toulouse\" width=\"1064\" height=\"697\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_12-tt-width-1064-height-697-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Miro aux Abattoirs de Toulouse\" width=\"1064\" height=\"697\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_12-tt-width-1064-height-697-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Joan Mir\u00f3, Ubu roi, 1966, lithographie originale en couleur sur papier Vitela Arches, 46,5 x 68,5cm, inv. : EBM 303, Es Baluard Museu d\u2019Art Contemporani de Palma, Govern de les Illes Balears collection long-term loan. Provenance : Pere A. Serra collection \u00a9 Successi\u00f3 Mir\u00f3 \/ Adagp, Paris, 2026 ; photo : DR<\/p>\n<p>\n\t\t\u00abJoan Mir\u00f3\u00a0: Protestation\u00bb, Les Abattoirs,\u00a076 All. Charles de Fitte, 31300 Toulouse, du 2 octobre au 7 mars 2027\t<\/p>\n<p>\t\t\t12\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tMary Cassatt au mus\u00e9e d\u2019Orsay\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Mary Cassatt au mus\u00e9e d\u2019Orsay\" width=\"1064\" height=\"1274\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_13-tt-width-1064-height-1274-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Mary Cassatt au mus\u00e9e d\u2019Orsay\" width=\"1064\" height=\"1274\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_13-tt-width-1064-height-1274-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Mary Cassatt, M\u00e8re et enfant sur fond vert, 1897, pastel sur papier beige coll\u00e9 sur ch\u00e2ssis entoil\u00e9, 55 x 46 cm,\u00a0Don Mary Cassatt, 1897 \u00a9\u00a0RMN-Grand Palais (Mus\u00e9e d\u2019Orsay)\u00a0\/\u00a0Herv\u00e9 Lewandowski<\/p>\n<p>\n\t\t\u00abMary Cassatt, L\u2019ind\u00e9pendante \u00bb, Mus\u00e9e d\u2019Orsay,\u00a0Esplanade Val\u00e9ry Giscard d&rsquo;Estaing, 75007 Paris, du 6 octobre au 31 janvier 2027\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Zurbaran au Louvre\" width=\"1064\" height=\"1708\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_14-tt-width-1064-height-1708-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Zurbaran au Louvre\" width=\"1064\" height=\"1708\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_14-tt-width-1064-height-1708-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Francisco de Zurbar\u00e1n, Sainte Casilda, vers 1635, huile sur toile\u00a0\u00a9 Museo Nacional Thyssen Bornemisza, Madrid<\/p>\n<p>\n\t\t\u00abZurbar\u00e1n (1598-1664)\u00bb, Mus\u00e9e du Louvre,\u00a075001 Paris, du\u00a07 octobre au 25 janvier 2027\t<\/p>\n<p>\t\t\t14\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tGustave Fayet \u00e0 la Fondation Louis Vuitton\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Gustave Fayet \u00e0 la Fondation Louis Vuitton\" width=\"1064\" height=\"599\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_1-tt-width-1064-height-599-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Gustave Fayet \u00e0 la Fondation Louis Vuitton\" width=\"1064\" height=\"599\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_1-tt-width-1064-height-599-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Vincent van Gogh, Le cypr\u00e8s et l\u2019arbre en fleurs, septembre 1889, huile sur toile, 52 x 65 cm, collection particuli\u00e8re\u00a0\u00a9 Peter Sch\u00e4lchli<\/p>\n<p>\n\t\t\u00ab Gustave Fayet, Collectionneur-cr\u00e9ateur. Ic\u00f4nes de l\u2019art moderne \u00bb,\u00a0Fondation Louis Vuitton,\u00a08, avenue du Mahatma Gandhi, 75116 Paris, du 9 octobre 2026 au 8 mars 2027\t<\/p>\n<p>\t\t\t15\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tRoy Lichtenstein au Whitney Museum de New York\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Roy Lichtenstein au Whitney Museum de New York\" width=\"1064\" height=\"819\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_15-tt-width-1064-height-819-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Roy Lichtenstein au Whitney Museum de New York\" width=\"1064\" height=\"819\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_15-tt-width-1064-height-819-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Roy Lichtenstein, Crying girl, 1963, lithographie, 45,1 x 60,3 cm,\u00a0Whitney Museum of American Art, New York \u00a9 Estate of Roy Lichtenstein\/DACS 2026<\/p>\n<p>\n\t\t\u00abRoy Lichtenstein : Like new\u00bb,\u00a0Whitney Museum\u00a0of American Art,\u00a099 Gansevoort St, New York, du 11 octobre au 10 mai 2027\t<\/p>\n<p>\t\t\t16\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tHenri Cartier Bresson \u00e0 Caumont Centre d\u2019art\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Henri Cartier Bresson \u00e0 Caumont Centre d\u2019art\" width=\"1064\" height=\"711\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_20-tt-width-1064-height-711-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Henri Cartier Bresson \u00e0 Caumont Centre d\u2019art\" width=\"1064\" height=\"711\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_20-tt-width-1064-height-711-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Henri Cartier-Bresson, Bruxelles, Belgique, 1932. \u00a9 Fondation Henri Cartier-Bresson \/ Magnum Photos<\/p>\n<p>\n\t\t\u00abHenri Cartier-Bresson. Les Europ\u00e9ens\u00bb, Caumont Centre d&rsquo;Art, 3 rue Joseph Cabassol, 13100 Aix-en-Provence, du 5 novembre au 21 mars 2027\t<\/p>\n<p>\t\t\t17\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tBruxelles 1900 au Petit Palais\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Bruxelles 1900 au Petit Palais\" width=\"1064\" height=\"819\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_16-tt-width-1064-height-819-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Bruxelles 1900 au Petit Palais\" width=\"1064\" height=\"819\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_16-tt-width-1064-height-819-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>L\u00e9on Spilliaert, Autoportrait, 2 novembre 1908, 1908, encre de Chine lav\u00e9e, crayon de couleur, pastel et gouache sur papier, 49 x 63,8 cm. \u00a9Mus\u00e9es royaux des Beaux-Arts de Belgique, Bruxelles<\/p>\n<p>\n\t\t\u00abBruxelles 1900\u00bb, Petit Palais, avenue Winston Churchill, 75008 Paris, du\u00a010 novembre\u00a0au\u00a025 avril 2027\t<\/p>\n<p>\t\t\t18\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tVoyage \u00e0 l\u2019anglaise au Palais des Beaux-Arts de Lille\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Voyage \u00e0 l\u2019anglaise au Palais des Beaux-Arts de Lille\" width=\"1064\" height=\"677\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_17-tt-width-1064-height-677-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Voyage \u00e0 l\u2019anglaise au Palais des Beaux-Arts de Lille\" width=\"1064\" height=\"677\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_17-tt-width-1064-height-677-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Joseph Mallord William Turner,\u00a0Orl\u00e9ans, vall\u00e9e de la Loire,\u00a01826-1828, aquarelle, gouache et plume sur papier,\u00a0Tate Britain \u00a9\u00a0Tate Britain<\/p>\n<p>\n\t\t\u00ab Voyage \u00e0 l\u2019anglaise. William Turner et les artistes du \u00abGrand tour\u00bb\u00bb, Palais des Beaux-Arts de Lille,\u00a0Place de la R\u00e9publique, 59000 Lille, du\u00a020 novembre au\u00a022 mars 2027\t<\/p>\n<p>\t\t\t19\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tSurr\u00e9elles au mus\u00e9e d\u2019Arts de Nantes\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Surr\u00e9elles au mus\u00e9e d\u2019Arts de Nantes\" width=\"1064\" height=\"1415\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_18-tt-width-1064-height-1415-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Surr\u00e9elles au mus\u00e9e d\u2019Arts de Nantes\" width=\"1064\" height=\"1415\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_18-tt-width-1064-height-1415-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Aube Ell\u00e9ou\u00ebt, Pour Frida Kahlo, 1992, dessin, Collage, Imprim\u00e9s d\u00e9coup\u00e9s, galon de dentelle d\u00e9chir\u00e9e coll\u00e9s sur papier noir, 93,8 x 73,8 cm, Mus\u00e9e d\u2019art moderne de la Ville de Paris, \u00a9 Adagp, Paris<\/p>\n<p>\n\t\t\u00ab Surr\u00e9elles. Une autre travers\u00e9e du surr\u00e9alisme\u00bb, Mus\u00e9e d\u2019Arts de Nantes,\u00a010 Rue Georges Clemenceau, 44000 Nantes, du\u00a020 novembre 21 mars 2027\t<\/p>\n<p>\t\t\t20\/20\t\t<\/p>\n<p class=\"leading-normal font-bold text-xl lg:text-5xl\">\n\t\t\tVan Eyck les portraits \u00e0 la National Gallery de Londres\t\t<\/p>\n<p>\t\t<img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Van Eyck les portraits \u00e0 la National Gallery de Londres\" width=\"1064\" height=\"1476\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_19-tt-width-1064-height-1476-fill-1-crop-0-bgcolor-ffffff.jpg\"\/><img loading=\"lazy\" decoding=\"async\" class=\"block swiper-lazy landscape\" alt=\"Van Eyck les portraits \u00e0 la National Gallery de Londres\" width=\"1064\" height=\"1476\" src=\"https:\/\/www.europesays.com\/fra\/paris\/wp-content\/uploads\/2026\/08\/cda26_selection_expos_rentree_19-tt-width-1064-height-1476-fill-1-crop-0-bgcolor-ffffff.jpg\"\/>\t\t<\/p>\n<p>Jan van Eyck, Portrait d&rsquo;un homme (de la famille Arnolfini ?), vers 1440, huile sur panneau, 30 x 21,6 cm, Gem\u00e4ldegalerie, Berlin \u00a9 Scala, Florence<\/p>\n<p>\n\t\t\u00abVan Eyck: Les Portraits\u00bb, The\u00a0National Gallery,\u00a0Trafalgar Square, London, du\u00a021 novembre au 11 avril 2027\t<\/p>\n","protected":false},"excerpt":{"rendered":"1\/20 Tintoret \u00e0 Jacquemart-Andr\u00e9 Tintoret, La Cr\u00e9ation des animaux, 1550-1553, huile sur toile, 140 x 196 cm, Venise,&hellip;\n","protected":false},"author":2,"featured_media":11314,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[76,55,56],"class_list":["post-11313","post","type-post","status-publish","format-standard","has-post-thumbnail","category-louvre","tag-1er","tag-louvre","tag-musee-du-louvre"],"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fra\/paris\/wp-json\/wp\/v2\/posts\/11313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fra\/paris\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fra\/paris\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fra\/paris\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fra\/paris\/wp-json\/wp\/v2\/comments?post=11313"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fra\/paris\/wp-json\/wp\/v2\/posts\/11313\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fra\/paris\/wp-json\/wp\/v2\/media\/11314"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fra\/paris\/wp-json\/wp\/v2\/media?parent=11313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fra\/paris\/wp-json\/wp\/v2\/categories?post=11313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fra\/paris\/wp-json\/wp\/v2\/tags?post=11313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}